自然风景区控制性规划初探——以山里泉旅游景区为例

论文以山西省泽州县山里泉旅游景区为例,论述了景区控制性详细规划的理念和方法。介绍了规划界限、规划红线的调整、建筑和环境融合的控制、山水景观的创造、环境容量的预测及规划成果的调整等内容,较为妥善地处理了自然风景区开发与山水保护利用之间的关系,建构了人与山水的和谐关系。旨在通过它,探讨在旅游景区的控制性详细规划中如何因地制宜的保护和创造山水景观特色,丰富和完善控规的理论和方法。     

作为启蒙读物的徽州书信活套——刊本《汪大盛新刻详正汇采书信要言》介绍

本文通过介绍徽州的一册书信活套,指出,作为启蒙读物,《汪大盛新刻详正汇采书信要言》既是一般民众的书信教科书,也可能作为徽州信客的专业培训教材.     

秦始皇兵马俑博物馆陶器库室内空气质量评价与影响分析

文物存放环境空气质量的好坏对文物的保存至关重要,由于缺乏应有的保护,部分长期存放的文物局部表面出现物理污损、颜色变化或漆皮及彩绘起翘。因此,为了尽可能避免不良环境因素对文物的影响,需对其环境状况进行研究分析,以便制定科学的环境控制措施。为此,通过冬(2008年1月30日至3月3日)夏(2008年7月28日至8月22日)两季在秦俑博物馆陶器库开展室内空气质量调查研究工作,获得了大气气溶胶中水溶性离子、碳组分、SO2和NH3的质量浓度特征,同步进行了室内微气候的测定。结果显示,冬季PM2.5的平均质量浓度及所含主要水溶性离子浓度均高于夏季,并且同一时期室外均高于室内,但其中个别成分如Cl-及碳组分OC有机碳在夏季的库内浓度明显高于室外。此外有害气体NH3受高温及排放源影响其浓度表现出夏季库内高于库外,夏季高于冬季的现象。研究表明,库内微气候和污染物存在明显的季节差异。不同季节污染物的浓度及来源略有差异。部分污染物浓度偏高,可能会对库内存放的脆弱文物产生一定影响,需要采取一些防控措施。     

How Mineralogy and Geochemistry Can Improve the Significance of Pb Isotopes in Metal Provenance Studies

Lead isotopes combined with trace element data represent a powerful tool for non‐ferrous metal provenance studies. Nevertheless, unconsidered geological factors and archaeological data, as well as ignored analytical procedures, may substantially modify the interpretation of the isotopic and trace element signature obtained as a potential ore candidate. Three archaeological examples, accompanied by high‐resolution lead isotopic measurements (MC–ICP–MS), are presented here to discuss the above‐mentioned criticisms and to propose some solutions. The first example deals with prehistoric/historical gold/silver‐mining activity from Romania (the Baia Bor?a and Ro?ia Montan? ore deposits). The second one regards the lead/silver metallurgical activity from the Mont‐Lozère massif (France) during medieval times. The third example focuses on the comparison between two batches of lead isotope data gathered on Roman lead ingots from Saintes‐Maries‐de‐la‐Mer, using different SRM 981 Pb values.     

在跨界中寻求突破——刘宏对海外华人研究的理论、方法与实证的探索

本文结合刘宏教授的主要学术经历,着重从跨"界"的角度探讨他在海外华人研究领域的治学方法和理念。认为其跨学科研究取向主要表现在以下两个方面。第一,比较视野下的海外华人研究。第二,将西方的社会科学理论有选择地引入到海外华人研究领域,并加以丰富和修正。刘宏的多元治学方法主要表现在研究取向的跨学科性、参与实践性及其与政策的相关性、研究论题和视野的多重性。而"中国—东南亚学"、"跨国华人"和"跨界亚洲"是刘宏所提出的三个重要"跨界"理念,三者之间彼此关联,视野从区域到全球,它们从整体上反映了刘宏近年来的跨界思考历程和研究框架。     

Polychromic structures and pigments in Guangyuan Thousand-Buddha Grotto of the Tang Dynasty (China)

This paper presents a multi-analytical study of the polychromy in the Guangyuan Thousand-Buddha Grotto. Samples taken from 15 locations in No. 512 and No. 689 caves are prepared as cross-sections for the analysis by optical microscopy (OM) and scanning electron microscopy coupled with backscattered electron imaging (SEM-BSE). The cross section analysis indicates that some paintings were repainted in the past. The chemical composition of each painting layer is obtained by scanning electron microscopy coupled with energy-dispersive X-ray analysis (SEM-EDX). The main pigments for 15 samples including green, red, blue, white and black paint layers, are identified by the combination of polarized light microscopy (PLM), Fourier Transform infrared spectrum (FT-IR), Raman spectroscopy (RS) and X-ray diffraction (XRD) analysis. The integrated analytical results reveal that the green pigments are malachite and atacamite; the red color is attributed to minium, hematite and cinnabar; the blue pigments are lazurite and organic blue materials; the white color is ascribed to anglesite and gypsum; and the black surface of polychrome is the accumulation of longtime smudging by folk burning incense in the devotional practice or the soot deposition resulting from burning bonfires in the caves. Some arsenic-containing pigment is detected in the green samples. This case study also demonstrates the advantages and the limitations of every analytical technique for the pigment identification, confirming the necessity of the integrated analytical techniques approach. The present results are not only useful to assist in the authenticity of the used pigment materials and history of the polychromic in the past, but also aimed at guiding the conservation scientists in taking into account materials and methods utilized in the past.     

早期全真道與方技的關係及其他

早期全真道利用方技傳教,王重陽師徒爲自己製作了許多神異,以此吸引羣衆。利用方技的行爲遭到教外人士的抨擊,也在教内引發爭議。有人主張少用方技,也有人以釋家的權智説爲利用方技、製作神異辯護。1258年第一次僧道辯論以後,全真道自稱爲老子之道的惟一繼承人,掩飾自己利用方技的行爲,大力進行宣傳崛瞬徊欤煲誀懺缙谌娴啦簧蟹U齋醮,不施方技。及至近代,全真道研究向政治視角偏移,早期全真人物被稱爲"忠義"、"遺民"、"民族之救星",這些説法既與史實不符,也損害了學術研究應有的實事求是精神。     

Rethinking battle commemoration: female letters and the myth of the battle of Las Navas de Tolosa (1212)

This article re-examines epistolary accounts by Berenguela and Blanche of Castile of the Battle of Las Navas de Tolosa. Building on previous assertions that Berenguela’s letter is a forgery, and through close comparison with the three surviving male eyewitness battle accounts, this article argues the letters of Berenguela and Blanche – in the form in which they survive – are confections based on original letters. The Battle of Las Navas de Tolosa’s mythical status and standing as a watershed event within the narrative of Gran Reconquista is understood to have been largely shaped by three male-authored chronicle accounts: Chronica Latina regum Castelle (1239), Chronicon mundi (1239) and De rebus Hispaniae (1243). In asserting these letters are confected accounts, in circulation by the 1220s, this article argues that battle commemoration began in the immediate aftermath of the Christian victory, and that female voices were recognised by contemporaries as a viable tool for commemoration.