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This article examines the career of Sikelgaita (1040–1090), wife of the Norman conqueror of southern Italy, Robert Guiscard, as a means of understanding the impact of the ‘other’ Norman conquest of the eleventh century. Sikelgaita is unusual in that she has left images in narrative sources both within and well beyond the confines of southern Italy. She is also well documented at a local level. Both types of material combine to reveal her crossing gender boundaries in titles she used, the way in which she managed property, her legendary presence alongside Robert on his campaigns and, more speculatively, in organising a campaign of written propaganda to ensure the succession of her son to his father's patrimony in preference to his half‐brother by Sikelgaita's predecessor as Robert's wife. Her history raises the problems of women's access to written texts, their conscious shaping of their own identities, their conflicting loyalties between natal and marital families, and the need for competing male heirs to prove themselves against a prevailing notion of masculinity in a period when one aggressively masculine group, the Lombards, was being supplanted in power by another, the Normans. As such, it demonstrates that the lives of so‐called ‘exceptional’ women continue to have a value to historians of gender in the middle ages, and can often demonstrate the patriarchal boundaries which even they could not cross.  相似文献   
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Three hominin phalanges were recently identified in old faunal collections attributed to the Late Acheulean (Layer D2) dated to ca. 213 Kya, from Oumm Qatafa Cave (Judean Desert), a site excavated in 1928–1949. In terms of general appearance (colour, patina and adhering sediment), these specimens resembled the fauna with which they were found, but the likelihood of stratigraphic problems especially in old excavations, the presence of 4th millennium b.c. burials in the topmost Layer A at the site and the absence of any mention of Late Acheulean hominin remains in publications relating to the site prompted us to verify that the phalanges were indeed in situ. Osteometric examination showed the phalanges to be indistinguishable from those of Middle Paleolithic Levantine anatomically modern humans (AMHS) as well as Upper Paleolithic and recent populations, thus contributing little to the resolution of their provenance. To further investigate this issue, we compared the elemental composition of the phalanges to that of fauna from the same and overlying archaeological layers using non-destructive laser ablation–inductively coupled plasma mass spectrometry (LA-ICP-MS). The results showed a close resemblance in elemental composition between the phalanges and fauna from Layer D2, implying that they are in situ. This would indicate either an early occurrence of AMHS in the region or the presence of an ancestral archaic Homo. We propose that LA-ICP-MS offers a useful minimally invasive method for provenancing isolated human and faunal remains.  相似文献   
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Patricia Lysaght 《Folklore》2013,124(1-2):65-82
As poetry performed at crucial turning points in life, lamentation has been a central element of the culture of women in most societies. In Ireland the custom of public improvised poetic lamentation over deceased persons by women is attested from ancient times and persisted into the twentieth century in some parts. This paper gives a brief survey of the lament tradition in Ireland, taking into account evidence from diverse periods and sources, both literary and oral, as well as lament “texts” collected in the nineteenth and twentieth centuries. A backdrop to attitudes to the lament in different sections of society expressed in the sources is provided by consideration of the linguistic, political and, especially, the socio-religious history of Ireland in late-medieval and modern times. In attempting to understand the significance of lamentation to the bereaved individual and community, the structure and content of the traditional lament over the dead, its situation in the scheme of the funeral ritual, its performance, and its effect on the audience are all considered. The pivotal role of the keening woman in this context is also taken into account.  相似文献   
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Patricia Lysaght 《Folklore》2013,124(3):403-426
Several aspects of mortuary customs in Ireland have already been studied in detail. This paper focuses on the role of hospitality on the occasion of death from the seventeenth to the nineteenth century. Based on a variety of written records, it discusses the attitudes of both lay and clerical commentators—officials, travellers and writers on the one hand, and the clergy on the other—to the provision of hospitality, particularly before the interment of the corpse. The meaning of hospitality for the bereaved family, the community, and the deceased is also explored.  相似文献   
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