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Philip M. Taylor 《国际历史评论》2013,35(3):485-502
The New Propaganda boom; Philip M. Taylor 相似文献
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Philip G. Dwyer 《国际历史评论》2013,35(1):72-84
MICHAEL ADAMS. Napoleon and Russia. London and New York, NY: Hambledon Continuum, 2006. Pp. xxiii, 596. $34.95 (US); ROY ADKINS and LESLEY ADKINS. The War for All the Oceans: From Nelson at the Nile to Napoleon at Waterloo. London: Little Brown, 2006. Pp. xxix, 534. £10.9g, paper; ALESSANDRO BARBERO. The Battle: A New History of Waterloo, trans. John Cullen. New York, NY: Walker & Company, 2005. Pp. xii, 340. $16.00 (US), paper; DAVID A. BELL. The First Total War: Napoleon's Europe and the Birth of Warfare as We Know It. Boston, MA and New York, NY: Houghton Mifflin, 2007; dist. Markham, ON: Thomas Allen. Pp. x, 420. $39.95 (CDN); CHARLES ESDAILE. Napoleon's Wars: An International History, 1803–1815. London: Allen Lane, Penguin, 2007. Pp. xvii, 621. $55.00 (CDN); ROBERT HARVEY. The War of Wars: The Epic Struggle between Britain and France, 1723–1815. London: Constable & Robinson, 2006. Pp. xxx, 962. £10.00, paper; FREDERICK W. KAGAN. The End of the Old Order: Napoleon and Europe, 1801–1805. Cambridge, MA: De Capo Books, 2006. Pp. xxiv, 774. $40.00 (US); MICHAEL V. LEGGIERE. The Fall of Napoleon: I: The Allied Invasion of France, 1813–1814. New York, NY: Cambridge University Press, 2007. Pp. xvii, 686. $35.00 (US); THIERRY LENTZ. Nouvelle histoire du Premier Empire: II: L'effondrement du système napoléonien, 1810–1814. Paris: Fayard, 2007. Pp. 835. €30.00, paper; ADAM ZAMOYSKI. Rites of Peace: The Fall of Napoleon and the Congress of Vienna. London: HarperCollins, 2007. Pp. xviii, 634. £25.00. Reviewed by Philip G. Dwyer 相似文献
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Anna Cento Bull Hans Lauge Hansen Wulf Kansteiner Nina Parish 《International Journal of Heritage Studies》2013,19(6):611-625
ABSTRACTFollowing the theorisation of museums as agonistic spaces and drawing on a comparative analysis of war museums located in various European countries, this paper argues that these institutions play complex and multi-layered roles beyond their obvious educational function. These not easily reconcilable roles act as major constraints upon the form and content of exhibitions and work against the adoption of an agonistic approach. However, the paper also argues that war museums are especially apt to become sites of political contestation able to engage with agonistic memory and unsettling counter-narratives. This is due in large part to the nature of the subject matter they deal with, as war and conflict lend themselves to being represented in ways that emphasise patriotic consensus but can also highlight dissent, contestation, multiple perspectives and alternative visions of society. Agonistic practices emerge when windows of opportunity open through a combination of top-down and bottom-up agency able to take advantage of particular socio-political circumstances or cultural developments. The paper also discusses a new exhibition on war memory planned for late 2018 in Essen, Germany and conceived as a strategic political intervention, which aims to communicate in an agonistic fashion with its audiences. 相似文献
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Philip Morgan 《Journal of Modern Italian Studies》2013,18(3):241-272
Abstract This is a study of the prefects, the arm of central government in the provinces, under the Fascist regime. Using the author's own survey of those appointed prefects after the decision to establish the ‘totalitarian’ state, it considers the phenomenon of the ‘Fascist prefects’ in relation to the progress of career officials, methods of recruitment and the prevailing bureaucratic culture, in order to assess the extent of the ‘Fascistization’ of the Interior Ministry. It then looks at how both career and ‘Fascist prefects’ actually operated on the ground and their relations with the Fascist Party in the provinces. The article concludes, on the evidence of continuing party‐state conflict throughout the 1930s, that there was a ‘totalitarian’ regime in the making. 相似文献
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Philip Billingsley 《国际历史评论》2013,35(3):532-570
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