Culture on the Moon: Bodies in Time and Space

This paper investigates whether the term ‘culture’ can be applied to the six Apollo lunar landing sites, and how the remains at these sites can be understood as the actions of bodies at a particular moment in space and time.     

Marbles,granites and basalt used in the cruciform basilica of Abila (Decapolis,Jordan): archaeometric characterization and provenance

The provenance of granite, basalt, and marble used in building the cruciform basilica of Abila of the Decapolis, northwestern Jordan, is investigated using chemical and petrographic techniques. The basilica is dated to the late fifth or early sixth century AD. The stones were characterized using macroscopic traits in combination with optical microscopy, X-ray diffraction, and stable oxygen and carbon isotope spectrometry. These data were compared to the published databases for marbles, granites, and basalts used in antiquity. The comparison showed that the basalts are most probably local. The islands of Marmara (Proconessos-1), Turkey, are the primary source of the white marbles, while Paros island (Paros-2), Greece, is a minor source. The source of the green Cipollino marbles is Styra in the island of Euboea (Greece). The pink and gray granites are likely microasiatic from the Çigri and Kozak Dâgs, respectively, northwest Turkey.     

Anselm Kiefer: a study of his artistic materials

The style of the contemporary German artist Anselm Kiefer is highly innovative and unconventional and is characterized by the use of diverse materials that he selects and combines according to the emotions that they stir in him. The conservation and preservation of works by Kiefer are particularly difficult tasks because of the heterogeneity and, in some cases, the incompatibility of the materials used; therefore, a thorough characterization is crucial before any intervention is considered. In this paper, we report the results of an investigation on a fragment from a multimaterial work and on samples from the paintings Bohemia Lies by the Sea and Die Größe Fracht. The large fragment was cut by the artist himself from a work in progress and is considered destitute of any artistic value; therefore, it was possible to sample it extensively. This fragment and the samples from the Die Größe Fracht and Bohemia Lies by the Sea paintings were analyzed by ultraviolet (UV) fluorescence imaging, fiber optic reflectance spectroscopy, Fourier transform infrared spectroscopy, nuclear magnetic resonance, Raman spectroscopy, X-ray diffraction, gas chromatography-mass spectrometry, and pyrolysis gas chromatography-mass spectrometry. This multitechnique approach allowed us to fully characterize and identify pigments, dyes, and organic components that reflect the diversity of the materials typically chosen by the artist. The results are evaluated in the context of the interview that Antonio Rava had with the Anselm Kiefer in 2000.     

Morphometric distinction between bilobate phytoliths from <Emphasis Type="Italic">Panicum miliaceum</Emphasis> and <Emphasis Type="Italic">Setaria italica</Emphasis> leaves

The development of identification criteria for crop plants based on phytoliths is of high relevance for archaeology, palaeoecology and plant systematics. While identification criteria are available for major food crops, these are mostly based on phytoliths from inflorescences, while other plant parts remain undetected. This paper focuses on bilobate phytoliths from leaves of Panicum miliaceum L. (common millet) and Setaria italica (L.) P. Beauv. (foxtail millet), two taxa that co-occur in regions of Asia and Europe since prehistory and regularly occur at archaeological sites in Eurasia. Leaves of the investigated taxa were systematically sampled to explore the variation of short cells and to collect 27 morphometric variables of bilobate phytoliths with newly developed open-source software. The data was analysed by discriminant analysis, analysis of variance and multiple comparison tests. The resulting morphometric data from five populations per species enables a distinction between the bilobate phytoliths of P. miliaceum and S. italica. Observed differences between populations within species affect only few parameters. This possibility to classify populations of bilobate phytoliths from P. miliaceum and S. italica leaves offers a new method for the detection and identification of these taxa in archaeology, amongst others.     

Early Neolithic funerary diversity and mitochondrial variability of two Iberian sites

An analysis of the burial characteristics of the individuals recovered from two Early Neolithic sites in Navarre (Los Cascajos and Paternanbidea), in the Spanish Basque Country, revealed a complex funerary ritual. The individuals recovered from the Paternanbidea site were distributed in three double graves and a multiple one, while the individuals from Los Cascajos were buried in individual pit-shaped tombs; furthermore, the tombs had a variety of cultural and funerary features. The aim of this study is to evaluate the burial ritual by means of mitochondrial DNA data and the funerary characteristics of 36 individuals recovered from these two sites. The results show that the diversity of these Early Neolithic burial practices from the northern Iberian Peninsula cannot be explained by means of maternal kinship relationships.     

Food for thought: using game cameras to better understand the movement of bones by scavenging in archaeological faunal assemblages

This paper questions our understanding of the movement of bones by animal scavengers in the archaeological record. Since assumptions regarding the effects of animal scavenging shape final interpretations of skeletal element frequencies in archaeological faunal assemblages, they are important for our understanding and reconstruction of ancient human behaviour. The results of a 4-year actualistic kangaroo scavenging study from Australia are used to question our understanding of the movement of the bone by contrasting visual data captured by motion-activated digital game cameras with traditional taphonomic studies using skeletal element frequencies. Game cameras are commonly used by ecologists to capture the behaviour of living species but have not yet been used in experimental archaeology where visually documenting animal scavenging behaviour can be used to understand the movement of carcasses and individual bones. Results suggest that traditional zooarchaeological analyses may not be accurate indicators of hunted versus scavenged prey in archaeological faunal assemblages. Moreover, they most certainly fail to document the entire suite of animals scavenging a carcass. These implications are discussed with particular reference to the ability to definitively ascertain the role of humans in the megafaunal extinction debate in Australia.