Sentimental Capitalism in Contemporary India: Art,Heritage, and Development in Ahmedabad,Gujarat

Using a critical cultural politics approach and deploying the concept of sentimental capitalism, this article problematizes the burgeoning creative economy discourse while analyzing spaces of art and heritage production in Ahmedabad, India. I situate the Cotton Exchange exhibit (April 2013) in an erstwhile mill in recent histories of mill closures, genocide, creative economy initiatives and development aspirations of revitalizing degraded space. I argue that in remaking place, art mobilizes sentiments—here, nostalgia and hope—while erasing violence and inequality. Sentimental capitalism is at work in the exhibition by mobilizing artisans as entrepreneurial agents not victims of capitalism; constructing art's aura of grassroots participation and artisanal empowerment while obscuring displacement and exploitation; and fostering cult‐like regard for art's intrinsic and instrumental value as non‐profit and its capacity to engender opportunity, recognition, and even property. While another spatial politics is possible, in Ahmedabad today, art is being mobilized to obscure dispossession and exploitation in the name of urban revitalization and heritage production.     

The History of Emotions in Australia

In the last two decades, emotions have increasingly featured in Australian historical scholarship. This article reviews the history of emotions in Australia by examining the various ways in which historians have engaged with and mobilised the emotions in their research. It argues that, for most Australian historians, the emotions are a tool of investigation in projects with historical interests that are largely directed elsewhere. Historical scholarship in Australia suggests, then, that the emotions are most useful as a category of analysis in the service of a range of other historical agendas.     

Simulation of Shake Table Tests on Out-of-Plane Masonry Buildings. Part (V): Discrete Element Approach

ABSTRACT

The analysis of the shaking table test of a 3-wall stone masonry structure performed with a discrete element model is presented. The numerical model, created with the code 3DEC, employed a rigid block representation and a Mohr-Coulomb joint model. Joint stiffness calibration to match the experimental natural frequencies is discussed, as well as the boundary conditions to simulate the shake table. Comparisons are made with the measured displacements at key locations, and the modes of deformation and fracture of the walls. The DEM model was able to reproduce important features of the shaking table tests. The experimental deformation and near collapse patterns were clearly identifiable in the numerical simulations, which produced displacements within the observed orders of magnitude, for the various levels of excitation.     

On telling and retelling a story: New books shed light on culture contact 60 years ago

Leahy, Michael J. Explorations in Highland New Guinea 1930–1935. Foreword by Jane C. Goodale. Edited, with afterword, by Douglas E. Jones. Tuscaloosa: University of Alabama Press, 1991. xii + 254 pp. including photographs and index. $19.95 paper.

Schieffelin, Edward L. and Robert Crittenden. With contributions by Bryant Allen and Stephen Frankel, Paul Sillitoe, and Lisette Josephides and Marc Schiltz. Like People You See in a Dream: First Contact in Six Papuan Societies. Stanford: Stanford University Press, 1991. ix 4‐ 325 pp. including maps, photographs, appendices, and index. $12.95 paper.     

REVIEW ESSAY: THE FRAGILITY OF CHILDHOOD: GABRIELLE ROY'S CES ENFANTS DE MA VIE

Both Alice Munro and Margaret Laurence have named L.M. Montgomery’s work— particularly her books about Emily—as childhood readings that are central to their development as writers. This essay explores how Montgomery’s three books about Emily—Emily of New Moon, Emily Climbs, and Emily’s Quest—provide a persisting imaginary that The Diviners by Laurence and Who Do You Think You Are? by Munro reflect.     

Analysis of the spatial distribution of geochemical signatures for the identification of prehistoric settlement patterns in ADE and TMA sites in the lower Amazon Basin

The Archeological Dark Earth (ADE) and Terra Mulata (TMA) anthrosols found at Juruti, on the lower Amazon River, extend over a wide area located within the local ferralsol domain. The ADE soils are dark in color and contain large quantities of fragmented ceramics, while the TMA soils are also relatively dark, but lack ceramics. Multi-element chemical analyses of soil samples of ADE and TMA from the A2 horizon (depths of 10–20 cm) indicated that the ADE soils are characterized by higher concentrations of P₂O₅, CaO, K₂O, MgO, Cu, Mn, and Zn, while the TMAs have median levels of these compounds, and the ferralsols have much lower concentrations. These chemical elements make up the geochemical signature of these anthrosols, whereas Al₂O₃, Fe₂O₃, TiO₂, Cr, Sr, La, Li, Ni, Pb, V, Y, and Zr characterize the geochemical signature of the ferralsols, which was identified partially in the ADEs and TMAs. The isoline maps of these two geochemical associations permitted the delimitation of the different areas and the identification of the ADEs as sites of long-term human occupancy, and the TMA as an area of temporary occupation associated with agricultural activities. Seven villages were delimited within the study area, and were separated by corridors of ferralsols. These settlements were established on the riverbank, with the more temporary cultivated areas behind them, running almost parallel to the river. The identification of functional patterns based on geochemical associations, the abundance of ceramic material, and concentrations of organic matter, indicated that an area of more than 350 ha was occupied.