Rethinking the value of unpaid care work: lessons from participatory visual research in central Tanzania

Abstract

The contemporary international development agenda addresses several important gender issues, including the contribution of unpaid care work (UCW) to human well-being. The inclusion of UCW into the mainstream policy debate is undoubtedly a major milestone in the history of feminist scholarship and activism. However, we argue that the universalistic and capitalocentric assumptions laden in the dominant policy discourse belie the diversity of the lived experiences and subjective meanings of UCW often performed by women and girls in different cultural and geographical contexts, particularly in the predominantly agrarian global South. We draw on participatory and visual ethnographic fieldwork to show that rural women in Tanzania perceive UCW as an experience that entails not only physical toil and drudgery, but also positive emotions of joy, satisfaction, and fulfilment, which are integral to affirming their self-perceived identities and roles as farmers and mothers in their communities. These material, affective, and symbolic dimensions of UCW emerge from agrarian women’s situated knowledges and experiences of ensuring household social reproduction on and with the land, as well as the gender relations and seasonal dynamics that shape the organization of work tasks in agrarian landscapes. To achieve transnational gender justice, we suggest that a more fine-tuned and nuanced approach to understanding the variability and complexity of care work as practiced and perceived by heterogeneous groups of women (and men) in particular places and times is needed.     

‘Water mixed with the blood of Thomas’: contact relic manufacture pictured in Canterbury Cathedral’s stained glass

Four remarkable stained glass panels in the Trinity Chapel of Canterbury Cathedral (executed c.1185–1220) picture the mixing of Thomas Becket’s blood with water at Becket’s tomb. The ‘water of St Thomas’ was among the most widely renowned medieval water relics, reputed to have healed the sick throughout Latin Christendom. This article examines the glass images, comparing them with narratives in the glaziers’ source text, Benedict of Peterborough’s collection of Becket’s miracles. The glaziers presented an enhanced and carefully designed version of the early history of the water relic: the visual images draw strong parallels between the water of St Thomas and the Eucharist, and trumpet the role of the monks of Christ Church Cathedral Priory, Canterbury, the patrons of the glass, in the mixing process. The glass panels also provide suggestive evidence regarding the personnel, vessels and ceremonial involved in the actual mixing of the relic at Canterbury, including the likely participation of a lay sacrist and the possible use of mazers.     

Using chaîne opératoire and communities of practice to identify interaction in the Contact and Mission periods in southern Georgia,AD 1540–1715

ABSTRACT

In this article, the pottery production of indigenous groups living inside and outside of colonial spaces in southern Georgia is compared by identifying portions of the chaîne opératoire of pottery production. Diachronic and geographic changes to production demonstrate that groups living in the interior of Georgia were in continual interaction with coastal groups in the mission system. This interaction likely contributed to the emergence of the Altamaha pottery tradition, which spread from southern South Carolina to northern Florida during Spanish colonization of the region. This research shows that Native American groups navigating colonialism drew on a wide network of communities to alter traditions in the face of unprecedented social change.