Charcot-Marie-Tooth disease from first description to genetic localization of mutations

Charcot-Marie-Tooth disease is a hereditary motor and sensory neuropathy first described in 1886. Our increasing knowledge of this disease correlates well with the development of methods used in neurology over the past 100 years. Although its physiopathology and treatment is still not fully understood, current developments in techniques are opening the way to future discoveries. We have divided its history into three theoretical periods: the first from 1886 to 1956, which was devoted to clinical and pathological study of the disease; the second from 1956 to 1982, which saw the development of electromyography in the investigation of neuromuscular diseases; and the last and current period based upon genetic research, using the methods of molecular biology.     

MUNICIPAL AMALGAMATION AND THE GROWTH OF THE LOCAL PUBLIC SECTOR IN SWEDEN*

ABSTRACT. The proposition that a decentralized structure of local governments can effectively constrain public sector growth is empirically investigated. Data on Swedish municipal sector size for the 1942–87 period are analyzed within the context of a median voter model. The results indicate that decentralization, measured by the number of units of local government serving a given population, constrains the influence of institutional factors (e.g., rent seeking, bureaucracy) on local budgets as long as these units exceed some minimal threshold size. The findings support the view that communities should be given the flexibility to determine their own ideal pattern of local governments.     

Rare Himyaritic coins from Hadramawt

Three rare Himyaritic coins found in the territory of the ancient Hadramawt kingdom are published for the first time. Two of the coins bear the name of the king,'Amdan Bayyin, while the third has the name of Tha'ran Ya'ub.     

Death's dance of women

The 1486 edition of La grant danse macabre des femmes by Martial d'Auvergne, also known as Martial de Paris, is the subject of this study. The skeleton, representing death, queries each of the thirty-six women described in the poem. The answers they give tell us about their occupation and the chances of their salvation. The author is a realist who represents only those women he is familiar with and shows deep understanding of the women portrayed. The concerns of the flesh get more attention than the spiritual factors.Death was very important in the middle ages, especially in the late fourteenth and fifteenth century. It was featured in public curiosity, religion, literature, visual and dramatic presentations, and popular beliefs. The authors attempt to describe it and give an answer to the pressing problems of death in the fifteenth century.