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Oscar Wilde considered crime and sin no impediment to art or culture, as the case of the poisoner-artist-critic Thomas Wainewright (1794–1847) allowed him to demonstrate. English society of the time, as George Orwell famously declared, was as fascinated by poisoning as was Wilde. One of Orwell's cases was that of Edith Thompson who, along with her young lover, was convicted in 1922 in London of conspiracy to murder her husband whom it was alleged she had tried to poison. She and her lover were hanged in early 1923. Thompson's preoccupation with poison was entangled with her preoccupation with popular romance fiction of the day which she read copiously and discussed perceptively with her lover in the letters that helped to convict her. Her favourite novelist was Robert Hichens, the acquaintance, imitator and caricaturist of Wilde. She quoted Hichens's novel Bella Donna (1909) in letters to her lover, including on the practical matter of poison, which helped convince the jury of her guilt. Her trial, like Wilde's trials – all involving sexual transgression – raised the difficult question of whether literature could poison and influence for the worse its readers or whether it lay outside both morality and the world of action. Moreover, were Thompson's own letters literature and fantasy or were they oblique discussions of practical intent, including the intent to murder? As in the case of Wilde, a larger question supervened. In part through her reading, in part through her own experience, Edith came to believe, even before the murder, that freedom is an illusion, fate an inescapable reality.  相似文献   
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In bioarchaeological studies, entheseal change is commonly used to infer patterns of activity in past populations. This category of skeletal modification includes both pathological changes (enthesopathies) and changes in size, shape and surface complexity (robusticity). Despite the recent impetus to reassess the use of enthesopathies as markers of activity, robusticity has received little critical attention. In this review, we reassess key assumptions that underpin the use of robusticity in activity studies, drawing on anatomical, physiological, biomechanical and sports medicine literature sources. We find that, whilst there is some evidence to support the assumption that variation in enthesis robusticity reflects different activity patterns, little is known about the process through which this variation is produced. Presently, the stimuli (dynamics of muscle use or muscle size) for entheseal adaptation are ill-defined, a situation that limits our interpretive abilities. Consideration of bone functional adaptation principles and of the relationship of entheses to soft tissue also highlights how other factors, such as age, sex and genetic background, may influence enthesis robusticity and obscure activity-related adaptation. Understanding how these factors influence enthesis robusticity helps define how robusticity studies should be controlled, but further research is required to clarify how these factors interact with activity in robusticity development and the precise relationship between activity and robusticity. Ultimately, this review emphasises the complexity of entheseal structures and their morphological development. Any interpretation of activity from enthesis robusticity should be approached with caution, but in some circumstances, the endeavour may be ill-advised.  相似文献   
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This paper investigates how animal aging and ill-health are managed, spaced, interpreted, and experienced within a horse–human relationship. It does so by exploring the active construction of ‘retirement’ as a legitimate category within the life course of an animal. The analysis is concentrated around the emergent spaces of horse retirement yards. Conceptualising retirement yards as liminal spaces of transition and transformation, particular consideration is given to the role of the yard manager in creating a good retirement for the horse. This includes negotiating and narrating figurative and bodily processes of animal aging with the distant owner. The paper reviews the yard manager’s careful enactment of re-wilding in the shaping of aged and unsound equine bodies, but also their authentic inter-weaving of practices of domestication. Balancing re-wilding and domestication, in both figurative and bodily form, appears central to securing dwelling-in-retirement on a retirement yard and therefore, successful animal aging. In accordance with the non-uniformity of liminality, however, the relational care practices which permit dwelling-in-retirement require daily attention. They remain subject to multiple potential sources of disruption, including those which extend well beyond the aged or unsound state of the individual animal.  相似文献   
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