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Marie‐Laurence De Keersmaecker Pierre Frankhauser Isabelle Thomas 《Geographical analysis》2003,35(4):310-328
The objective of this paper is to compare fractal‐based parameters calculated by different fractal methods for urban built‐up areas and to link the observed spatial variations to variables commonly used in urban geography, urban economics, or land‐use planning. Computations are performed on Brussels, Belgium. Two fractal methods (correlation and dilation) are systematically applied for evaluating the fractal dimension of built‐up surfaces; correlation is used to evaluate the fractal dimension of the borders (lines). Analyses show that while fractal dimension is ideal for distinguishing the morphology of Brussels, each estimation technique leads to slightly different results. Interesting associations are to be found between the fractal dimensions and rent, distance, income, and planning rules. Despite its limitations, fractal analysis seems to be a promising tool for describing the morphology of the city and for simulating its genesis and planning. The model is robust: it replicates the urban spatial regularities and patterns, and could hence fruitfully be integrated into intra‐urban simulation processes. 相似文献
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The purpose of the paper is to address what is the impact of the synthesis between Basque history, branding identity and Law 8/1994 on Basque identity in the homeland and Diaspora. Naturally occurring brands combine history, anthropology, sociology, and marketing to explain the phenomenon of communities defined by a sense of place. Focusing on both the Basque Country and Basques in Boise, Idaho as one case study, the authors discuss how the naturally occurring brand and cultural policy of the Basque people became formalized 20?years ago with Law 8/1994. The article addresses who the Basques are and how they have branded themselves through language, place, industry, food, drink, and culture. Similarities to other communities are explored so that other ethnic/cultural communities can learn from this Diaspora cultural policy discussion. 相似文献
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Ray Cashman 《Folklore》2013,124(2):191-215
As a symbolic figure in Irish folklore and popular literature, the outlaw embodies folk morality in conflict with the self-interest and inequity of the state. In the aftermath of British colonisation, the Irish outlaw is represented as more than a criminal. He provides a hero through whom ordinary Irishmen and women can vicariously enjoy brief victories, and imagine their collective dignity in the midst of political defeat and its consequences. Legends, ballads and chapbooks portraying the outlaw are the products of hard-pressed people representing themselves to themselves, reflecting on their strengths and weaknesses, and contemplating issues of morality and justice. 相似文献
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