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Jean-Pierre Cléro Bertrand Vergely Marie-Jeanne Königson-Montain Robert Theis Henri Olivier Jean Bernhardt Étienne François Jean-Christophe Goddard Michel Espagne Anne Lagny Peter Schöttler Patrie Sicard Edmond Oritgues Barbara de Negroni Thierry Wanegffelen Marie-Luce Demonet-Launay Mireille Harbert François Laplanche Antony McKenna Carl Aderhold Geneviève Hasenohr Patrick Gautier Dalché Joël Cornette Jean-François Baillon Monique Cotiret Jacques Le Brun Chantal Grell Vincent Milliot Perrine Simon-Nahum Éric Brian 《Revue de synthèse / Centre international de synthèse》1992,113(1-2):189-269
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Frédéric Brahami 《Revue de synthèse / Centre international de synthèse》1998,119(2-3):293-305
The History of scepticism from Erasmus to Spinoza by Richard H. Popkin is not just an account of various sceptical doctrines of the 16th and 17th centuries: a thread gives the whole a coherence. In fact, a general conception of modern philosophy underlies his analyses. According to Popkin, philosophy, from the Renaissance to the Englightenment, was faced with the difficulty of overcoming the sceptical crisis which was born in the context of a religious quarrel and which quickly spread to all other intellectual fields. Thus, Popkins gives an original interpretation of modernity, an interpretation that can be questionned nevertheless in so far as he does not make a clear enough distinction between modern and ancient scepticism and does not take into account the specificity of fideism. 相似文献
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Bernard Monique Cottret Hugues Neveux William Shea Claude Blanckaert Nicolas Piqué François Laplanche Mai Lequan Jean-Pierre Poirier Jean-Marc Chatelain Alain Cernuschi Françoise Charles-Daubert François Hincker Alain Tallon Mai Lequan Annie Petit 《Revue de synthèse / Centre international de synthèse》1997,118(1):129-172
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This analysis of nineteenth‐century travel literature by French and francophone women examines the various mechanisms and strategies at play in women's struggle with self‐representation within the genre of travel writing. Through the works of three women travellers, Henriette d'Angeville, Adèle Hommaire de Hell and Carla Serena, four main voices are identified as representing the plurality of self‐images women writers create in their texts: conventional autobiographical voices where they present themselves in a stereotypically feminine manner; conventional ‘neutral’ scientific voices where they take on the traditionally masculine task of science writing, thus erasing the autobiographical; differentiated scientific voices where they valorize a (private) sphere of knowledge dependent upon their personal experiences and valorized as such; and finally, differentiated autobiographical voices which undermine constraining representations of women by placing them in the valued public sphere. As a result, travel writing becomes a most important medium for women: it questions the traditional limits placed upon their writings and ways of being and allows for a complex feminine subject to emerge (often indirectly) from the texts. Such a process leads to the questioning of gender constructions as a whole. 相似文献
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