Representations of 1968 in French Popular Music: The Case of Dominique Grange

Focusing on the songs written during 1968–69 presented on the album L'Utopie toujours…(2004) by Dominique Grange, this article discusses some of the representations of key themes of 1968 in song. Grange is a politically engaged singer-songwriter who, whilst enjoying limited commercial success, was very much involved with the 1968 protest movement in Paris and was subsequently linked with various Maoist organisations throughout the 1970s. Her songs constitute an immediate response to the events of 1968 and reflect many of the key themes of the period as identified by Kristin Ross, whose seminal work on May ’68 provides the starting point for the article. The themes of disruption, displacement and reappropriation that Ross identifies in the movement generally are analysed within the context of Grange's songs. In particular the representations of these themes in the context of political contestation, the occupation of space and the seizing of speech are considered. This analysis will ultimately show how Grange's songs highlight the complex nature of the cultural construction that is 1968.     

Ichnofacies of the Stairway Sandstone fish-fossil beds (Middle Ordovician,Northern Territory,Australia)

The Stairway Sandstone is a 30–560 m thick succession of Middle Ordovician siliciclastic sedimentary rocks within the Amadeus Basin of central Australia, deposited in the epeiric Larapintine Sea of northern peri-Gondwana. The Stairway Sandstone is significant as one of only two known Gondwanan successions to yield articulated arandaspid (pteraspidomorph agnathan) fish. Herein we use the ichnology of the Stairway Sandstone to reveal insights into the shallow marine habitat of these early vertebrates, and compare it with that of other known pteraspidomorph-bearing localities from across Gondwana. The Stairway Sandstone contains a diverse Ordovician ichnofauna including 22 ichnotaxa of Arenicolites, Arthrophycus, Asterosoma, Cruziana, Didymaulichnus, Diplichnites, Diplocraterion, ?Gordia, Lockeia, Monocraterion, Monomorphichnus, Phycodes, Planolites, Rusophycus, Skolithos and Uchirites. These ichnofauna provide a well-preserved example of a typical Ordovician epeiric sea assemblage, recording the diverse ethologies of tracemakers in a very shallow marine environment of flashy sediment accumulation and regularly shifting sandy substrates. New conodont data refine the age of the Stairway Sandstone to the early Darriwilian, with ichnostratigraphic implications for the Cruziana rugosa group and Arthrophycus alleghaniensis.     

Acqua minerale di Sangemini: the Italian mineral water industry finds a place at the table

Abstract

Water is an important part of most Italian meals, and Italians are amongst the largest consumers of bottled mineral water in Europe. This article looks at the development of the mineral water industry in Italy from the nineteenth century to present by focusing on the case of Sangemini mineral water from Umbria, Italy. In particular, this article looks at how medical findings became part of a popular hygiene and health discourse that was central to developing a market for mineral water in Italy. Contrary to other international markets, bottled mineral water is still consumed in Italy for its health and nutritional benefits today.     

‘Order’-ing Excavations: Constitution of Archaeology as Legal Evidence in the Ayodhya Case

This paper examines the case of the court-ordered excavations at Ayodhya to understand the process by which archaeological evidence as expert opinion was reconfigured into judicial evidence in a civil lawsuit. Being an exceptional site of enquiry where two institutions of the Indian state — the High Court of Allahabad and the Archaeological Survey of India — come together, the Ayodhya case allows us to complicate the uses and abuses of archaeology. An examination of the orders and documents related to the excavations and the judgment made by the Allahabad High Court shows the production of archaeological knowledge at Ayodhya as highly mediated. The paper argues that this process is determined by the notions shared by both the institutions about archaeology-as-science and about scientific/archaeological expertise, regulated at each stage through judicial interventions and informed by the role that the Archaeological Survey of India and the archaeology profession has played in the production of a nationalist past in India. The employment of archaeology as legal evidence in the Ayodhya case is contingent upon the masking of these mediating roles.     

A Sacred Space for Women: Hymnody in Emma Hale Smith's Theology

Emma Smith oversaw the compilation of the first Mormon hymnal in 1835 and then prepared a second hymnal in 1841. This article contextualises and discusses Smith's significant assignment, and considers how a woman's hymn selections influenced early Mormonism. It also considers what Smith's hymnals reveal about her own life story and what her life story reveals about her hymn selections. While Smith's first hymnal highlights the emphasis she placed on immediately establishing a city of Zion in preparation for the millennial reign of a triumphal Christ, her second hymnal underscores the need to develop and foster a personal relationship with a merciful Saviour. Smith's 1835 hymnal emphasises being a Zion people immediately, whereas her 1841 hymnal, compiled in the context of intense personal and collective trials and religious persecution, highlights the importance of striving to become a more Zion‐like people over time. The different doctrinal emphases reflects their respective Mormon cultures at the time of compilation, and captures how the church responded to and grappled with its failure to establish Zion immediately. As a compiler of hymns, Smith clearly plays a significant role in Mormon history, while also demonstrating how women could impact their particular religious communities.     

Martianus, Aventius and Isidore: provincial councils in seventh-century Spain

In Spain around 624, Bishop Martianus was deposed by a church council led by Bishop Isidore of Seville. The fact that Martianus had been framed came to light at another council in 633, which then issued canons meant to prevent future abuses, and to institutionalize provincial councils as centrally-controlled tribunals for local dispute settlements. These events illuminate the problems involved in the Visigothic church's programme for kingdom-wide religious uniformity.