试从甘肃漳县的元墓群看元代的民族矛盾

本文以历史考证的角度,通过史料及出土文物详细分析了元代的民族矛盾,揭示了元王朝很快走向衰亡的原因。     

吉林大学考古与艺术博物馆藏瓷选介

吉林大学考古与艺术博物馆藏瓷800余件,均入藏于20世纪60年代之前,其中部分明清时期青花瓷[1]与彩瓷[2]已做过介绍,本文新选介的10件藏瓷,时代涵盖唐、宋、元、明、清,对于中国古陶瓷研究具有一定参考意义。1.唐代黑釉剪纸漏花执壶(藏品编号1-356)杯式口内敛,圆唇,束颈短粗,鼓肩,长腹,平底,条形把手上附泥条,颈肩部另附双条形系,管状流粗短。     

Seismic Performance to Emergency Centers,Communication and Hospital Facilities Subjected to Nepal Earthquakes, 2015

Emergency centers, communication systems, and hospitals are essential infrastructures for emergency rescue and subsequent reconstruction activities. An investigation into the Nepal 2015 earthquake sequences found that the visited government offices were functioning normally 40 days after the main shock; that the local media failed to coordinate with the entire society at the beginning, but mobile phone-based communication recovered quickly; and that the hospitals in high-intensity areas were badly damaged as a result of improper design and adverse site configuration. Recommendations are proposed to enhance the aseismic capacity of structural and non-structural components using earthquake early warning and base isolation.     

西汉铜座漆耳杯及相关问题的讨论

南京博物院院藏的一件汉代铜座漆耳杯，风格与蜀汉产品极其相近，由此可见当时各地的文化交流和商品流通之一斑。     

China’s soft power conundrum,film coproduction,and visions of shared prosperity

ABSTRACT

This paper looks at China’s soft power strategy in relation to the film industry, which since the early 2000s has opened to international co-productions and investment. Despite many coproduction projects being endorsed by government, results have not added significantly to China’s film-making reputation. The paper shows that coproductions have a diplomatic function, which implies a more conventional understanding of soft power. The paper also considers the tension between artistic freedom and censorship that impacts on all coproduction projects in China and which undermines the efficacy of China’s soft power strategy. The paper advances the proposition that coproduction with countries in Eurasia under the cultural template of the Belt and Road Initiative might present new opportunities to blend China’s stories into a narrative of shared prosperity. In doing this, the advance of China’s economic power is supported by cultural policies that evoke a historical past as much as a shared future.     

论浙江安吉上马山西汉墓出土的小铜鼓

浙江安吉上马山墓地曾出土一面小铜鼓,为国内首见。经比较可知,该小铜鼓属东山文化器物,由越南北部输入。随葬小铜鼓的M10约为西汉中期墓,墓主生前可能到过越南北部的交趾郡和九真郡一带,在当地获得小铜鼓并带回家乡。这一发现与百越内部的文化传播和文化交流无关,反映的是汉帝国大一统历史背景下岭南地区与内地间的密切联系及相关的人员往来情况。     

中共建政初期同业公会与产业发展之关系:以上海机械工业为中心(1949—1956)

解放后,上海机械工业同业公会面临强势国家介入下的重组,国家权力由"不在场"而登上前台,公会则由同业组织异化为政策工具。然而,早在解放前,公会曾主动请求政府实施类似加工订货的反市场政策,但旧政权无力施行。因此,解放后以加工订货为核心的产业政策实现了公会的期望,符合行业利益。然而,随着国家可以直接与厂商打交道,公会的经济职能逐渐弱化,本身也趋于解体。该案例表明,国家与社会的利益可以一致,同业公会的消亡并不一定与产业的衰败相伴随。     

顶蛳山遗址出土蚌刀的动物考古学研究

《顶蛳山遗址出土蚌刀的动物考古学研究》是篇动物考古学的研究论文。文章从动物考古学的视角对广西邕宁顶蛳山遗址出土的600余件蚌刀进行了整理和分析。采用的研究方法包括:对贝壳标本有针对性的选择、贝壳的分区及其记录、蚌刀方位的确立、蚌刀的加工工艺、蚌刀形状的记录、测量数据、资料的录入等,这种全新的研究方法对今后开展类似研究具有很高的借鉴价值。研究的结果也值得关注,例如,通过分析发现,顶蛳山古代先民在制作蚌刀时,对材料即蚌类品种是有选择的,材料的不同甚至蚌壳的部位不同,所制作的器物也不同。通过分析还发现,顶蛳山原始居民将日常生活中所习见的鱼的形象在蚌刀上体现出来,很可能隐含着他们对于鱼类或渔业兴旺的希愿。     

文化比政治更久远 记分藏两岸的元代黄公望富春山居图

1949年台海两岸分隔之后,诸多原先为我中华文化瑰宝之重要文物一分为二,分藏于大陆与台湾两地。就艺术门类而言,古代法书名帖则有＂三希堂＂之《中秋》《伯远》两帖藏于北京故宫,《快雪时晴帖》藏于台北故宫;绘画方面,则元代画家黄公望之《富春山居图》亦化身两半,