The Ideological Ends Against the Middle: House Roll Call Votes on Normal Trade Relation Status for China, 1990-2000

From 1990 to 1999, the House of Representatives held roll call votes to attempt to overturn presidential extensions of Normal Trade Relation (NTR) status to China. What was once a routine matter attracting little congressional attention became a highly divisive matter. Interestingly, the coalition that formed to oppose such extensions was a partnership of strange bedfellows: extreme liberals joining their far-right colleagues to try to rescind the president's extension of normal trade status for China. When the distribution of opposition on the yearly extensions of NTR is compared to that on the vote to approve permanent NTR (PNTR) for China, the ideological distribution of opponents changes noticeably. I argue that important procedural differences between the votes on the yearly extension, and PNTR, serve to explain why ideologically extreme members formed their strange alliance.     

Settlement studies and the archaeological survey of North Norway — A discussion based on the survey of North Troms

By the end of the 1984 field season a systematic archaeological survey of the county of Troms was completed. At the same time a revision of the survey was started. The survey of Troms is part of a nation‐wide archaeological survey, connected with the production of an Economic Map of Norway. Though the validity of the methods and the results of this survey have been questioned, few attempts have been made at evaluating the archaeological data base produced by the survey. The current total revision of the survey makes this task even more urgent. The aim of this paper is to contribute towards such an evaluation, by utilizing the survey data from six North Troms municipalities in an attempt at constructing a history of settlement for this area.     

Deutsche Literatur an der Indianergrenze

The thirteenth-century Spanish poem Libro de Apolonio (LA) shares many features with other works of the cuaderna vía; among them is the frequency with which the personified figure of sin makes its appearance. One finds the word pecado in the opening scene of the LA, where the narrator says that sin, always restless, manages to stir up desire in King Antioco and makes him turn his gaze on his own daughter (6). Soon again, in reference to the same incestuous king, the narrator writes that “metiólo en locura la muebda del pecado” (26). With two early references in the LA to sinful impulses, the narrator suggests that pecado is the root cause of Byzantine-like adventures that take Apolonio across the Mediterranean world. To further underscore its importance, the author uses the word pecado in a variety of contexts a minimum of thirty-one times. Given its near omnipresence, it is essential that one consider the nature and role of sin when interpreting the work. As a window through which to view sin, this essay focuses on the hero’s status as king. If Apolonio is referred to as pilgrim on occasion, it is no less significant that the main character is referred to as king no less than thirty-five times in the work. It could be that the author wants us to bear in mind that we are not dealing with “everyman,” but with a king. By viewing Apolonio in this light, one can proceed to examine his royal performance to assess to what degree his shortcomings might be considered pecado.     

Why the Movies Chose Hollywood

In the early 1900s Hollywood became acknowledged as the world capital of the commercial movie industry. Several factors clearly explain why film makers came to prefer this district of Los Angeles. Compared to other communities of the period. Hollywood possessed a superior geographic situation, affording film directors an ideal climate and ready access to outstanding scenery, talent and ancillary businesses. Once established, the district rapidly realized incomparable economies of scale. Finally, World War I eliminated European competition and solidified Hollywood's preeminent position.     

Landscape,Religion and Folk Art in Mithila: An Indian Cultural Region

Folk art portrays aspects of cultural geography that have been frequently ignored. Important aspects of the cultural geography of Mithila arc illustrated through folk paintings and songs. By understanding the symbolism in folk art, cultural geographers can discover fresh meanings in landscapes and culture, thus gaining a deeper knowledge of the aspirations and behavior of a specific group.     

Common property mapping and the preservation of traditional rights in Chesapeake Bay's oyster fishery, 1892–1914

Conflicts over oysters intensified along the US mid-Atlantic coast as traditional management of these valuable resources broke down in the late nineteenth century. In response, states founded management agencies, and mapping oysters was one of their first activities. Virginia and Maryland's first cartographers favored privatizing common property, an alteration that would have displaced thousands of oystermen and benefited wealthier segments of the industry. Cartographers sought to use maps to expand privatization; however, Chesapeake Bay oystermen were numerous enough to wield political influence, and they rejected one of the first major surveys and shaped the production of the other two, using them to protect their common property while making these rights visible to the State. Many conservation practices in the eastern USA grew out of local people's traditions, and this study explores the role of the mapping process amid the broader context of a shift in the scale of management to state agencies.     

A la recherche du “récit de l'Arche”: à la recherche de Saül. De Shilo à Gibea

ABSTRACT

Depuis l'étude fameuse de Rost, le “récit de l'Arche” est devenu une unité narrative indépendante dans le premier livre de Samuel. Les travaux successifs ont toutefois peu à peu ruiné la cohérence de cette unité en lui enlevant son aboutissement avec David à Jérusalem (2 S 6) et même en la faisant commencer dès 1 S 2. S'il apparaît opportun de faire débuter le récit avant 1 S 4, pour garder le contexte de Shilo et du prêtre Éli, on peut alors tenter de le faire dès 1 S 1. Pour cela, il importe de lire le récit de naissance de ce premier chapitre non comme étant celui de Samuel mais comme celui de Saül. En effet, les indices littéraires de ce texte montrent que le nom “Samuel” ne correspond pas au contexte narratif. Or, comme Samuel est totalement absent du “récit de l'Arche”, on peut dès lors proposer une lecture des premiers chapitres sans ce personnage, pas en délimitant des unités narratives indépendantes mais en recherchant une strate rédactionnelle ancienne. De cette manière, ce “récit de l'Arche” devient bien plus un “récit d'accession au pouvoir de Saül”, récit qui nous mène de Shilo (1 S 1; 4) à Gibea (1 S 7,1; 10; 14), en passant par Rama et son voyant anonyme (1 S 9).