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Nora Crook 《European Legacy》2019,24(3-4):329-347
ABSTRACT

This essay argues that there was a sense in which Shelley actively approved of “jingling verse.” His poetic energy was sustained by a substratum of popular and tuneful versifying, such as impromptus, bouts-rimés, anagrams, enigmas, ballads, Mother Goose rhymes, proverbs, hymns, and drinking songs. He hybridizes the registers and meters of these humble forms with elevated, sublime, and erudite ones. This hybridization is, arguably, connected to the characteristic coexistence of the direct and clear with the knotty and puzzling in his poetry. After a brief account of Shelley’s submerged youthful reading, noting in passing that Shelley’s lyrics proved amenable during the early twentieth century to recycling as Shelleyesque jingles, the essay illustrates its thesis from unfamiliar fragments in Shelley’s notebooks, such as the late lyric fragment “Time is flying,” and from more familiar matter such as “Dirge for the Year,” “Mont Blanc,” “The Cloud,” “On the Medusa of Leonardo da Vinci,” “The Sensitive Plant,” “Song: to the Men of England,” “Ode to the West Wind,” and Peter Bell the Third.  相似文献   
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This paper presents and discusses the Neutron Activation Analysis (NAA) results newly obtained from pumice pieces found decades ago at the Egyptian sites of Maiyana, Sedment, Kahun, and Amarna – now in the collections of the Ashmolean Museum, Oxford, and the Petrie Museum of Egyptian Archaeology, London – which could be successfully related to several volcanic eruptions in the Mediterranean. The work contributes to the constant accumulation of knowledge concerning the first appearance of pumice from the so-called Minoan eruption of the Santorini volcano. In addition, it unexpectedly sheds more light on the long-distance trade of Mediterranean volcanic material in the Bronze Age world by disclosing another connection between Lipari and the Eastern Mediterranean.  相似文献   
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Drawing on the Marxian theory of ground rent, this paper develops an analysis of “global commodity chains” (GCCs) with agrarian roots. There is an acknowledgement that the concentrated downstream governance of primary commodity‐based GCCs has created a set of “asymmetrical” power relations which blocks the transmission of value upstream towards small producers. This paper argues that this research under‐specifies what is meant by value and rent, and in doing so marginalises the analysis of value production before its journey through inter‐firm relations. We demonstrate the importance of theorising the value constitution of commodities produced on the land and the forces that contest the payment of ground rent and thereby shape the geography of GCCs. Based on empirical research conducted around Ecuador's “post‐neoliberal” cocoa re‐activation plan, we identify the class politics and production mechanisms through which value and rent escapes the hands of a stratified network of small owner producers.  相似文献   
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Despite increasing interest in the study of Taiwanese migrants, the underlying concept and methodology remain gender-blind. Invisible from the Census are the women who emigrated with their husbands, leaving behind their adopted country to make a living elsewhere. Most of the ‘astronaut wives’ studied in this research are middle-class women who had careers in Taiwan prior to emigration, but became full-time home-makers upon arrival in Canada, the host country. The major questions raised for this research are: (1) What are the circumstances of migration for Taiwanese families? (2) How do Taiwanese ‘dan qi ma ma’/‘astronaut wives’ cope with the challenges of the new environment? (3) How do they relate to their husbands, children, and the Taiwanese community during the process of adaptation? Thirty women from ‘astronaut’ families were interviewed in Toronto and Vancouver in 2005 and 2006, using a semi-structured questionnaire, ethnographic interviews, and participant observation methods. It was found that migration has not liberated them from the traditional familial roles in Taiwan, but has however enabled them to build new social networks that play an important role in their new lives.  相似文献   
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ABSTRACT

What do we actually know about how replicas of historical objects and monuments ‘work’ in heritage contexts, in particular their authenticity, cultural significance and intangible qualities? In this article we examine this question drawing on ethnographic research surrounding the 1970 concrete replica of the eighth-century St John’s Cross on Iona, Scotland. Challenging traditional precepts that seek authenticity in qualities intrinsic to original historic objects, we show how replicas can acquire authenticity and ‘pastness’, linked to materiality, craft practices, creativity, and place. We argue that their authenticity is founded on the networks of relationships between people, places and things that they come to embody, as well as their dynamic material qualities. The cultural biographies of replicas, and the ‘felt relationships’ associated with them, play a key role in the generation and negotiation of authenticity, while at the same time informing the authenticity and value of their historic counterparts through the ‘composite biographies’ produced. As things in their own right, replicas can ‘work’ for us if we let them, particularly if clues are available about their makers’ passion, creativity and craft.  相似文献   
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