Between the Vinča and <Emphasis Type="Italic">Linearbandkeramik</Emphasis> Worlds: The Diversity of Practices and Identities in the 54th–53rd Centuries cal BC in Southwest Hungary and Beyond

Perhaps nowhere in European prehistory does the idea of clearly-defined cultural boundaries remain more current than in the initial Neolithic, where the southeast–northwest trend of the spread of farming crosses what is perceived as a sharp divide between the Balkans and central Europe. This corresponds to a distinction between the Vin?a culture package, named for a classic site in Serbia, with its characteristic pottery assemblage and absence of longhouses, and the Linearbandkeramik (LBK), with equally diagnostic but different pottery, and its apparently culturally-diagnostic longhouses, extending in a more northerly belt through central Europe westward to the Dutch coast. In this paper we question the concept of such a clear division through a presentation of new data from the site of Szederkény-Kukorica-d?l?. A large settlement in southeast Transdanubia, Hungary, excavated in advance of road construction, Szederkény is notable for its combination of pottery styles, variously including Vin?a A, Ra?i?te and LBK, and longhouses of a kind otherwise familiar from the LBK world. Formal modelling of its date establishes that the site probably began in the later 54th century cal BC, lasting until the first decades of the 52nd century cal BC. Occupation, featuring longhouses, pits and graves, probably began at the same time in the eastern and western parts of the settlement, starting a decade or two later in the central part; the western part was probably the last to be abandoned. Vin?a pottery is predominantly associated with the eastern and central parts of the site, and Ra?i?te pottery with the west. Formal modelling of the early history of longhouses in the LBK world suggests their emergence in the Formative LBK of Transdanubia c. 5500 cal BC followed by rapid dispersal in the middle of the 54th century cal BC, associated with the ‘earliest’ (älteste) LBK. The adoption of longhouses at Szederkény thus appears to come a few generations after the start of this ‘diaspora’. Rather than explaining the mixture of things, practices and perhaps people at Szederkény with reference to problematic notions such as hybridity, we propose instead a more fluid and varied vocabulary, encompassing combination and amalgamation, relationships and performance in the flow of social life, and networks; this makes greater allowance for diversity and interleaving in a context of rapid change.     

Early Neolithic funerary diversity and mitochondrial variability of two Iberian sites

An analysis of the burial characteristics of the individuals recovered from two Early Neolithic sites in Navarre (Los Cascajos and Paternanbidea), in the Spanish Basque Country, revealed a complex funerary ritual. The individuals recovered from the Paternanbidea site were distributed in three double graves and a multiple one, while the individuals from Los Cascajos were buried in individual pit-shaped tombs; furthermore, the tombs had a variety of cultural and funerary features. The aim of this study is to evaluate the burial ritual by means of mitochondrial DNA data and the funerary characteristics of 36 individuals recovered from these two sites. The results show that the diversity of these Early Neolithic burial practices from the northern Iberian Peninsula cannot be explained by means of maternal kinship relationships.     

Food for thought: using game cameras to better understand the movement of bones by scavenging in archaeological faunal assemblages

This paper questions our understanding of the movement of bones by animal scavengers in the archaeological record. Since assumptions regarding the effects of animal scavenging shape final interpretations of skeletal element frequencies in archaeological faunal assemblages, they are important for our understanding and reconstruction of ancient human behaviour. The results of a 4-year actualistic kangaroo scavenging study from Australia are used to question our understanding of the movement of the bone by contrasting visual data captured by motion-activated digital game cameras with traditional taphonomic studies using skeletal element frequencies. Game cameras are commonly used by ecologists to capture the behaviour of living species but have not yet been used in experimental archaeology where visually documenting animal scavenging behaviour can be used to understand the movement of carcasses and individual bones. Results suggest that traditional zooarchaeological analyses may not be accurate indicators of hunted versus scavenged prey in archaeological faunal assemblages. Moreover, they most certainly fail to document the entire suite of animals scavenging a carcass. These implications are discussed with particular reference to the ability to definitively ascertain the role of humans in the megafaunal extinction debate in Australia.     

Marbles,granites and basalt used in the cruciform basilica of Abila (Decapolis,Jordan): archaeometric characterization and provenance

The provenance of granite, basalt, and marble used in building the cruciform basilica of Abila of the Decapolis, northwestern Jordan, is investigated using chemical and petrographic techniques. The basilica is dated to the late fifth or early sixth century AD. The stones were characterized using macroscopic traits in combination with optical microscopy, X-ray diffraction, and stable oxygen and carbon isotope spectrometry. These data were compared to the published databases for marbles, granites, and basalts used in antiquity. The comparison showed that the basalts are most probably local. The islands of Marmara (Proconessos-1), Turkey, are the primary source of the white marbles, while Paros island (Paros-2), Greece, is a minor source. The source of the green Cipollino marbles is Styra in the island of Euboea (Greece). The pink and gray granites are likely microasiatic from the Çigri and Kozak Dâgs, respectively, northwest Turkey.     

Anselm Kiefer: a study of his artistic materials

The style of the contemporary German artist Anselm Kiefer is highly innovative and unconventional and is characterized by the use of diverse materials that he selects and combines according to the emotions that they stir in him. The conservation and preservation of works by Kiefer are particularly difficult tasks because of the heterogeneity and, in some cases, the incompatibility of the materials used; therefore, a thorough characterization is crucial before any intervention is considered. In this paper, we report the results of an investigation on a fragment from a multimaterial work and on samples from the paintings Bohemia Lies by the Sea and Die Größe Fracht. The large fragment was cut by the artist himself from a work in progress and is considered destitute of any artistic value; therefore, it was possible to sample it extensively. This fragment and the samples from the Die Größe Fracht and Bohemia Lies by the Sea paintings were analyzed by ultraviolet (UV) fluorescence imaging, fiber optic reflectance spectroscopy, Fourier transform infrared spectroscopy, nuclear magnetic resonance, Raman spectroscopy, X-ray diffraction, gas chromatography-mass spectrometry, and pyrolysis gas chromatography-mass spectrometry. This multitechnique approach allowed us to fully characterize and identify pigments, dyes, and organic components that reflect the diversity of the materials typically chosen by the artist. The results are evaluated in the context of the interview that Antonio Rava had with the Anselm Kiefer in 2000.     

Morphometric distinction between bilobate phytoliths from <Emphasis Type="Italic">Panicum miliaceum</Emphasis> and <Emphasis Type="Italic">Setaria italica</Emphasis> leaves

The development of identification criteria for crop plants based on phytoliths is of high relevance for archaeology, palaeoecology and plant systematics. While identification criteria are available for major food crops, these are mostly based on phytoliths from inflorescences, while other plant parts remain undetected. This paper focuses on bilobate phytoliths from leaves of Panicum miliaceum L. (common millet) and Setaria italica (L.) P. Beauv. (foxtail millet), two taxa that co-occur in regions of Asia and Europe since prehistory and regularly occur at archaeological sites in Eurasia. Leaves of the investigated taxa were systematically sampled to explore the variation of short cells and to collect 27 morphometric variables of bilobate phytoliths with newly developed open-source software. The data was analysed by discriminant analysis, analysis of variance and multiple comparison tests. The resulting morphometric data from five populations per species enables a distinction between the bilobate phytoliths of P. miliaceum and S. italica. Observed differences between populations within species affect only few parameters. This possibility to classify populations of bilobate phytoliths from P. miliaceum and S. italica leaves offers a new method for the detection and identification of these taxa in archaeology, amongst others.     

Functional,symbolic or ritual?

Tools for determining the value of metal appear as symbols among grave goods in prehistoric and early medieval Europe and the Near East. Also, five boat burials excavated in eponymous Vendel contained touchstones. This article presents the results of chemical microanalyses of metal traces preserved on them and discusses the linear streaks of zinc in light of extraordinary ore deposits in central Sweden, exploited as early as the Early Middle Ages. In addition, forging tools found in four boat burials in Vendel are interpreted as symbols belonging to the funerary assemblages of ancient leaders. However, although both forging tools and tools for determining the value of metal were used in the treatment of metal, it would be misleading to search for their functional connection. They are linked in prehistoric and early medieval graves exclusively by their function as a symbol, one which they share with other objects, regardless whether exclusive or common.