Legitimacy and the virtual battlefield: putting the first-person shooter on the witness stand

Although much has been written on the abilities of the first-person shooter to advance neo-orientalist themes and US imperial agendas through its aesthetics and narrative, the author argues that by exploiting the porous institutional boundaries between military planners and the video-game industry, the hyperrealist shooter becomes a formidable and formative middle ground not only in reshaping understanding of and access to the nebulous and furtive world of discreet war, but also in filling its legitimacy gap.     

The Role of Theatre in Society: A Comparative Analysis of the Socio-Cultural Theories of Brecht,Benjamin, and Adorno

Abstract

This article analyzes the socio-cultural theories of Adorno, Benjamin, and Brecht through the lens of the theatre, most especially as it pertains to the work of actors. It explores the forces of capitalism that determine how art is produced, distributed, and consumed. Following Adorno’s reading of Marx, actors are here posited as commodities whose labor is separated from the product they create for public consumption. This commodification raises various questions: How does a market economy shape the production and consumption of art? What is technology’s function in the commodification of art? What is art’s sociopolitical role and how does it apply to theatre? To address these questions I juxtapose the cultural theory of Adorno and Benjamin with Brecht’s epic theatre. This comparison exposes the ritualistic potential of the theatre to bring an audience together as a community through sharing a socially enriching event.     

Reviews

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Paul Mattick Jr. (ed.), Eighteenth‐Century Aesthetics and the Reconstruction of Art, Cambridge: Cambridge University Press, 1993. viii + 256 pp. ISBN 0–521–43106–9. £30.

Barbara Maria Stafford, Artful Science: Enlightenment Entertainment and the Eclipse of Visual Education, Cambridge Mass. & London: MIT Press, 1994. xxx + 350 pp., 197 b. & w. illus. ISBN 0–262–19342–6. £24.95.

Barry Cunliffe, Wessex to AD 1000, London & New York: Longman, 1993. 388 pp., 128 plates and figures. ISBN 0–582–49279. £16.99.

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Contributors

The historic region of Ohmi‐Hachiman, located in central Japan, is an example of a Continuing Landscape in an Asian setting. With a differing perspective on what may constitute authenticity, a planning exercise is now underway looking for a sustainable future for the city and surrounding countryside that is both a popular tourist attraction and a working agricultural area. Ohmi‐Hachiman combines two areas ICOMOS has declared as under‐represente d—an Asia heritage site and an agricultural landscape. This region is a Japanese case study that shares many planning and policy traditions with the West. It is the product of a long industrialised and developed nation, yet the site is quintessentially Asian with rice paddies and small villages sharing an ethos with the rest of this part of the world. It is an ethos that includes a philosophical and practical approach to this Japanese Continuing Landscape which dramatically diverges from conventional Western practices and challenges the accepted ideas of authenticity. It is an approach worthy of close scrutiny by those overseeing heritage landscapes in the rest of the world who may also be facing the uncomfortable clash of commerce and conservation.     

Editorial-Heritage Challenges in the New Century

The paper considers the case of Raffles Hotel in Singapore which has been the subject of a conservation project with a significant element of redevelopment. The circumstances are discussed within the context of heritage tourism in colonial cities and changing approaches to conservation in Singapore. Built colonial heritage exhibits a symbolism which affects how it is presented and interpreted, serving as a tool for nation building and as a tourist attraction. Policies about conservation and use are influenced by these alternative and often contested meanings, while economic imperatives may demand that buildings generate revenue. Raffles Hotel illustrates the difficulties involved in managing and marketing colonial heritage and securing an acceptable balance between commercial and conservation objectives, with possibilities for confusion as a consequence of the combination of restoration, reconstruction and new building techniques employed.The case has a wider relevance which extends to other forms of built heritage around the world and highlights the dilemmas facing those making decisions about how to present the conserved past as a contemporary tourist space.     

Editorial: new moves in Britain

Melaka is represented in Malaysia's tourist and heritage industries as the place 'where it all began'. This article examines the meaning of this slogan in the context of the cultural policies of the Malaysian state in the 1970s and 1980s when constructions of the political and religious traditions of the pre-colonial feudal Melakan Sultanate were presented as emblematic of the modern nation. The images of the Sultanate, of colonial rule and of Malaysian nationalism in Melaka's museums are analysed.The emphasis on ethnic Malay heritage also indigenised that of other Melakan inhabitants, such as the Portuguese Eurasians or the Peranakan, and ignored that of the majority, later Chinese immigrants. Finally the article questions the future of these representations with the shift in Malaysian cultural representations in the 1990s to those of a modernising, multi-ethnic nation in which a feudal past plays a lesser role.     

The Eco-museum: innovation that risks the future

Among the reasons for the development of the eco-museum concept, largely in France in the 1970s, was that of encouraging economic advance in areas which had suffered serious reverses of fortune. The paper examines the current position of some important early eco-museums, at Le Creusot (intended to assist development in a former industrial area) and two in the Cevennes (designed to stabilise the culture of a remote rural area). The relationship with the local people, one of the critical features of the eco-museum, may suffer severely as generational change occurs.The takeover of such developments by institutions for different purposes, or for the benefit of visitors rather than locals, can make them victims of their own success in stimulating economic growth, with the risk of consequent unintended shifts in society and economy.     

A geographer in heritage. Responding to ‘decennial reflections’

This article is a comment on: Tubridge et al., 2012. Decennial reflections on a ‘geography of heritage’ (2000). International Journal of Heritage Studies, DOI: 10.1080/13527258.2012.695038