UNOFFICIAL COINAGE IN THE THIRD CENTURY ad IN THE GALLO‐ROMAN WORLD: CHEMICAL AND PHYSICAL ANALYSES FOR DETERMINING THE LOCALIZATION OF THE WORKSHOP*

The third century ad was a complex period of crisis in the Roman world. In this paper, official and unofficial antoniniani, and double sestercii and sestercii, were analysed by fast neutron activation analysis (FNAA) to determine the alloys used by the craftsmen for producing forgeries. Moreover, at Châteaubleau, archaeologists discovered antoniniani and bronze forgeries from Postumus. Similar materials have been found in other hoards. They are believed to have been produced by a workshop called ‘atelier II’ by numismatists. The question was whether it is possible to differentiate the Châteaubleau production from the atelier II production.     

A COMPARISON OF THE CHEMICAL AND ENGINEERING CHARACTERISTICS OF ANCIENT ROMAN HYDRAULIC CONCRETE WITH A MODERN REPRODUCTION OF VITRUVIAN HYDRAULIC CONCRETE*

The authors have completed structural and compositional analysis of Roman hydraulic concrete using large cores taken from a variety of maritime structures. In 2005 an 8 m³ block of hydraulic, pozzolanic concrete was built in the sea at Brindisi (Italy), applying the materials and procedures specified by the Roman architect Vitruvius. Cores were taken at 6 months and 12 months after construction and subjected to the same analyses as the first‐century bc cores from pilae associated with the Villa of the Domitii Ahenobarbi at Santa Liberata. Results show that a slight variation on the Vitruvian formula yields results closest to the Roman material, and that substantial curing requires 12 months.     

PINE RESINS AND POTTERY SEALING: ANALYSIS OF ABSORBED AND VISIBLE POTTERY RESIDUES FROM CENTRAL NEW YORK STATE*

Analysis was performed on absorbed and visible residues from 21 New York State prehistoric pottery sherds dating from 2905 ± 35 bp (Intcal04) (1256–998 cal bc ) to 425 ± 40 bp (Intcal04) (1417–1626 cal ad ). The use of pine resin was detected in 10 of 12 absorbed residue samples and 11 of 17 sherds subjected to visible residue analysis. It seems likely that the pots were resin‐sealed to make them more impermeable, constituting the first chemical evidence of extensive resin‐sealing in North America. A comparison of the results of absorbed and visible residues from eight of the sherds indicates that the two kinds of residue provide complementary evidence of vessel use.     

Josephine's Journey: Gender‐based Violence and Marian Devotion in Urban Papua New Guinea

ABSTRACT This article deals with how, in the urban setting of Madang, Papua New Guinea, Marian devotion is deployed in response to domestic and gender‐based violence. While providing insight into the lived religious experiences of Catholic women living in Madang, this article shows how Mary empowers her followers to resist violence, yet, at the same time, paradoxically, is instrumental in sanctioning women to tolerate violence. Josephine's ‘journey of violence’ reveals not only Josephine's turning to Mary, but more so, her negotiations with values belonging to different cultural logics. Caught between ‘tradition’, Christianity and ‘modernity’, Josephine and other Catholic women engage in painful processes of self‐analysis and self‐transformation to adapt to and change their situation. In these processes, Mary is used as a role model.     

'On of the Princypalle Havenes of the See': The Port of Famagusta and the Ship Graffiti in the Church of St George of the Greeks, Cyprus

In its 1000-year history the port has been the source of triumph and tragedy for the city of Famagusta, being the conduit through which flowed both enormous wealth and destruction. Today the French medieval and Greek Orthodox churches, and the Venetian walls, though ruined, still carry physical traces of this turbulent society in the form of ship graffiti. Though such images are often classified as 'low-art', they are nevertheless imbued with a deep social significance, which the maritime historian can yet use to get a glimpse of an important, though virtually-forgotten, heritage in the Eastern Mediterranean.
© 2007 The Author