The Reformed Elect: Wealth, Death, and Sanctity in Gloucestershire, 1550–1640

The cleansing of the parish space in the sixteenth century provided opportunities for the laity to state the case for their own sanctity within the spaces formerly occupied by the didactic imagery of the Elect. Pietistic superiority in death, rendered in stone with reference to a popular ideal set forth in the Ars Moriendi elevated the moneyed over the living congregation. This paper compares the emphases of memorials in Gloucestershire, England, with that of selected Ars Moriendi texts in order to comprehend how wealthy patrons farmed themselves as a novel focus for popular adoration and what they hoped to achieve by doing so.     

Healing Charms in Use in England and Wales 1700–1950

The collection and analysis of Anglo-Saxon and early medieval healing charms has long generated an active interest in their content and application. However, despite the quite extensive ethnographic evidence concerning the content of healing charms in use from the eighteenth to the twentieth centuries, there has been no attempt, so far, to make an extensive collection of charm formulae from this period. This paper seeks to begin that task. It is hoped that this inventory, not only serves to highlight an important aspect of the English and Welsh tradition of folk medicine, but also serves to indicate the long history of that tradition. An examination of these charms also provides an illustration of the importance of the written word in the transmission of popular knowledge.     

The Politics of the Good Samaritan

Abstract

Liberals usually misconstrue the recent political movements, worldwide, that have been motivated by fundamentalist religious ideologies. We often dismiss the representatives of these movements both morally and intellectually as fanatic, benighted anachronisms that cling to medieval absolutes. We would be better served, however, if we regard these movements and their representatives in the light of Reinhold Niebuhr's psychology of sin. The purpose of such a construal would not be the cheap, ironical pleasure of accusing fundamentalists of sin, but to provide a more nuanced grasp of their beliefs and behavior, and to open a more promising avenue in our attempts to defuse the furor and mitigate the damage caused by their movements on the national and international stage.     

“From one April to another”: remembering and acknowledging the Holocaust in the poetry of Michael Longley

Michael Longley has written and spoken of the responsibility to commemorate the Holocaust in a manner which is free from historical or political distortion. This article will consider his poetry about the Holocaust in the light of these statements, arguing that the epigraph in Gorse Fires (1991) from the work of Paul Celan provides an indication of Longley's strategy. The close association of elegy and botanical life in Longley's work manifests in the reconfiguration of remembrance poppies in relation to Celan and the Holocaust. The article discusses Longley's work in relation to Ireland's refugee policies during the Second World War, with recourse to the poems “Buchenwald Museum” and “Poppies”. Finally, the article considers Longley's personal link to the Holocaust through his friend Helen Lewis. The representation of the Holocaust in Longley's poetry is always associated with other traumatic events and this article extracts the threads which entangle Longley's evocations of historical violence.