The politics of the diarist

Peter Howson, The Life of Politics: The Howson Diaries, ed. Don Aitkin, Melbourne, The Viking Press, pp. 1013. $39.95     

CRITERIA FOR DEVELOPING ARMS CONTROL ACCORDS

This paper offers a new definition of arms control and traces some of the implications of that definition. It also sets out a list of prerequisites for arms control, within the framework, the current and future prospects for arms control are briefly assessed, as are the fundamental limitations of arms control as a strategy for peace and security.     

James Matthews excavation A second interim report

Les fouilles de James Matthews. Second rapport prelimhaire P. BAKER AND G. HENDERSON Les auteurs décrivent dans ce rapport les méthodes utiliées et les résultats obtenus en 1975–77, sur une épave coulée par faible fond sur la côte ouest d'Australie. Ils présentent, en détail, l'utilisation d'un carroyage rigide, facilement manoeuvrable et servant en même temps de plate-forme pour une tourelle - photo pyramidale. Les avantages et les limites de la photogrammétrie, pour les relevés subaquatiques, sont aussi exposés.     

The Irish rent … and mended: transitional textual communities in nineteenth-century America

In this paper, traditional folkloric forms that were ritualised and practised in pre-Famine Ireland are examined. So, too, are the strategies that storytellers employed in disseminating the imaginative aspects of the oral tradition to their audiences. Following the disruption of the storytelling tradition precipitated by the Great Famine and emigration, the fabric of Irish storytelling lay threadbare, both in Ireland and abroad. Of interest is the fact that in America the less “heroic” and more subtle strands of Irish folklore resurfaced in the theatrical venues that developed during the second half of the nineteenth century, namely, minstrelsy, Vaudeville, and Tin Pan Alley. By the turn of twentieth century, the Irish were responding to other “heroic” depictions of themselves, not only with protestation but also with “tongue-in-cheek” laughter. Their grounding in a variety of folkloric texts in Ireland enabled them to transition to multiple kinds of accommodation and expressive resistance.