Islands in a Sea of Change? Continuity and Abandonment in Dark Age Corinth and Thessaloniki

In the sixth century after Christ, the Greek cities of Corinth and Thessaloniki were both still centers of imperial Roman and nascent Christian administrations, ancient population centers protected by high fortification walls. But much of scholarship continues to portray Thessaloniki as a veritable island of civilization during the next two “dark” centuries, with cities of southern Greece like Corinth virtually abandoned after earthquakes, plague, and barbarian invasion. Yet recently historians are reading the few literary sources much more critically, and excavation is also slowly beginning to fill in this gap. Thus long-known evidence of urban continuity in Thessaloniki along with the fruits of some of these methodological advances can begin to provide a new model of Dark Age continuity and abandonment for Corinth and other ancient cities of Byzantine Greece.     

John Hewitt's allegorical imagination

John Hewitt (1907–1987), the Northern Irish poet from Belfast, is most famous for advocating the Regionalist project he helped start in the 1930's. Regionalism demanded something more than kinship: an allegiance to the smaller unit of land within a nation. In his poetry, Hewitt's pursuit of this ideal necessitated a concern with sectarian issues and the religious and cultural impasses that attended them. Consequently, he often examines his own complicity in the unhealthy relations between divided neighbors, and this opens the door to a couple of criticisms that have commonly been directed at Hewitt: that his negotiations with place are outdated and that his craft and imagination were superseded by a self-conscious attention to denominational questions. To a large degree this essay means to explore how Hewitt manages to overcome such difficulties in his best work, especially The Bloody Brae and ‘The Colony’. In these and other poems, he imagines an alternative time and place; such settings allow the poet to dramatize philosophical and meta-ethical questions without being explicitly hortative. The worlds of these poems exist independently, untainted by contemporary fact, yet they often allude to the predicaments of his homeland. This technique of using a double focus inspires reflection on questions current in Hewitt's lifetime, at the same time as it shifts responsibility for answers from poet to reader. It also insists on the recall of visual experience, thereby promoting a regionally characteristic language.