柘皋河流域商周时期古遗址形态特征初步研究

结合相关文献资料对柘皋河流域商周时期遗址野外考察,辅以高分辨率遥感资料等对流域内遗迹形态要素、平面特征、微地貌形态等分析,经钻孔获取遗迹点垂直剖面资料分析,采集相关含碳土样进行测年分析,从形状、位置、面积、微地貌、内部结构特征、土质特征、与古水系关系等指标来分析柘皋河流域商周晚期遗址点形态特征,探究遗址点形态特征的形成原因。     

略论史前聚落的萌芽与发生

聚落作为人类重要的文化现象,普遍发达于新石器时代,但其本身也存在着一个漫长的发展过程。从世界范围来看,聚落的萌芽似应发端于晚期直立人以来的地面穴居现象,并随着房屋建筑、墓葬以及窖穴等诸多要素的相继出现而日渐复杂。至迟在旧石器时代晚期可能就逐渐开始形成了一些较为显著的聚落布局规划现象,为史前聚落的进一步发展奠定了基础。     

纸的起源新证:试论战国秦简中的纸字

现在一般人都公认纸是中国古代四大发明之一,对人类文明产生了一定的影响.实际上,自从16世纪以来,西方学者如英国哲学家佛兰西斯·培根(Francis Bacon,1561-1626)只列举印刷术、火药及指南针三大发明,纸并不在其中.     

吐谷浑慕容智墓《门楼图》壁画的科学保护与修复

《门楼图》是慕容智墓壁画中保存最完整、幅面最大、价值最高的一幅壁画,对于研究唐代早期门楼建筑风格、武威地区吐谷浑王族墓葬特征、唐与吐谷浑民族关系史以及唐文化在丝绸之路上的传播具有重要意义。其自揭取后,随着本体结构与保存环境的变化,正面临着各类病害的威胁,亟待保护修复。遂本研究以《门楼图》壁画为研究对象,通过壁画成分分析,研究壁画制作材料类别及性能;通过壁画病害研究,确定病害现状与成因,并综合以上研究成果对壁画典型病害进行科学治理,在遵循真实性原则的基础上,采用最小干预手段,按照背面保护修复—正面保护修复—美学修复的顺序进行修复干预,以求能最大限度保障壁画的安全性和稳定性,为壁画未来的保护展示和价值提取奠定基础,也可为其他相似壁画的保护修复提供重要借鉴。     

Authenticity and heritage conservation: seeking common complexities beyond the ‘Eastern’ and ‘Western’ dichotomy

ABSTRACT

This article challenges the claimed gulf between ‘Eastern’ and ‘Western’ concepts and approaches to heritage conservation through an analysis of the common complexities surrounding authenticity. The past few decades have witnessed an important critique of ‘Eurocentric’ notions of heritage conservation, drawing on ‘non-Western’, particularly Asian, contexts. Authenticity has been a core principle and defining element in this development. Endorsed by a series of charters and documents, a relativistic approach emphasising the cultural specificity of authenticity has been introduced alongside the European-originated materialist approach in international policy and conservation philosophy. However, the promotion of Asian difference has also contributed to an increasingly entrenched and unproductive dichotomy between ‘Eastern’ and ‘Western’ approaches to heritage. This article reveals common complexities surrounding authenticity in two countries crosscutting this dualism – China and Scotland. Drawing on a number of ethnographic projects, our analysis identifies themes that characterise the experience of authenticity across different cultural contexts. It contributes to a more nuanced understanding of the evolving relationships between heritage conservation and contemporary societies with important implications for global heritage discourses and collaborative ventures crosscutting ‘Eastern’ and ‘Western’ contexts.     

Rationality test in the housing market: Project-level evidence from China

We test whether investors rationally react to rent news when pricing houses. Previous literature on house pricing uses aggregated housing price and rent data to estimate the rent news. We analytically demonstrate that using aggregated data biases the rationality test because it forces researchers to estimate the rent news using the cross-project average dynamic relationship among the housing return, rent growth, and macroeconomic dynamics and, hence, misses the heterogeneity in the dynamic relationship. Our empirical tests using proprietary project-level housing data from China's megacities find that the bias from missing the heterogeneity is economically substantial.     

简析梅西安音乐创作及其代表作《异国鸟》

梅西安作为引领20世纪法国音乐的先锋音乐创作家、演奏家,他一生致力于研究与众不同的钢琴演奏音响,虔诚地追寻着大自然中最真实、最自然的音乐,并用鸟鸣谱记录下来,其代表作〈异国鸟〉向我们展示了生机勃勃的大自然景象.     

壁画酥碱病害研究概述

酥碱病害是壁画最为严重的病害之一,被称为壁画的“癌症”。因其受诸多因素的影响,使得病害产生机理复杂、修复材料匮乏和修复方法难度大等问题,严重制约着酥碱病害的修复与防治。本文系统梳理酥碱病害的成因、病害机理、加固材料、地仗修补材料,以及针对不同盐霜的保护修复方法的研究成果,客观评价酥碱壁画修复过程中的经验和教训,为古代壁画酥碱病害的防治与修复提供系统的技术参考和实践借鉴。     

CONSUMING THE TOURIST GAZE: IMAGINATIVE GEOGRAPHIES AND THE REPRODUCTION OF SEXUALITY IN LUGU LAKE

Imaginative geographies engage with the understanding and experiencing of place and place‐based social and cultural specificities through a process of re‐creation and reproduction. In this article, we explore the imaginative geographies of Lugu Lake, a tourist destination in China's Yunnan Province, and of the Mosuo people, the local minority which practices a unique marriage system. We investigate how Mosuo society has been imagined in popular discourses and representations through two cultural labels: matriarchy and free sex. We also discuss how the imaginative geographies of Lugu Lake have restructured the encounters between the local people, especially the young men, and the incoming tourists in the context of tourism development. We interrogate the complex processes of identity formation in which both the tourists and the indigenous people renegotiate and reconstruct their cultural identities within various inside–outside connections and interactions. Our central argument is that the sex encounters between tourists and the local Mosuo are conditioned by popular imaginative geographies of the sexual practices of the Mosuo. But the encounter in tourism between the gazer and the gazed also accommodates complex identity formations and the renegotiation of social relations. The empirical observations are twofold: first, the locality of Lugu Lake has been reproduced with folk and tourist imaginative geographies into an erotic frontier of free sex; second, we also argue that the geographical imagination in this case is a reciprocal process which involves the local Mosuo's renegotiation of place‐based identity, in a pursuit of imagined progress and modernity.     

精写本《江村书画目》题记

《江村书画目》,清高士奇撰,康熙四十四年(1704)蓝格精写本,一册.书前有嘉庆丙子(1816)吴锡祺题跋,书首有"江村"及"曾在邢蛰人家"印记.现藏北京国家图书馆.