The application of biometry and LA-ICP-MS to provenance isolated bones: a study of hominin remains from Oumm Qatafa Cave,Judean Desert

Three hominin phalanges were recently identified in old faunal collections attributed to the Late Acheulean (Layer D2) dated to ca. 213 Kya, from Oumm Qatafa Cave (Judean Desert), a site excavated in 1928–1949. In terms of general appearance (colour, patina and adhering sediment), these specimens resembled the fauna with which they were found, but the likelihood of stratigraphic problems especially in old excavations, the presence of 4th millennium b.c. burials in the topmost Layer A at the site and the absence of any mention of Late Acheulean hominin remains in publications relating to the site prompted us to verify that the phalanges were indeed in situ. Osteometric examination showed the phalanges to be indistinguishable from those of Middle Paleolithic Levantine anatomically modern humans (AMHS) as well as Upper Paleolithic and recent populations, thus contributing little to the resolution of their provenance. To further investigate this issue, we compared the elemental composition of the phalanges to that of fauna from the same and overlying archaeological layers using non-destructive laser ablation–inductively coupled plasma mass spectrometry (LA-ICP-MS). The results showed a close resemblance in elemental composition between the phalanges and fauna from Layer D2, implying that they are in situ. This would indicate either an early occurrence of AMHS in the region or the presence of an ancestral archaic Homo. We propose that LA-ICP-MS offers a useful minimally invasive method for provenancing isolated human and faunal remains.     

Caoineadh os Cionn Coirp: The Lament for the Dead in Ireland

As poetry performed at crucial turning points in life, lamentation has been a central element of the culture of women in most societies. In Ireland the custom of public improvised poetic lamentation over deceased persons by women is attested from ancient times and persisted into the twentieth century in some parts. This paper gives a brief survey of the lament tradition in Ireland, taking into account evidence from diverse periods and sources, both literary and oral, as well as lament “texts” collected in the nineteenth and twentieth centuries. A backdrop to attitudes to the lament in different sections of society expressed in the sources is provided by consideration of the linguistic, political and, especially, the socio-religious history of Ireland in late-medieval and modern times. In attempting to understand the significance of lamentation to the bereaved individual and community, the structure and content of the traditional lament over the dead, its situation in the scheme of the funeral ritual, its performance, and its effect on the audience are all considered. The pivotal role of the keening woman in this context is also taken into account.     

Hospitality at wakes and funerals in Ireland from the seventeenth to the nineteenth century: Some evidence from the written record

Several aspects of mortuary customs in Ireland have already been studied in detail. This paper focuses on the role of hospitality on the occasion of death from the seventeenth to the nineteenth century. Based on a variety of written records, it discusses the attitudes of both lay and clerical commentators—officials, travellers and writers on the one hand, and the clergy on the other—to the provision of hospitality, particularly before the interment of the corpse. The meaning of hospitality for the bereaved family, the community, and the deceased is also explored.     

More substance on subsistence

Bernard Nietschmann. Between Land and Water. New York: Seminar Press, 1973. xiv + 279 pp. Illustrations, tables, appendixes, glossary, references, and index. $14.00.

James Ward, producer‐editor, and Brian Weiss, anthropologist‐photographer. The Turtle People. Los Angeles: B & C Films. Twenty‐six minutes. Color and sound. $310.00 (purchase price), $25.00 (rental fee).     

The Interplay of Spirit in Greek Island Dancing

Values of honourable courtship are expressed in dance and this paper is an ethnographic reconstruction of a Greek island dance called the sousta practised on the Dodecanesian island of Rhodes during the interwar period (1925–1940). Its performance was a dynamic interplay of gender roles that mediated romance and moved the performers toward the resolution of marriage. The aim of the paper is to elaborate on values ascribed to men and women during the occasion of dancing at a village wedding in southern Rhodes. The interplay of grace (hari) and honour (timi) will locate why and how men reveal through hari and why women are concealed through timi during the dance performance.