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31.
Tai Shan Hu 《European Planning Studies》2014,22(5):1081-1105
Taipei is the economic and cultural centre of Taiwan. To compete with other Asian countries, Taipei has adopted pragmatic innovation and development strategies to achieve competitive advantage. Analysis of data obtained in face-to-face interviews indicates that Taipei may have a unique fashion economy. This study confirms the potential of the Taiwan fashion industry from the perspective of its cultural and creative economies. The main goal of this study is to determine how fashion professionals promote and affect the Taiwan fashion industry. First, fashion-related industries in the Taiwan cultural and creative system are defined and classified. Based on these definitions, statistical employment data and interview data are used to show how the distribution of fashion professionals provides directions for urban development by fashion clusters. 相似文献
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Patrick Maley 《Irish Studies Review》2014,22(2):207-223
The plays of Conor McPherson emphasise a sociality of story, language, and theatre. His theatre demands both that a storyteller be heard and that storytellers acknowledge the reality of their words existing in a social space. Meaning-making in McPherson's monologues must thus be social, shared either between the monologists and the theatrical audience, or between a storyteller and the in-play audience. This essay argues that the dynamic of storytelling in McPherson's theatre epitomises a late-modern humanist pursuit. We encounter his characters on loosely defined linguistic journeys of ontological becoming, and are called upon as audience to become interlocutors, supporting and advancing this humanist process. Ultimately, McPherson's work suggests that dramatic characters and theatrical audience exist in a reciprocal relationship of soliciting and supporting a becoming from one another. 相似文献
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自晚清以来,许多著名学者致力于越器者(氵刀)编钟铭文的研究,本文综合各家所说,对钟铭文义进行了新的理解,并对器主身份及年代问题进行了探讨。 相似文献
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This article is an evaluation of Ireland's participation in the Telematics Applications Programme (TAP), which was part of the European Commission's Fourth Framework Programme for the period 1994-1998. TAP was primarily concerned with public sector bodies and their ability to adapt to the Information Society. The article explores Irish participation in the programme and examines the contribution of this participation to the clustering of telematics experimentation within Ireland and to the increasing integration with other European regions arising from project networks. The role of the TAP programme in furthering Europe's information society in Ireland is assessed. 相似文献
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