北京出土的辽代输入瓷器——以墓葬、塔基中发现的器物为中心

辽瓷是辽代考古的重要组成部分,大多数出土于墓葬、塔基、窑址等遗迹之中,形制多样,装饰丰富,在我国瓷器发展史中占有重要地位。     

浅谈昭梿及《啸亭杂录》

清代是笔记集大成的时代,其中历史琐闻类笔记更具代表性。但清人笔记因受文字狱的影响,多是颂圣,很少敢于批评政事。贵为满清皇族,但一生并不顺利的爱新觉罗.昭梿则在《啸亭杂录》中以严谨、畅达的文笔记载了清朝前期、中期的历史,内容涉及政治、经济、军事、文化、社会等各个方面,具有很高的研究价值。     

浅谈雷锋纪念馆文化资源与构建和谐社会的关系

雷锋纪念馆文化资源是构建和谐社会的有效载体,也是构建和谐社会的重要形式和内容,对于和谐社会建设与发展具有重要价值和意义。     

关于根敦群培二十七幅绘画作品的初步研究（英文）

<正>Although it was difficult,by dint of countless efforts,I made Illustrations unfolding various lands:The regions,houses,men and women,The various sorts of wondrous trees and flowers.dGe vdun chos vphel,the most outstanding twentieth-century Tibetan master of humanism,not only undertook extensive research into such academic fields as history,religion,language and geography,but also had significant achievements in the arts.He broadened the framework of traditional Tibetan art,studied and absorbed Western artistic     

Comment on ‘Did China Import Metals from Africa in the Bronze Age?’

Lead isotope compositions provide a direct means of assessing provenance. The lead contents in bronzes cannot be used to argue against lead isotopes. Any claim for the origin of the source material for the origin of Yin‐Shang bronzes must satisfy the measured lead isotope compositions. Thus far, only southern African sources are found to meet this criteria.     

拉萨艺术空间巡礼

回顾过去上干年的历史,西藏艺术几乎等同于宗教艺术。百年前,一代大师根敦群佩从青海来到西藏,不仅掀起了一场学术风潮,还突破了藏地绘画题材和技术的局限。和平解放后,文艺的“春风”吹到了西藏,本土创作者们开始追求创作技巧、艺术理念和语言表达上的创新发展,优秀的作品层出不穷,一系列的画廊、艺术空间以及即将启用的西藏美术馆应运而生。     

书讯·影讯

《藏传佛教绘画史》本书摆脱了对佛教史的依赖,展开了独立的西藏绘画史研究,并将其纳入中国美术史、中国少数民族美术史,直至纳入世界美术史来考察,提出了对西藏绘画史正确定位的重要学术命题。同时,把西方美术的成熟理论运用于西藏绘画史研究,取得了开拓性的成果。     

金元时期红绿彩瓷发展脉络及时代特征初探

红绿彩,过去称之为＂宋加彩＂,是金元时期磁州窑最具特色的产品之一,在河北、河南、山西、山东等北方诸多窑场中均有生产,以绘画生动流畅、色彩浓郁艳丽、装饰题材富有生活情趣而著名。一.红绿彩瓷创烧年代的确立及研究现状由于认识的局限,一直以来红绿彩瓷未得到应有的重视,直到20世纪20年代,日本学者才给予了关注,称红绿彩为＂宋赤绘＂。     

Spatial–temporal distribution and geographic context of Neolithic cultural sites in the Hanjiang River Basin,Southern Shaanxi,China

Understanding how to live successfully within our environment is among the most pressing challenges facing contemporary society. This paper probes the problem based on comparative analysis and discusses the relationship between the spatial–temporal distribution of the Neolithic cultural sites and the geographic context in the Hanjiang River Basin in the south of Shaanxi Province, China. Archaeological studies have identified 175 Neolithic cultural sites in the study area, with a sequence of Laoguantai (¹⁴C age 8–7 ka BP), Yangshao (¹⁴C age 7–5 ka BP) and the late period of the Neolithic Age (¹⁴C age 5–4 ka BP). The total number of archaeological sites, the distribution area and the density all showed an early ascending and later descending trend, but the proportion of the number of archaeological sites in the study area to the corresponding value of the entire Shaanxi Province declined sharply. Spatially, these sites were concentrated on the terraces of the Hanjiang River and its main tributaries with an altitude of 400–800 m. Multiple data were integrated to clarify the critical effects of tectonic and geomorphologic conditions on the distribution of the Neolithic sites. Further comparisons revealed the correlation of Holocene climate change and environmental evolution with the Neolithic cultural succession in the study area that ameliorated conditions to generally promote the development of the primitive culture while degeneration coincided with the culture's transition or interruption. The discussion on the origin of the primitive culture and the temporal–spatial distribution corresponding to the regional culture differentiation sheds light on the complex and dynamic human–nature interaction system during the Neolithic Age, thus emphasising the wider field-based investigation and high-resolution reconstruction works of the palaeoclimate and palaeoenvironment in the future.     

民俗词语刍议

民俗词语是用来指称民俗仪式及其相关事象的词语。对民俗词语进行调查和研究,近期引起了学者的注意。笔者拟在前贤研究的基础上,以自己家乡安徽宿松方言中有关婚嫁和丧葬的民俗词语为例,谈谈个人对这方面的认识。