Establishing an Ideologically Coherent History

This article analyses the historical culture of the Swedish Social Democratic Worker’s Party (SAP) during its formation in the last decades of the 19th century. Utilizing the theoretical concepts of myth and conceptual metaphor, the sense-making aspects of historical narration are studied, especially the way coherent stories are told, in which the movement under formation is made part of a long history leading to a desirable future. The SAP utilized history both morally-defensively and tactically-offensively. The moral use of history depicts Jesus, Münster, and the French Revolution, establishing the righteousness of revolt. The revolutions of 1848 and the Paris Commune, during which the workers are seen as acting more independently, are depicted in a way that draws attention to tactical aspects; lessons are learned on how the workers should act in a revolutionary situation. As has been shown to be the case regarding national narratives, the sense-making mechanisms of historical narration also tend to appeal to issues of identity. The metaphorical conceptualization of ideas and movements as individuals and families further underlines these issues.     

THE WELFARE STATE AND THE MEDIA SYSTEM

This article aims to bridge the gap between media studies and welfare state studies. While media and communications systems are crucial elements in any society, these systems are often not included in studies of the welfare state. Through a discussion of five historical phases in the evolution of Scandinavian societies and media systems, from early democratization in the late 18th century through the ‘golden age’ of the welfare state to the present challenges of globalization, digitization and the fragmentation of social trust, the article discusses the relationships between the two spheres. While Scandinavian communications systems have much in common with those of other Western states, this article argues that they are also products of, and catalysts for, the specific evolution of the Nordic welfare states.     

To be or not to be a cog: the Bremen Cog in perspective

Following on from Thijs Maarleveld's paper in 1995 on type-names for archaeological finds of ships, the use of the term cog has been questioned by Timm Weski, who suggested the archaeological term Ijsselmeer-type instead. The present paper surveys a total of 18 ship-finds of this type with respect to date, origin and year of investigation, without finding support for the proposed change in terminology. Instead, the archaeological term cog should be restricted to seagoing vessels of the 12th–15th centuries which share the structural features of the lower part of hull with the Bremen Cog.
Recent results of dendroanalysis point to the root of the Jutland peninsula as a more likely area than the former Zuiderzee for the transformation of a hypothetical older'proto-cog'-type for navigation on rivers and in the Waddensee into the proper seagoing medieval cog-type. Impulses for this transformation were found, most likely, in the need to circumnavigate Cape Skagen already in the 12th century, and technical features were probably taken over from large Scandinavian cargo ships of that period. © 2000 The Nautical Archaeology Society     

COMMODIFYING DANISH HOUSING COMMONS

Housing was a backbone of the Danish welfare state, but this has been profoundly challenged by the past decades of neoliberal housing politics. In this article we outline the rise of the Danish model of association‐based housing on the edge of the market economy (and the state). From this, we demonstrate how homes in private cooperatives through political interventions in the context of a booming real estate market have plunged into the market economy and been transformed into private commodities in all but name, and we investigate how non‐profit housing associations frontally and stealthily are attacked through neoliberal reforms. This carries the seeds for socio‐spatial polarization and may eventually open the gate for commodification – and thus the dismantling of the little that is left of a socially just housing sector. Yet, while the association‐based model was an accessary to the commodification of cooperative housing, it can possibly be an accomplice in sustaining non‐profit housing as a housing commons.     

‘A Wagner for the Jews’: Moses Pergament,Richard Wagner and anti-Semitism in Swedish cultural life in the interwar period

This article deals with the Finnish-Swedish, Jewish composer and author Moses Pergament and his relationship with Wagner's theories, anti-Semitism in particular, and their influence on the development of modern Swedish classical music during the interwar period. The author emphasizes the importance of recognizing that Pergament's reaction to Wagner's cultural theories was part and parcel of his struggle for assimilation. The basis of Pergament's interpretation of Wagner was the notion that it is possible to separate life and belief: the anti-Semitism and enthusiastic lechery were part of Wagner's life, to which it was not necessary to attach much importance. The beliefs, on the other hand, were there to be analysed. Furthermore, an explicit and public critique of Wagner's anti-Semitism was inconsistent with an attempt to gain a foothold in Swedish cultural life. As Wagner's anti-Semitism was well known but was deemed either acceptable or irrelevant, paying attention to it was by definition proof of a Jewish identification. To be accepted as a Swedish music critic, Pergament had to follow the unwritten rules of the game, amongst them the requirement not to exhibit his ‘Jewishness’ openly. The actions of certain members of Föreningen Svenska Tonsättare (FST, the Association of Swedish Composers) indicate that Pergament's work was not thought to indicate a Swedish identification. On the contrary, his reviews were seen as a threat to ‘Swedish music’, and with implicit references to Wagner this was attributed to Pergament's supposed lack of feeling for the ‘spirit of the Swedish people’.