Dystopian space in colonial representations and interventions: Sierra Leone as 'the white man's grave'

This paper explores the power of dystopian imaginations. It does so by examining the form and function of dystopias in colonial contexts, both in general and through one particularly salient and significant colonial dystopia, which was known widely in imperial England as 'the white man's grave'. A detailed analysis of the form and function of dystopian accounts of Sierra Leone, with particular attention to Richard Burton's negative appraisal of the colony, illuminates a particular form of geographical colonial discourse, and clarifies some of the power relations more generally associated with dystopian representations and interventions.     

How incipient colonies create territory: the textual surveys of New Spain, 1520s–1620s

The study of colonial surveying and cartography has become key to understanding the history of European colonialism because of the recognition that land surveys and maps not only represent territory but form part of the process through which territory comes into being. While many studies have therefore focused on the history of instrumental surveying and cartography in New Spain, roughly equivalent to present-day Mexico, between the seventeenth and twentieth century, the textual surveys of the sixteenth century that helped to bring the initial colonial territory into being have gone largely unstudied. Content analysis of textual land surveys included in sixteenth-century viceregal land grants for sheep and cattle ranches demonstrates variation in references to distance, direction, and borders that begins to reveal a process of negotiation among local actors and centralized state power that was contingent on environmental, economic, and demographic differences between highland and lowland landscapes.     

Lime Burning in Clamp Kilns in Scotland's Western Central Belt: Primitive Industry or Simple but Perfectly Adequate Technology?

Lime is a fundamental component in many industrial, agricultural and chemical processes, and is itself produced by an industrial process, namely, the heating in kilns (calcining, or more colloquially ‘burning’) of calcium carbonate rock or other carbonate material. Research and literature on lime burning in Scotland, based largely on lime production in Scotland's eastern Central Belt, are dominated by the view that lime burning in draw kilns is the paradigm for Scottish lime production. Other parts of Scotland, however, largely or completely ignored, draw kilns in favour of simpler clamp kilns, even in major industrial sites of lime production. This paper reports our map- and field-based surveys in Scotland's western Central Belt, which clearly point to the enduring importance and almost exclusive use of clamp kilns in that area's historical lime-burning industry.     

The Role of Culture and Technology in Civil Society Promotion in the Middle East: A Case Study Approach

For over a decade, the U.S. administration has been sponsoring capacity‐building efforts focusing on technology to support democracy activists in Middle Eastern societies; such efforts have often fallen short in their effectiveness. In this article, using a case study approach, we argue that capacity‐building efforts must be approached in a culture‐specific manner. It is imperative to begin exploring the specific nature of civil society in different Middle Eastern societies and translate the Western concept of “civil society” into terms appropriate to Middle Eastern contexts. Based on a culture‐specific understanding, programs involving technology to promote democratic institutions in Middle Eastern societies can be designed.     

Death by Water: Boats and Footprints in the Rock Art of Western Sweden

This paper considers two of the key images in the Bronze Age rock carvings of Bohuslän in relation to the wider landscape. It compares the distribution of cairns on islands off the west coast of Sweden with that of similar monuments on low hills surrounded by drawings of boats. These are often in areas which had previously been occupied by the sea. Perhaps the drawings of boats evoked an expanse of water separating the world of the living from the burial places of the dead. If so, the lines of footprints leading between these two areas may also refer to the passage between life and death.