History and Effects of Channelisation on the Latrobe River,Victoria

Channel changes on the lower Latrobe River since the late 1800s include a 25 per cent reduction in channel length due to artificial meander cutoffs, increases in mean channel width, increased channel instability and incision of up to 1.05 m. Hydraulic changes at the Rosedale gauge include increases in bankfull flow velocity and a 67 per cent increase in channel capacity, resulting in a threefold reduction of over-bank flow duration. The extensive channelisation works have reduced the frequency of minor flooding and the period offloodplain inundation, but these and other human impacts have severely degraded the stream environment.     

Auto-production systems in Japan: organisational and locational features

Through their highly controlled production systems Japanese auto-makers have succeeded to a considerable degree in extending the basic principles of modern factory production–specialisation and timing–to regional space. Thousands of firms, large and small, hierarchically connected in subcontracting layers supply a myriad of parts and engineering services to the auto-makers. Automakers minimise the level of stocks of parts at their plants by requiring their direct suppliers to make frequent deliveries. These firms function as extensions of the auto-maker's plant with the result that the regional production system functions with precision approaching that of a single well-organised factory.     

THE METAPHORICAL VISION IN THE LITERARY LANDSCAPE OF WILLIAM SHAKESPEARE

Despite a considerable amount of research in literary geography since the 1970s, particularly upon 19th-century rural novels, relatively little attention has been focused on Elizabethan literature, drama, and poetry. This paper addresses the literary landscape of William Shakespeare with specific reference to the use of the body-landscape metaphor in his dramatic work. It is undertaken in the belief that by conducting this type of investigation we are not merely exploring an intriguing aspect of the literary landscape of a highly creative Elizabethan, but we are also improving our understanding of the environmental perceptions of the culture in which these plays were written. The study begins by exploring the origins of this particular metaphorical vision, and then examines how Shakespeare employs this concept by superimposing elements of the celestial and the terrestrial landscape onto the human body and vice versa. Research reveals that although Shakespeare makes extensive use of this metaphorical device, some important types of body-landscape metaphors are absent in his work, and possible reasons for this are explored. The study concludes by noting that although this way of understanding the world was later superseded by other metaphors, some interesting parallels can be drawn between the body-landscape metaphor employed by the Elizabethans and the more recent Gala hypothesis. Malgré le nombre considérable de recherches effectuées en géographie littéraire depuis les années 1970 et plus particulierèment dans le domaine des romans ruraux du 19^e siècle, les géographes se sont très peu intéressés à la littérature élisabéthaine ou au thAeatre et à la poésie. Cet article examine le paysage littéraire de William Shakespeare et plus particulièrement l'utilisation de la métaphore du corps comme paysage. Nous entre-prenons cette étude avec la conviction qu'en faisant ce genre de recherche, on n'explore pas seulement un côte fascinant du paysage littéraire d'un Elisabéthain hautement créatif mais que nous améliorons aussi notre compréhension des perceptions de I'environnement de la culture dans laquelle ces pieces ont ete icrites. Cette etude se penche tout d'abord sur les origines de cette vision metaphorique particuliere. Elle examine ensuite comment Shakespeare utilise ce concept en superposant des éléments des paysages célestes et terrestres au corps humain et vice-versa. L'étude démontre que malgré l'utilisation fréquente de cette figure métaphorique par Shakespeare, de nom-breuses formes de la métaphore du corps comme paysage sont absentes de son oeuvre et les raisons possibles de cette carence sont explorés. L 'étude s'acheve en notant que même si cette façon de comprendre I'univers a été plus tard remplacée par d'autrès métaphores, des interpretations paralleles inte-ressantes peuvent être faites entre la métaphore du corps comme paysage et I'hypothèse plus récente de Gaïa.     

Brexit: initial reflections

Even though the opinion polling before the British referendum on membership of the European Union showed a narrow gap between the two sides, the actual result—a vote to leave—on the morning of 24 June 2016 came as a surprise to many. Yet in truth both the referendum and its outcome had deep roots in British politics. In this article we cast an eye over the history of Britain's relationship with the EU, which has long been marked by a mixture of awkwardness and successful influence. We trace the origins of the referendum in long‐run tensions between, and within, the political parties, and in the lukewarm public support for European integration. We also examine more contingent, short‐term factors relating to the referendum campaign itself. We conclude by commenting on the divisions exposed by the vote along lines of geography, education, class and wealth, and suggest that reconciling these with the continuing tensions in the party landscape make a clean and speedy exit from the EU unlikely.     

A RETRIEVAL OF HISTORICISM: FRANK ANKERSMIT'S PHILOSOPHY OF HISTORY AND POLITICS

Frank Ankersmit is often perceived as a postmodern thinker, as a European Hayden White, or as an author whose work in political philosophy can safely be ignored by those interested only in his philosophy of history. Although none of these perceptions is entirely wrong, they are of little help in understanding the nature of Ankersmit's work and the sources on which it draws. Specifically, they do not elucidate the extent to which Ankersmit raises questions different from White's, finds himself inspired by continental European traditions, responds to specifically Dutch concerns, and is as active as a public intellectual as he has been prolific in philosophy of history. In order to propose a more comprehensive and balanced interpretation of Ankersmit's work, this article offers a contextual reading based largely on Dutch‐language sources, some of which are unknown even in the Netherlands. The thesis advanced is that Ankersmit draws consistently on nineteenth‐century German historicism as interpreted by Friedrich Meinecke and advocated by his Groningen teacher, Ernst Kossmann. Without forcing each and every element of Ankersmit's oeuvre into a historicist mold, the article demonstrates that some of its most salient aspects can profitably be read as attempts at translating and modifying historicist key notions into late twentieth‐century categories. Also, without creating a father myth of the sort that White helped create around his teacher William Bossenbrook, the article argues that Ankersmit at crucial moments in his intellectual trajectory draws on texts and authors central to Kossmann's research interests.     

NEW EVIDENCE FOR IRON AGE BURIAL AND PROPITIATION PRACTICES IN SOUTHERN BRITAIN

It has been 30 years since the first scheme that categorized fragmentary Iron Age human remains in southern Britain ( Wilson 1981 ), and nearly 20 years since Cunliffe's paper ‘Pits, Preconceptions and Propitiation’ was published ( Cunliffe 1992 ). This study integrates the osteological, forensic and field evidence to identify archaeological signatures from three interrelated areas. The results show different depositional trends for five sites in Hampshire, and that the hillforts studied – Danebury (Hampshire) and Maiden Castle (Dorset) – demonstrate yet another pattern. Three main depositional practices were observed; intentional exposure, propitiatory deposits, and intentional practices, in which the body was kept whole in death, ran in parallel with each another.