Why are cultural policy decisions communicated in cool cash?

In this article, we analyze the role of the economic rationale in modern cultural policy decision communication and ask why it remains such an important factor, even though research has argued against it. Based on Luhmann’s system theory, we show how the economic rationale manifests itself in the cultural political communication as parasitic and complementary couplings, and how different communication forms are in play: the indirect, direct, and the both-and form. The point is to construct communicative positions in cultural policy. The positions involve the economic rationale in their own particular way and each of them offers themselves as a communicative platform which the culture politician can optionally step into and out of. The arts system stands out from other systems by not distinguishing itself in one single distinction and coding. In exactly this issue lies the communicative complexity which the communicating cultural politician faces and must handle. As our analysis shows, this complexity is handled by communicating within the economic rationale and coding, with the result that complexity is reduced.     

Offshore Mineral Development in the Russian Barents Sea

Two Norwegian researchers examine the forces alternatively driving and hindering offshore hydrocarbon development in the Russian sector of the Barents Sea. The paper describes exploration activities beginning during the Soviet period and extending to the present, the status of the major development projects financed in part with foreign capital, and conflicting regional and central government interests involved in such development. Coverage includes the emergence of Rosshelf, an oil/gas conglomerate formed to facilitate defense conversion activities of major naval shipyards. Critical to analysis of the projects' potential is assessment of alternative gas supplies and energy development strategies. Journal of Economic Literature, Classification Numbers: O13, Q40, R10. 3 figures, 1 table, 63 references.     

NORWEGIAN SUBSIDIZED THEATRES – FAILURE OR FUTURE?

During the period 1972–1999, the number of Norwegian subsidized theatres was more than doubled, while attendance was largely unchanged. Mainly due to new institutions established during this period, the number of performances increased by about 45%. With about the same total attendance, this means that the attendance per performance decreased by about the same percentage. The number of employees (not counting engaged persons) increased by about 60%. All in all this led to an almost trebling of both costs and public support in real terms. This study deals with possible explanations of this distressing development. Contrary to what is commonly assumed, the new theatres, with cost‐disadvantages of small scale, are only part of the explanation. We provide two main explanations: the crowding out of the subsidized theatres by AV‐media and other performing art institutions, like private theatres and independent performing arts groups, and by other entertainment institutions. In addition, costs have increased substantially due to slow adjustment to reduction in demand, costly arrangements to counter the crowding out effects, and institutional sclerosis. The latter seems to be due to various cost‐increasing arrangements commonly found in public institutions with soft budget constraints, as well as in private monopolies and private firms sheltered by regulations of various kinds.     

Parallel Lives – An Interview with Ruth Tringham

Ruth Tringham is a Professor of Anthropology at the University of California at Berkeley. She is one of the founders and a director of the UC Berkeley Multimedia Authoring Center for Teaching in Anthropology (MACTiA). Her research has focused on the transformation of early agricultural (Neolithic) societies. Tringham has directed and published archaeological excavations in South‐east Europe and Turkey, at the site of Çatalhöyük. Current research focuses on the life‐histories of buildings and the construction of place. Much of her recent practice of archaeology incorporates digital, especially multimedia, technology in the presentation of the process of archaeological interpretation, Since 1998 Tringham has incorporated multimedia authoring and digital technology into teaching inquiry‐based hybrid courses. From 1998 to 2001 she held the UCB Presidential Chair in Undergraduate Education. Tringham is now recognized internationally as one of the leaders of digital education, media literacy, and digital publishing in archaeology. This interest in multimedia grows out of a lifelong passion for music, puppets and cultivating illusions of reality.

The interview was conducted in Cambridge on 23 October 2007, the day after Ruth Tringham's participation in a personal history retrospective at the Department of Archaeology together with Meg Conkey, Henrietta Moore and Alison Wylie, and organized by Pamela Smith. The retrospective aimed to reflect on the transformation of archaeological theory and method during the 1970s and early 1980s (an audio recording is at http://www.arch.cam.ac.uk/podcast/rss.xml). The interview was transcribed by the interviewees together with Dr Katharina Rebay, University of Cambridge.