Sport and society in Italy today

Summary

In ‘Itinerary’ Patrick McCarthy provides an introduction to the four articles that examine the connections between sport, politics, business and contemporary culture in Italy. Noting that mass participation in sport has been closely related to modernization, McCarthy argues that the forms of contemporary mass sport reflect the particular cultural, political and economic conditions of each European society. In Italy these made soccer and cycling the most popular mass sports by 1945.

Patrizia Dogliani’s article ‘Sport and Fascism’ examines the development of mass sport in Italy from the late nineteenth century, showing the critical role played by the Fascist regime, which rapidly expanded public sports facilities while the language of politics and combat permeated the vocabulary of sport in Italy in the 1920s and 1930s. Initially the emphasis was on international competition as a symbol of national virility, but following the success of Germany and the USA in the 1936 Olympics the regime’s search for consensus placed new emphasis on recreational aspects. The institutional and administrative organization of sport established in the 1930s remained in place in Italy, however, until more recendy.

In ‘Itinerary 2’ McCarthy examines the roles of the boxer Carnera from Friuli and the racing driver Tazio Nuvolari as sporting heroes of Mussolini’s Italy and in ‘Itinerary 3’ shows how the struggles between Catholic Italy and Communist Italy were personified in the rivalry between the cyclists Gino Bartali and Fausto Coppi in the post-war period.

In ‘Itinerary 4’ he asks why soccer had by the 1970s overtaken cycling as Italy’s most popular sport. That theme is examined in greater detail by Nicola Porro and Pippa Russo, whose article reconstructs the ‘hybridization of sport, mass media and politics’ in Italy in the 1990s. Its central focus is Silvio Berlusconi, the self-made media tycoon who founded Fininvest in the 1970s, acquired AC Milan in 1986, and by 1994 controlled a media empire that enabled him to found a new political party (Forza Italia) and become Italy’s Prime Minister albeit for less than a year. Porro and Russo examine the ways in which Berlusconi’s roles in the world of the media and professional soccer have changed both Italian politics and Italian sport.

In ‘Itinerary 5’ McCarthy sets the example of Berlusconi in the context of the integration of soccer and mass media, the commercialization and politicization of sport at a global level in the last decade. These issues are developed in greater detail in Emanuela Poli’s article, ‘The revolution in the televised soccer market’, which emphasizes the critical role that has been played by soccer and soccer clubs in the development of the new media empires based on digital pay-per-view TV and the sale of sporting events in the 1990s. This has left control of the sport (in terms of who can watch and when) in the hands of major international communications moguls like Berlusconi and Rupert Murdoch.

‘Itinerary 6’ links the fragmentation of collective myths like the national soccer championships to the decline of the nation state, and surveys the situation of other sports in Italy (the Americas Cup, skiing, rugby football. Formula 1 motor racing and the gymnasium). The latter is the subject of the final article by Roberta Sassatelli on ‘The commercialization of discipline: keep-fit culture and its values’ which explores the social and cultural meanings attached to the growing vogue for fitness clubs and the shaping of the ideal body in contemporary Italy.     

Italy: A new language for a new politics?

Abstract

The aim of this article is to analyze the language used by the major actors in contemporary Italian politics. After a brief introduction, which lists the general questions posed by such an analysis, we examine the language of the pre‐1992 regime, which has been rather too hastily condemned as obscure and solipsistic. We then pass to the self‐consciously simple language of Bossi, who constructs a discourse of protest, and of Berlusconi, who offers a discourse of government. These lead to the very different, albeit sometimes complementary, languages of Prodi and D'Alema, which go beyond populism and open new political perspectives. Through these and other examples we examine the role of political language in a changing Italy.     

Explaining Third‐Party Intervention in Ethnic Conflict: Theory and Evidence

Abstract. One of the most challenging developments for students of international relations is the resurgence of ethnic strife, including secessionism and irredentism. Basic questions are only beginning to be addressed in the post‐Cold War era. Why are some states more likely than others to intervene in ethnic conflicts? How can international norms about third‐party intervention in ethnic conflicts be evaded or ignored by some states but respected by others? Why are some states inclined to use force rather than mediation to resolve ethnic strife? In short, what accounts for the emergence of adventurous and belligerent foreign policies with respect to internal ethnic conflicts? These questions are of increasing importance to students of international politics, yet the dynamics and internationalisation of ethnic conflict are far from fully understood. This study focuses on the dynamics of third‐party intervention in ethnic strife and implications for peaceful resolution. The first section presents a model that identifies the general conditions under which ethnic strife is most likely to lead to intervention by third‐party states. The second uses four cases to illustrate, within the context of the model, different processes with respect to internationalisation of ethnic conflict. The third and final stage identifies implications for policy and theory, along with directions for future research.     

Different glassmaking technologies in the production of Iron Age black glass from Italy and Slovakia

This study presents the results of an archaeometrical investigation performed on 75 black glass beads dated to the ninth–fifth century BC coming from Bologna, Cumae, and Pozzuoli (Italy), and Chotin (Slovakia). The analyses of the major, minor, and trace elements—as well as that of Sr and Nd isotopes performed on a selection of samples coming from Bologna—provided evidence for two different production technologies in Iron Age black glass found in Italy (natron glass, probably produced in Egypt) and Slovakia (wood ash glass, probably produced in Europe). In both cases, the glasses derive their black colouration from the high presence of iron (around 12 % FeO), introduced into the glass batches through the intentional choice of dark sands. The production model appears to be small-scale and experimental, characterised by the use of non-sorted raw materials and poorly defined formulae, producing glass with a high chemical variability. The wood ash technology appears to have dropped out of use in Europe until the Medieval period, while natron production spread quickly, becoming predominant throughout the Mediterranean.     

Glass and glass production in the Oman peninsula in antiquity reconsidered – chemical and mineralogical investigation of sands

A batch of green‐ and amber‐coloured glass chunks and unguentaria dating from the first century CE was found in 2007 at Dibba al Hisn, a site on the Arabian Sea coast of the United Arab Emirates (UAE). Its elemental and isotopic composition revealed the glass to be of a previously unknown plant ash glass type, different from known contemporary Roman, Mesopotamian, and Indian glass. The Sr isotopic composition of the glass corresponds to locally available plants, pointing to the possible existence of a first‐century CE local glass production centre. To explore this possibility, sands from around the UAE were analysed to establish their suitability for glass making and correspondence with the Dibba finds. This paper presents the results of the elemental analysis of fourteen sands. The analysis, performed using inductively coupled plasma optical emission spectroscopy (ICP‐OES), revealed all sands to be rich in lime and alumina. X‐ray diffraction revealed the presence of calcite and other carbonate minerals, as well as antigorite and quartz. Comparison of the sand compositions to average first‐century CE non‐Roman glass found at Dibba showed them to be unsuitable as raw material for producing the glass of Dibba. The evidence thus identifies this glass batch as imported, contrary to what was suggested before. This paper also reviews the occurrence of thick‐walled unguentaria in the region.