CITIES AND DEVELOPMENT

ABSTRACT This paper starts with a “primer” on what we know about the conceptual and empirical links between development and urbanization. While historical experience of developed countries is reviewed, today's rapid urbanization in developing countries offers an intense set of challenges. Rapid urbanization requires massive population movements and enormous local and inter‐city infrastructure investments in a modern context of heavy government interventions in economies. This context raises under‐researched issues, discussed in the second part of the paper. First concerns the spatial form of development. How much development should be focused in mega‐cities, or huge urban clusters, as opposed to being more spatially dispersed, a critical question facing China and India today? How do we conceptualize and measure both the benefits and costs of increased urban concentration; and how are they linked to a country's evolving national industrial composition? Second, what is the evolution of spatial income inequality under massive rural‐urban migration? Is inequality heightened today relative to the past by national government policies which “favor” certain cities and regions and by local government policies in those cities that may try to deflect migrants by offering them poor living conditions?     

Swift Creek paddle designs and the imperative to be unique

ABSTRACT

The emergence of the Swift Creek style tradition represents a shift from two or three simple carved paddle designs to many thousands of unique paddle designs by middle Swift Creek then back to merely a few in late and post Swift Creek times. This explosion in designs is a striking phenomenon, in need of consideration. Increased design diversity implicates a rise in creativity, verging on an imperative to be unique, where none previously existed in this medium. In this paper, we offer a revised model of Swift Creek social dynamics by reference to the new-found creativity of paddle makers situated within the context of ethnographic case studies.     

The Holly Bluff style

We recognize a new style of Mississippian-period art in the North American Southeast, calling it Holly Bluff. It is a two-dimensional style of representational art that appears solely on containers: marine shell cups and ceramic vessels. Iconographically, the style focuses on the depiction of zoomorphic supernatural powers of the Beneath World. Seriating the known corpus of images allows us to characterize three successive style phases, Holly Bluff I, II, and III. Using limited data, we source the style to the northern portion of the lower Mississippi Valley.     

They're here—I can feel them: the epistemic spaces of Indigenous and Western Knowledges

Indigenous Knowledges (IK) are continually contrasted with Western positivist sciences. Yet the usual conception of IK—as a translatable knowledge about things—renders incomprehensible its discussion as a spiritual or ethical practice. A practice taking place within what we call an epistemic space. A moose hunting event can demonstrate how IK is produced through the epistemic spaces within which hunting is performed. Part of the performance is becoming-animal; as practiced by Koyukon Athabascans, a moose hunt reproduces the social relations between hunter and prey, spiritual relations that demonstrate an ontology and ethics seemingly distinct from those of the Western wildlife sciences founded upon Enlightenment humanism. Yet such ‘Western–Indigenous’ dichotomies falsely indicate entirely separable spaces within which to produce accounts of reality. Instead, this account of a moose hunt demonstrates an assemblage of actors within one space, who together become more than the authors' individual positions and selves, and becomes an event. We additionally argue that more faithfully representing this assemblage requires changing the form of the usual academic paper. Thus tacking between a narrative and theoretical approach that switches from each of our first-person points of view, we aim to depict how knowledge of one hunting event becomes assembled.