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Stacey Lynn Camp 《International Journal of Historical Archaeology》2011,15(3):305-328
In late nineteenth- and early twentieth-century America, the consumption of American-made goods was seen as an expression
of one’s patriotism and loyalty to the nation. According to a number of historical archaeological case studies, racialized
groups, such as African Americans and Chinese Americans, used consumption as a way of gaining access to the full benefits
of American citizenship typically reserved for individuals deemed “white” by law. The material culture of Mexican immigrants
living in early twentieth-century Los Angeles tells a slightly different tale. Despite being ascribed a legal whiteness, archaeological
and documentary data suggest that Mexican immigrants expressed ambivalence toward their consumption of American goods and
outright rejected the notion that exerting such buying power would lead to a broader acceptance in Anglo American society. 相似文献
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Kooiman Susan M. Albert Rebecca K. Malainey Mary E. 《Journal of Archaeological Method and Theory》2022,29(3):795-830
Journal of Archaeological Method and Theory - The application of multiple lines of evidence is necessary to understand past complex behaviors such as diet and cuisine. This paper advocates for the... 相似文献
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Rebecca Gordon-Nesbitt 《International Journal of Cultural Policy》2013,19(2):155-169
As the tide turns against econometric calculations of cultural value, scope exists for careful reconsideration of the social value of culture. In Cuba after 1959, culture was placed at the heart of a society undergoing radical transformation. This article examines the socially orientated initiatives to which this revalidation gave rise. It shows that substantial changes were wrought in professional circles as art was acknowledged as a form of social production and remunerated accordingly. It also outlines the sustained efforts that were made to diminish the gap between creative intellectuals and the rest of society, by encouraging widespread appreciation of, and participation in, creative activity. This comprehensive programme was underscored by ideas around democratisation and emancipation that remain vital to contemporary discussions. 相似文献
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Rebecca Charlotte Robinson 《International Journal of Cultural Policy》2013,19(1):46-58
The National Theatre of Scotland (NTS) is a an innovative and ground‐breaking, non‐building‐based, commissioning and producing cultural institution, established in the wake of the devolution of the Scottish Parliament. This article sketches the contours of this new model of a national theatre, exploring the complex dialectic between various economic, political, social and artistic choices, forces and factors that have influenced, and continue to influence, the formative years of the NTS. The article charts changes to the company during these early years and, most significantly, notes the potential effect that the change from arm’s length to direct government funding might have on the company’s long‐term development. It is argued that direct funding aligns the arts too closely to political agendas rather than supporting artistic freedom and expression. 相似文献
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Robert M. Rosenswig Ricardo López-Torrijos Caroline E. Antonelli Rebecca R. Mendelsohn 《Journal of archaeological science》2013
Recent lidar and pedestrian surface surveys have remapped the well-known Mesoamerican site of Izapa and the surrounding Soconusco piedmont. These data document: 1) occupation from the surrounding piedmont environment, 2) significantly larger estimates of the site's size during both the Formative and Classic periods as well as 3) new architectural features from the monumental site core. Methodological issues are outlined for combining high precision lidar mapping with ground truthing and pedestrian survey that focuses on surface collection of temporally diagnostic artifacts. Results are presented for 670 mounds documented in an area of 43.1 sq km in and around the ancient capital of Izapa. 相似文献
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Joanna Ostapkowicz Christopher Bronk Ramsey Fiona Brock Caroline Cartwright Rebecca Stacey Mike Richards 《Journal of archaeological science》2013
This paper presents 19 AMS radiocarbon dates from nine pre-Hispanic Caribbean (Taíno/Lucayan) wooden sculptures in the British Museum collections, provenanced to Jamaica, Hispaniola and the Bahamas. Together with strontium isotope results and wood and resin identifications, these data build a material and chronological context for some of the most recognised examples of Taíno art – from duhos (ceremonial seats) and cemís (free standing depictions of deities, ancestors and spirits) to canopied stands used to hold hallucinogenic drugs during the cohoba ceremony. Each sculpture widens our understanding of Caribbean carving traditions, stylistic variation, chronologies and material resource utilisation. A group of three sculptures recovered from Carpenters Mountains, Jamaica, carved by AD 1300 and brought together as a ceremonial ‘set’, each appear to have had their inlays renewed over a century later, suggesting long-term use. Three key examples of the main Caribbean duho categories (high-back, low-back and extended), provide insights into the diversity of styles present in the region post-AD 1100. The British Museum's corpus enables an exploration of regional styles, and potentially the work of individual artists. 相似文献