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91.
Alastair Davidson: Antonio Gramsci: The Man, His Ideas, Australian Left Review Publications, Sydney, 1968, iv + 106 pp.  相似文献   
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Afterword: Who Rules This Sausage Factory?   总被引:1,自引:0,他引:1  
Neil Smith 《对极》2000,32(3):330-339
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Since 1978 the Left Front government in West Bengal, led by the Communist Party of India (Marxist) — CPI(M) — has pursued a strategy of decentralized planning through locally elected panchayats (councils) in the countryside. The stated ideological commitment of the CP1(M) is to support and eventually empower the poor and oppressed and this has resulted in Panchayati Raj assuming the status of not just a state sponsored decentralization strategy, but the institutional forum for the mobilization of the poor and the expansion of the party's base. However the CPI(M)'s strategy is to some extent ambiguous in that it combines a need to maintain an electoral status as a party leading a state government within the Indian Union and a political status as a party promoting the conditions for, and the transition to, a people's democracy and thereby socialism.  相似文献   
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Neil Kent 《Cold War History》2016,16(3):329-331
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The historian H.L. Beales (1889–1988) managed to propagate a wider interpretation of nineteenth century social history through non-academic means. Whilst Beales failed to write much in the way of history, his parallel career as an adult education tutor, radio broadcaster and editor of Pelican books meant that he acted as an important propagator of the subject. This, combined with wide influence over a considerable proportion of the younger generation, means that he should be considered as a singularly important historian of the period, who realised and adapted to the potential of new mass media to reach new audiences.  相似文献   
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Anish Kapoor has become well known for his enormous architectural installations and for his use of vibrant colour. Much of his work depends critically on good engineering and he has collaborated closely with engineers for many years. I discuss several of Kapoor's large works, approaching them from an engineer's perspective. I also show how Kapoor weaves layers of narrative in some of his work: so that a naïve understanding of a piece's construction is a falsehood layered over the true engineering solution. The story seems initially obvious to the audience but a little digging, a little thought, reveals that it is a fiction and that reality is something other.  相似文献   
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