Physical activity and rural young people's sense of place

This paper explores rural young people's perceptions of their local environments in relation to their experiences with physical activities through the use of visual methodologies. The main findings from map, photo and interview data from 13 rural young Australians included the importance of friends, family, and gender structures which are discussed in relation to developing a sense of place and how this shapes their experience in physical activities. The findings highlight the importance of sociocultural issues and raises questions regarding measuring physical activity prompting further qualitative research to inform sustainable and equitable physical activity promotion initiatives for rural young people.     

The geographic origins of Nasca trophy heads using strontium,oxygen, and carbon isotope data

Scholars continue to debate the identity of individuals curated as trophy heads in the Nazca Drainage of southern Peru (c. 1–800 AD). What was the role of trophy heads in Nasca society? Were they victims of warfare or venerated ancestors? Strontium, oxygen, and carbon isotope data from archaeological human tooth enamel from Nasca trophy heads from Aja, Cahuachi, Cantayo, Majoro Chico and Paredones, and from individuals buried in Nasca cemeteries at Cahuachi, Cantayo, and Majoro Chico elucidate the geographic origins and paleodiet of trophy heads in the Nazca Drainage. The ⁸⁷Sr/⁸⁶Sr and δ¹⁸O_c(V-PDB) data from both the trophy heads and the Nazca Drainage burials are all quite variable, and do not support the hypothesis that the Nasca trophy heads were obtained from a geographically-distinct population. Similarly, the δ¹³C_c(V-PDB) data demonstrates that the individuals included in this study consumed similar diets. These data suggest that the Nasca trophy heads likely derive from the local Nasca population. Rather than obtain heads from enemy warriors through geographic expansion or warfare as seen in other parts of the world, this complex social practice existed within the Nasca polity throughout space and time.     

The horse, the Kyrgyz horse and the 'Kyrgyz horse'

Ethnographic material gathered among horse owners in Kyrgyzstan, as part of a multi disciplinary project based at the McDonald Institute of Archaeological Research is used to explore diverse ideas about horse breeding.     

Women and Peace Building: Local Perspectives on Opportunities and Barriers

The UN Security Council Resolution 1325 has made strong provisions to include women in peace‐building interventions and actions. This is, however, rarely observed in practice beyond local‐level activities. This article discusses new qualitative evidence on the opportunities and barriers to women's participation in peace‐building processes, based on a comparative analysis of case studies conducted in Afghanistan, Liberia, Nepal and Sierra Leone. The findings show that women's engagement in peace‐building activities, beyond their immediate social relations, is restricted by institutional, economic, cultural and social obstacles. These barriers prevent the realization of gender equality objectives in peace‐building initiatives. Moreover, local understandings of peace typically place family relations at the centre of how women engage with peace‐building processes, and how other community members perceive women's roles in peace building.     

Resisting relocation and reconceptualising authenticity: the experiential and emotional values of the Southbank Undercroft,London, UK

In 2013 the Southbank Centre proposed the redevelopment of a complex of buildings including a famous skate spot known as the Undercroft. The 2013–14 campaign to protect the Undercroft drew strongly on heritage arguments, encapsulated in the tagline, ‘You Can’t Move History: You Can Secure the Future’. The campaign, which was ultimately successful as the Undercroft remains open and skateable, provides a lens through which three key areas of heritage theory and practice can be examined. Firstly, the campaign uses the term ‘found space’ to reconceptualise authenticity and places a greater emphasis on embodied experiences of, and emotional attachments to, historic urban spaces. Secondly, the concept of found space opens up a discussion surrounding the role of citizen expertise in understanding the experiential and emotional values of historic urban spaces. Finally, the paper concludes by considering the place for found space and citizen expertise within current heritage discourse and practice. The paper is accompanied by the award-winning film ‘You Can’t Move History’ which was produced by the research team in collaboration with Paul Richards from BrazenBunch and directed by skater, turned filmmaker, Winstan Whitter.     

Confronting Contradictions: Genre Subversion and Feminist Politics in Agnès Varda's L'une chante,l'autre pas

French filmmaker Agnès Varda's career has been largely defined by contradiction. She is acknowledged as influential, yet often discussed independently from the advanced filmmaking practices and intellectual debates of her New Wave generation. Her musical, L'une chante, l'autre pas, was particularly misunderstood: film critics and feminist scholars praised the film's feminist storyline, but found that the unexpected musical numbers undercut the seriousness of the feminist message, resulting in a film that is ultimately incongruous. Through archival excavation of Varda's sources, I argue that the film's incongruity was in fact intentional, an expansion of advanced filmmaking theories and strategies, in dialogue with influential Brechtian texts and contemporary feminist debates. This essay reveals specific social and economic factors that influenced the production and reception of the film and reconsiders apparent contradictions in Varda's career.