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161.
This paper is organised around the analysis of an ‘event’; a truck trip from Kwima, a Maring speaking settlement in the Western Highlands of Papua New Guinea, to Banz in the Wahgi Valley and an evening spent on the road. The event forms a standpoint from which to assess the impact of the decline of civic space, and faltering legacy of colonial governmentality, in the Jimi since 1980. I describe the emergence of new forms of mobility based around the nexus between local forms of business and trucks. In particular I focus on new and anxious forms of masculine inside relationships, understood as a transformation of a habitus of intimacy, round which such mobility is built. I argue that this transformation should be understood in terms of the dialectical relationship between business as an expansive profit oriented project on the one hand, and its anchoring in clan defined space on the other. At the same time the event provides a vantage point to reflect on the nature of long‐term fieldwork, the methodological significance of the subjectivity of the ethnographer, and the nature of ethnographic error.  相似文献   
162.
A well-furnished, Late Iron Age Durotrigian burial was found in 2010 by a metal-detectorist at Langton Herring in Dorset. This report examines all aspects of the discovery, paying particular attention to the skeletal remains, a female aged 19–24, providing the most complete, osteobiographical study of an individual buried with a mirror assemblage from the European Iron Age. A combination of artefacts and radiocarbon dating gives a range for the burial of c.AD 25 – cal AD 53. The grave goods themselves are of exceptional interest, representing an accumulation of artefacts acquired from diverse sources, deposited at a time of major cultural and societal change in southern Britain. The results of a geophysical survey are also presented, together with a discussion of additional well-furnished burials in the Durotrigian tribal tradition, which place the burial deposit within a wider social and landscape framework.  相似文献   
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The recent identification of two original drawings of the excavated remains of the east end of St Hugh’s choir at Lincoln Cathedral adds new information to that first published in 1887. A review of this information and fresh survey of the site, which includes information from grave slabs, will enlarge our understanding of what was discovered, including the fact that the foundations had been badly damaged by grave digging. The drawings themselves are revealed to be part reconstructions rather than accurate representations of what had actually survived. Nevertheless, they do allow a more accurate plan of the remains to be drafted and a new reconstruction of the building to be attempted. This is the aim of this article.  相似文献   
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This article contends that the Deuteronomic‐1 legend of the book of Joshua was formed into its mythical cyclical form through a process of oral transmission. As the oral stories told about an original source event were transformed into a community story it began to take on a liturgical form. This article explains the neuropsychological aspects of this natural process and also highlights how the cultural shift in the 12th century B.C.E. preserved the form of the Deuteronomic‐1 legend.  相似文献   
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Fourier's vision of material gratification in works such as Le Nouveau Monde amoureux comprehensively overturns a suspicion of the destabilising effects of luxury inherent to classical European political theory. This article explores the basis upon which Fourier was able to achieve this revolution. It focuses on his theories of human psychology, his insistence on the positive effects of material inequality in a harmoniously regulated society, and his abolition of the social division between mental and physical labour on which earlier critiques of luxury had been based. Set against an investigation of attitudes towards luxury in early modern and Enlightenment political thought, it argues that Fourier's utopia is ultimately framed by the all-encompassing gaze of a thinker who eliminates potential tensions between individual gratification and social harmony through blunt assertion rather than theoretical engagement with his antecedents.  相似文献   
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The increasing pervasiveness of plastics in 1950s France was accompanied by a profoundly ambivalent critique of synthetic materials. Much postwar French culture tended to affirm traditional craft-based production, treating plastics with suspicion. Synthetic materials symbolised a ‘bad’ modernity, the emergence of a new consumer society of mechanised mass production and the death of an older artisanal way of life. More fundamentally, synthetics challenged the very notion of materials itself, questioning through their capacity for imitation and transformation the accepted identities and hierarchies of the material world. Works by Roland Barthes, Roger Vailland, Jacques Tati, Alain Resnais and Raymond Queneau engage with the implications of plastic, revealing a deep ambivalence about social and economic modernisation through their treatment of materials whose simultaneously polymorphous and homogeneous character both seduces and repels. Beginning as a project of demystification, the cultural critique of plastic ultimately reveals its complicity with what it ostensibly rejects.  相似文献   
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