“扫一扫”,让方志资源“飞入寻常百姓家”——涟水县“掌上方志馆”发展报告

涟水县"掌上方志馆"是江苏省2019年度地方志工作创新项目之一。近年,由于网络技术、数码存储与传输技术等电子信息技术的全面普及与发展,人们的阅读方式发生了巨大变化,涟水县地方志办公室由此探索了移动化、便捷化、地域化的数字方志工作。在保留纸质书籍内容与特色的基础上,通过智能化手段,创新展陈方式,把地情资料融入"掌中",将书籍与虚拟翻阅、音频、视频相结合,以数字化和信息化的方式弥补了实体方志馆承载量有限、纸质书籍携带翻阅不便等问题,打造现代化阅读新体验,推动方志资源利用"活起来""立起来""动起来"。     

言辞与行动--英国妇女选举权运动史的研究成就与走向

正如在英国妇女选举权运动中,对言辞与行动到底哪一个更有效的看法不同一样;英国史学界对妇女选举权运动的研究,也在战斗的妇女参政者和宪政的妇女参政者各自成就的评价上有所偏重。在新世纪,英国《妇女史评论》推出了《言辞如行动》的专集,从新的角度来探讨言辞的作用,从而在某种意义上消弭了言辞与行动相对立的历史观念。     

试从甘肃漳县的元墓群看元代的民族矛盾

本文以历史考证的角度,通过史料及出土文物详细分析了元代的民族矛盾,揭示了元王朝很快走向衰亡的原因。     

吉林大学考古与艺术博物馆藏瓷选介

吉林大学考古与艺术博物馆藏瓷800余件,均入藏于20世纪60年代之前,其中部分明清时期青花瓷[1]与彩瓷[2]已做过介绍,本文新选介的10件藏瓷,时代涵盖唐、宋、元、明、清,对于中国古陶瓷研究具有一定参考意义。1.唐代黑釉剪纸漏花执壶(藏品编号1-356)杯式口内敛,圆唇,束颈短粗,鼓肩,长腹,平底,条形把手上附泥条,颈肩部另附双条形系,管状流粗短。     

民间剪纸能手(68)库淑兰

书房的墙上,挂着一幅色彩斑斓的剪贴画,画中那个戴凤冠、着云肩的红衣女子,瞪着一双大大的眼睛定定地望着我,让我时时想起她的作者,那个极富传奇色彩的剪花娘子——库淑兰。旬邑县位于陕西西部黄土高原的一条罅隙之中,这里盛产烟叶与苹果,还孕育了一位著名的剪纸艺术大师库淑兰。库淑兰,1920年出生在旬邑县赤道乡王村(后更名为富村),从小她就聪明伶俐、争强好胜,是孩子中的娃娃头儿。11岁时,家境富庶的她被父亲送到旬邑县的一所新式学校上学,这是库淑兰一生中最开心的一段时光。后来,因为定了娃娃亲,公公催婚15岁时她无奈辍学回家,随母亲学…     

LUGU TIBETAN NOODLES

正For most people living in Lhasa,no matter what may be forgotten about their childhood,they always have clear memories about what foods and snacks they came across.What makes them so remarkable?Here,we shall see one of the fascinating local foods and snacks that used to pervade the area.     

释“九族”

文章从考释“九族”在今古文经学中的差异入手，对中国古代氏族、家庭制度进行了详尽的考证，为了解中国古代社会提供了一把钥匙。     

China’s soft power conundrum,film coproduction,and visions of shared prosperity

ABSTRACT

This paper looks at China’s soft power strategy in relation to the film industry, which since the early 2000s has opened to international co-productions and investment. Despite many coproduction projects being endorsed by government, results have not added significantly to China’s film-making reputation. The paper shows that coproductions have a diplomatic function, which implies a more conventional understanding of soft power. The paper also considers the tension between artistic freedom and censorship that impacts on all coproduction projects in China and which undermines the efficacy of China’s soft power strategy. The paper advances the proposition that coproduction with countries in Eurasia under the cultural template of the Belt and Road Initiative might present new opportunities to blend China’s stories into a narrative of shared prosperity. In doing this, the advance of China’s economic power is supported by cultural policies that evoke a historical past as much as a shared future.