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Nerissa Russell 《Environmental Archaeology》2019,24(4):377-386
ABSTRACTAs they soar into the air and dive below the water's surface, birds inspire awe for their superhuman capacity to pass among earth, air, and water. People often see birds as spirits, or as messengers to and from the spirit world. Whereas at earlier sites in the region birds made a significant contribution to human diet, at Neolithic Çatalhöyük in Central Anatolia their nutritional significance is small. Body part distributions suggest that for the most part feathers were more important than meat. Bird remains, mainly the feathery parts of wings, appear in a number of special deposits at Çatalhöyük. Together with artistic representations, these deposits suggest that cranes and vultures played key roles in life cycle transitions and were invoked mimetically through dance. Additionally, waterbirds, particularly in association with newborn human infants, may have mediated between human and spirit worlds. Although there is little indication that Çatalhöyük residents made much use of brightly coloured feathers, bird wing deposits do attest to the importance of colour symbolism at the site. Thus bird remains offer material evidence of aspects of Neolithic cosmology and ontology, as well as social structure. 相似文献
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Russell Prince 《Geografiska annaler. Series B, Human geography》2012,94(4):317-331
This article considers the metaphors we use when studying what geographers have come to call policy mobility. Specifically, it argues that a metaphor developed by Mol and Law (1994) of fluid space offers something different to metaphors that are currently being used in the area, including diffusion, transfer and network. In particular, the metaphor of fluid space describes a distributed and highly differentiated space of policy mobility and circulation that remains connected and robust despite the lack of a strong centre. This is illustrated through a discussion of the global spread of policies that claim to act on or through some aspect of human creativity, such as the creative industries, the creative class, the creative city and so on. The article concludes that this metaphor helps us to explain why some policy types are able to move to so many places while avoiding the tendency to link this movement to a universal critique. 相似文献
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Miles Russell 《Oxford Journal of Archaeology》2019,38(3):325-342
The idea that an invading Roman army brought about the end of hillforts in south‐west Britain, using artillery fire to demoralize and defeat their enemy, is one of the most powerful narratives in British archaeology, being a constant element in both academic literature and public discourse. At the heart of the debate is the evidence recovered by Mortimer Wheeler during fieldwork conducted at Maiden Castle, in Dorset, between 1936–37. Wheeler interpreted a series of burials found in the east gate of the hillfort as a ‘war cemetery’, residue of an ultimately futile defence of the site, in the face of Roman aggression, by the local Durotriges tribe. A recent survey of hillforts in Dorset has, however, cast significant doubt on Wheeler’s hypothesis, suggesting that not only is the widely accepted battle‐theory unsupported by the archaeological evidence, but also that the Durotriges themselves were unconnected to any fortification or defence of Maiden Castle. This paper explores the conclusions of that survey, examining how the dramatic story of a siege first took shape in the late 1930s and why it became so immediately popular with the public. The problems of linking material remains to postulated historical events are outlined and the beginnings of a new model for Late Iron Age settlement at Maiden Castle are presented for the first time. 相似文献
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