The First ‘Urnfields’ in the Plains of the Danube and the Po

Journal of World Prehistory - Archaeological research is currently redefining how large-scale changes occurred in prehistoric times. In addition to the long-standing theoretical dichotomy between...     

The Possible Time and Region of Host Switches of Ancient Malaria Parasites with Reference to the Pliocene–Quaternary Archaeological Sites in Africa

About 96% of all malaria deaths occur in Africa, and the malignant falciparum malaria also originated on the continent. Although falciparum malaria only appeared in the Holocene period, it can be hypothesized that the transfer of malaria parasites from other primates to humans occurred several times in history parallel to human evolution. This study develops the model that examines the possible coexistence of the potential original host apes, human ancestors, and the diverse anopheline mosquito species; and how, where, and when the host switch of these parasites from great apes to humans occurred. Based on the Pliocene-early Pleistocene archaeological sites, it was found that certain early hominin populations could have lived in malaria areas where the anopheline mosquito fauna was moderately diverse. The people of the Lupemban Culture, as well as the Greenlandian and Northgrippian human populations of East and West-Central Africa, lived close to the high diversity of anopheline fauna and the territories of such great apes as Gorilla gorrilla. African mid-Holocene cultures likely came in contact with gorilla populations — the original hosts of Plasmodium falciparum — along the coasts of the Gulf of Guinea and the East African Rift Valley during their migration to southern Africa. The host switch of the ancestor of the falciparum malaria parasite likely occurred in these regions.

     

An Experimental Study of the Anatomical Distribution of Cut Marks Created by Filleting and Disarticulation on Long Bone Ends

Analogical frameworks created through experimentation are a vital part of taphonomic studies for interpreting the archaeological record. Understanding the anatomical location of cut marks is crucial for interpreting the butchery behaviour of humans in the past, as well as for indirectly inferring the subsistence and economic function of archaeological sites. Two experimental/ethnoarchaeological studies have provided taphonomists with analogues to interpret filleting and disarticulation butchery behaviours from archaeofaunal assemblages. However, these analogues were made with limited control and both involved the use of metal knives. The present work provides the first systematic and controlled study of cut mark distribution on long bones made with stone tools, aimed at differentiating cut marks created by filleting or defleshing from those inflicted during disarticulation. It also studies the variability of cut mark distribution according to stone tool type (simple flakes, retouched flakes and handaxes). The results show some differences with previous studies made with metal tools and offer an updated analogue to interpret butchery (filleting, dismembering and skinning) from prehistoric contexts.     

Charismatic Healers on Iberian Soil: An Autopsy of a Mythical Complex of Early Modern Spain

The saludadores, charismatic healers specialised in the curing of hydrophobia, represent one of the most exceptional mythical complexes of the Iberian Peninsula. The myth emerged abruptly in the last decades of the fifteenth century. The evidence suggests that the complex of the Iberian saludador refers to an archaic substratum of Mediterranean beliefs, related to the immunity to poisonous animals attributed to certain ethnic groups or charismatic healers. In the western Mediterranean, at some later moment, the belief fused with the cult of the saints, thus acquiring its original traits. This combination with Christian mythology endowed the saludador healers with some characteristics typical of European folk possession-systems. Once the belief in the Iberian saludadores' complex was firmly in place at the beginning of the sixteenth century, many local cunning-men succumbed to the temptation of trying to incorporate the mythical subject of the saludador. By assuming some of the most spectacular features of the mythical subject, they sought to legitimise the various services they rendered to the rural communities.     

America in Speech and in Deed

The author's primary aim in what follows is to fully articulate Chantal Delsol's critique of late modern universalism as an attempt to depoliticize the individual for the sake of replacing politics with morality. The result of this depoliticization is a quasi-pantheistic cosmopolitanism that not only effectively denies the significance of individuality, despite rhetorically lionizing it, but also undercuts the freedom of individual conscience that makes moral choice possible. Genuine political prudence and moral judgment are subsequently replaced by the rigid exactitude of a technocratic analysis that reintroduces the "clandestine ideology" it was, despite protestations to the contrary, intended to eliminate. The unhappy paradox produced by the attempt to replace the necessary limitations of political judgment with the universality of a priori moral decree is that a new set of culturally and historically idiosyncratic political attachments are surreptitiously introduced beyond the pale of reasonable debate and disagreement. Delsol's measured response is not a precipitous rejection of universalism as such but a rehabilitation of it that recaptures the Christian moral realism at its core.     

Museums in revolution: changing national narratives in revolutionary Cuba between 1959 and 1990

This paper explores the function and role of museums in revolutionary Cuba between 1959 and 1990. Drawing on a variety of hitherto unexplored archives and interviews with bureaucrats of the Cuban heritage field, the paper argues that there is a close relation between museum production, the prevailing narration of nation, internal power struggles within the regime and the changing relation with the USSR. Museums were considered primary tools for historical production and politico-ideological socialisation. These were two fundamental issues for communist regimes, concerned with fixing cultural identity and affirming historical continuity. The paper focuses on the case of the Museum of the Revolution to argue that Cuban museums changed in conjunction with the increasing crypto-colonial relations of subordination to the USSR. In the first, humanist and Universalist phase, museums served to expand culture and spread a nationalist-revolutionary narrative of nation. The second period after 1975 witnessed the institutionalisation and Sovietisation of Cuban museums. This involved their transformation into a device to instil a nationwide homogeneous class-based Marxist–Leninist narrative adapted to Cuba from the Soviet model. This ideological closure of museum production contributed to the ideological and identity-building objectives of the regime.     

From verifiable authenticity to verisimilar interventions: Xintiandi,Fuxing SOHO,and the alternatives to built heritage conservation in Shanghai

ABSTRACT

The introduction of contemporary architecture into historic urban environments creates an open heritage discussion that includes the underlying relationship between development and conservation. This discussion requires theoretical clarification, as heritage conservation is frequently mistaken for other architectural design approaches that, even though they may operate within the historic environment as their primary source, do not comply with the complex definition of heritage authenticity used today. This article aimed to contribute to this debate, offering a characterization of such architectural design strategies operating through principles of verisimilitude that target authentication for tourists and the creative classes in a global city like Shanghai. Comparative studies of Xintiandi (Ben Woods, 2001) and Fuxing SOHO (Von Gerkan, Marg und Partner, 2015) provided an insight into the concepts of historic re-creation and abstract inheritance, currently used as ways of interpreting the historic residential typology of the Shanghai lilong according to the economic and political aims of the entrepreneurial model of governance. This allowed a critical evaluation of the growing attention paid to heritage in Shanghai in the last 25 years, and whether the substitution of the principle of authenticity for authentication has solved the contradictions between urban conservation and development in contemporary China.