The geology of Scotland: A review

The hypothesis of the study is that external influences play a more dominant role than internal factors in influencing village population growth. Furthermore, the importance of any given index associated with village population growth may oscillate through given time periods. Factors selected are size of place, occupational grouping, urban influence and regional location. Their association with the population changes of Ontario villages are examined for three time periods, 1941–1951, 1951–1961, 1961–1966. The analysis indicates that external factors, regional location, and urban influences are most important.     

THE 'YAN TATSINE DISTURBANCES IN KANO—A SEARCH FOR PERSPECTIVE

Thursday, December 18, 1980 was a bright clear day in Kano, a welcome relief from the thick harmattan dust of the previous week. But that afternoon, a dark column of smoke rose up over the city. Word soon spread that the smoke came from trucks set on fire during a clash between police and followers of an obscure, and seemingly eccentric Muslim preacher by the name of Mallam Muhammadu Marwa, who was popularly called by the derisive nickname of Mallam Maitatsine. This nickname was derived from a Hausa phrase which he often used in his public preaching, "Wanda ba ta yarda ba Allah tatsine," meaning roughly, "May God curse whoever doesn't agree with me." Over the next ten days, Kano, the largest city in northern Nigeria, was engulfed in fear and confusion.¹     

The Death of Beauty: Goya's Etchings and Black Paintings through the Eyes of André Malraux

Modern critics often regard Goya's etchings and black paintings as satirical observations on the social and political conditions of the time. In a study of Goya first published in 1950, which seldom receives the attention it merits, the French author and art theorist André Malraux contends that these works have a significance of a much deeper kind. The etchings and black paintings, Malraux argues, represent a fundamental challenge to the European artistic tradition that began with the Renaissance, an essentially humanist tradition founded on the pursuit of a transcendent world of nobility, harmony and beauty—an ideal world outside of which, as Malraux writes, ‘man did not fully merit the name man’. Following the illness that left him deaf for life—an encounter with ‘the irremediable’, to borrow Malraux's term—Goya developed an art of a fundamentally different kind—an art, Malraux writes, ruled by ‘the unity of the prison house’, which replaced transcendence with a pervasive ‘feeling of dependence’ and from which all trace of humanism has been erased. Foreshadowing modern art's abandonment of the Renaissance ideal, and created semi-clandestinely, the etchings and black paintings are an early announcement of the death of beauty in Western art.     

The Growth of the Evaluation Tree in the Policy Analysis Forest: Recent Developments in Evaluation

The practice and profession of evaluation is continually evolving. From its early origin in the Great Society years of the 1960s, through its golden years of the 1970s, its transformation under the fiscal conservatism of the Reagan era in the 1980s, and in its maturation during the performance and results era of the 1990s, the field of evaluation continues to evolve in response to broader trends in society. This article examines recent developments and trends in the practice and profession of evaluation. Structured around the evaluation theory tree, the presentation of these developments elaborates on the three main branches of evaluation: methods, use, and valuing. The concluding discussion briefly addresses the central role of evaluation—and other types of knowledge production—in providing actionable evidence for use in public policy and program decision making.