全文获取类型
收费全文 | 1772篇 |
免费 | 63篇 |
出版年
2020年 | 23篇 |
2019年 | 39篇 |
2018年 | 50篇 |
2017年 | 69篇 |
2016年 | 68篇 |
2015年 | 36篇 |
2014年 | 46篇 |
2013年 | 494篇 |
2012年 | 45篇 |
2011年 | 56篇 |
2010年 | 49篇 |
2009年 | 52篇 |
2008年 | 49篇 |
2007年 | 26篇 |
2006年 | 38篇 |
2005年 | 42篇 |
2004年 | 37篇 |
2003年 | 34篇 |
2002年 | 32篇 |
2001年 | 29篇 |
2000年 | 29篇 |
1999年 | 15篇 |
1998年 | 30篇 |
1997年 | 25篇 |
1996年 | 19篇 |
1995年 | 16篇 |
1994年 | 25篇 |
1993年 | 18篇 |
1992年 | 12篇 |
1991年 | 13篇 |
1990年 | 14篇 |
1988年 | 12篇 |
1987年 | 16篇 |
1986年 | 19篇 |
1985年 | 16篇 |
1984年 | 26篇 |
1983年 | 20篇 |
1982年 | 23篇 |
1981年 | 11篇 |
1980年 | 15篇 |
1979年 | 17篇 |
1978年 | 8篇 |
1977年 | 18篇 |
1976年 | 15篇 |
1975年 | 11篇 |
1974年 | 11篇 |
1973年 | 7篇 |
1972年 | 8篇 |
1970年 | 7篇 |
1968年 | 8篇 |
排序方式: 共有1835条查询结果,搜索用时 15 毫秒
901.
Peter Howard 《International Journal of Heritage Studies》2013,19(1):7-8
The paper considers the case of Raffles Hotel in Singapore which has been the subject of a conservation project with a significant element of redevelopment. The circumstances are discussed within the context of heritage tourism in colonial cities and changing approaches to conservation in Singapore. Built colonial heritage exhibits a symbolism which affects how it is presented and interpreted, serving as a tool for nation building and as a tourist attraction. Policies about conservation and use are influenced by these alternative and often contested meanings, while economic imperatives may demand that buildings generate revenue. Raffles Hotel illustrates the difficulties involved in managing and marketing colonial heritage and securing an acceptable balance between commercial and conservation objectives, with possibilities for confusion as a consequence of the combination of restoration, reconstruction and new building techniques employed.The case has a wider relevance which extends to other forms of built heritage around the world and highlights the dilemmas facing those making decisions about how to present the conserved past as a contemporary tourist space. 相似文献
902.
Peter Howard 《International Journal of Heritage Studies》2013,19(3):199-200
Melaka is represented in Malaysia's tourist and heritage industries as the place 'where it all began'. This article examines the meaning of this slogan in the context of the cultural policies of the Malaysian state in the 1970s and 1980s when constructions of the political and religious traditions of the pre-colonial feudal Melakan Sultanate were presented as emblematic of the modern nation. The images of the Sultanate, of colonial rule and of Malaysian nationalism in Melaka's museums are analysed.The emphasis on ethnic Malay heritage also indigenised that of other Melakan inhabitants, such as the Portuguese Eurasians or the Peranakan, and ignored that of the majority, later Chinese immigrants. Finally the article questions the future of these representations with the shift in Malaysian cultural representations in the 1990s to those of a modernising, multi-ethnic nation in which a feudal past plays a lesser role. 相似文献
903.
Peter Howard 《International Journal of Heritage Studies》2013,19(1):63-72
Among the reasons for the development of the eco-museum concept, largely in France in the 1970s, was that of encouraging economic advance in areas which had suffered serious reverses of fortune. The paper examines the current position of some important early eco-museums, at Le Creusot (intended to assist development in a former industrial area) and two in the Cevennes (designed to stabilise the culture of a remote rural area). The relationship with the local people, one of the critical features of the eco-museum, may suffer severely as generational change occurs.The takeover of such developments by institutions for different purposes, or for the benefit of visitors rather than locals, can make them victims of their own success in stimulating economic growth, with the risk of consequent unintended shifts in society and economy. 相似文献
904.
905.
Peter Howard 《International Journal of Heritage Studies》2013,19(4):373-376
This article is a comment on: Tubridge et al., 2012. Decennial reflections on a ‘geography of heritage’ (2000). International Journal of Heritage Studies, DOI: 10.1080/13527258.2012.695038 相似文献
906.
907.
Peter Howard 《International Journal of Heritage Studies》2013,19(3-4):121-123
908.
Peter Mason 《International Journal of Heritage Studies》2013,19(3-4):193-202
Abstract Zoos are a form of museum.1 The main difference between zoos and other forms of museum is that zoos exhibit living objects. These objects are examples of natural heritage. Unlike other museums, the focus of much research in the past decade, zoos appear under‐researched. Zoos, however, are significant tourist attractions. There are over 10,000 zoos worldwide,2 many in major world cities and some attract millions of visitors annually. Zoos date back at least three thousand years, but their role has been changing in the past twenty‐five years from menageries to conservation centres. Concern recently has focused on animal welfare when wildlife is in captivity, and this has led to a re‐examination of the purpose of zoos. This article examines the aims of zoos, their nature as heritage‐tourism attractions and the profile of zoo visitors. In an attempt to establish a new research agenda, the article also examines issues about the future of zoos, including questions concerning potential and real conflict between their educational, scientific and entertainment roles. 相似文献
909.
910.