Single and Multiscale Models of Process Spatial Heterogeneity

Recent work in local spatial modeling has affirmed and broadened interest in multivariate local spatial analysis. Two broad approaches have emerged: Geographically Weighted Regression (GWR) which follows a frequentist perspective and Bayesian Spatially Varying Coefficients models. Although several comparisons between the two approaches exist, recent developments, particularly in GWR, mean that these are incomplete and missing some important axes of comparison. Consequently, there is a need for a more thorough comparison of the two families of local estimators, including recent developments in multiscale variants and their relative performance under controlled conditions. We find that while both types of local models generally perform similarly on a series of criteria, some interesting and important differences exist.     

Humans in the Environment: Plants,Animals and Landscapes in Mesolithic Britain and Ireland

Environmental archaeology has historically been central to Mesolithic studies in Britain and Ireland. Whilst processual archaeology was concerned with the economic significance of the environment, post-processual archaeology later rejected economically driven narratives, resulting in a turn away from plant and animal remains. Post-processual narratives focused instead on enigmatic ‘ritual’ items that economic accounts struggled to suitably explain. Processual accounts of landscapes, grounded in economic determinism, were also rejected in favour of explorations of their sociocultural aspects. However, in moving away from plant and animal remains, such accounts lacked the ability to rigorously explore the specificities of particular landscapes and humans actions within them. This paper will bridge this gap by considering how palaeoecological and zooarchaeological analyses can be used to explore human interactions with plants and animals, which were key in developing understandings and relationships that ultimately structured landscapes, influenced past human actions and shaped archaeological assemblages.     

Book reviews

Persian Poetry in Kashmir, 1339–1846: An Introduction. .By G. L. Tikku. Berkeley and Los Angeles: University of California Press, 1971. x + 321 pp.

Iran unter Karim Han (1752–1779). By Parwis Radjabi Tabrizi. Göttingen (doctoral dissertation submitted to Georg‐August University), 1970. 205 pp.

Die Zand‐Dynastie. By Mehdi Roschanzamir. Hamburg: Hart‐mut Lüdke Verlag, 1970 (Geistes‐ und Sozialwissenschaft‐liche Dissertationen 8). x + 229 pp., map.

The Successors of Genghis Khan. By Rashid al‐Din Tabib. Translated by John Andrew Boyle. New York: Columbia University Press, 1971. xi + 372 pp., map.     

Mass violence,trauma, and their children

This article concerns the social construction of collective memory particularly with regard to the social remembering of mass violence and trauma. How do individual memories of mass violence which are often idiosyncratic, nonverbal, and embodied coalesce and crystallize into coherent narratives shared by a group. The books reviewed here demonstrate that there are both discursive means of remembering and non-discursive means of remembering. Social memories can take narrative and textual form or they can take performative and ritual form. How does the non-discursive interact with the discursive and do these interactions depend upon varying social, political, and cultural circumstances? An encompassing theoretical issue is addressed in this literature concerning the adequacy of sociological and anthropological models in the elucidation of trauma memory vs. psychological models which place emphasis on the individual. Subsumed within this question is an inquiry into the adequacies and inadequacies of Western clinical models, such as the PTSD model, in explaining trauma due to mass violence, and the opposition frequently noted among survivors between silence and verbalization. Numerous ethnographic examples are considered in this article but particular attention is paid to the Nazi, Cambodian, and Rwandan genocides.     

Partnership Networks for Urban Development: How Structure is Shaped by Risk

In delivering public policy, governments worldwide increasingly partner with diverse sets of stakeholders. This spreads commercial risk, but particularly where agendas diverge, introduces new risks related to trust in relationships. The “risk hypothesis” distinguishes between networks for “cooperation” problems, where partners have high individual payoffs for uncooperative behaviors, and “coordination” problems, where partners subscribe to a common goal and uncooperative behaviors are less rewarding. We used mixed‐methods to study networks of local and state government, developers, and consultants that center on joint‐venture partnerships for developing new urban, residential projects. Statistical network methods showed that within the mix of partners involved in development projects, only state governments displayed structural patterns associated with solving “cooperation” problems (rather than coordination). In other words, the patterns of state government interactions showed they are most exposed to risky relationships. In contrast to the state governments’ apparent exposure to risk, qualitative data showed they are not only well trusted but also overall the partnership networks reported very low levels of conflict. By exploring the distribution of “cooperation” and “coordination,” we identified which stakeholders perceived most risk. In our case, how the state governments’ structure interactions in response to risky relationships leads to an overall network characterized by trust.     

The Theory of Enchantment and the Enchantment of Theory: the Art of Alfred Gell

ABSTRACT Gell's Art and Agency that aimed to articulate the first anthropological theory of art has achieved a near‐cult status among the academic community. Departing from previous semiological and aesthetic approaches, this theory takes it that art is a form of instrumental action, the canonical efficacy of which lies in its power to function as a cognitive trap and to captivate the spectator's mind. In this article it is argued that Gell's theory is not as novel as it is claimed; that it fails to define the specific field of art; and that by excluding the aesthetic properties of art objects, it discards ethnographical data nonetheless necessary for understanding the agency of art in Melanesian local cultures. At a meta‐level, Gell assigned to his theory the same captivating purpose as he did to art, and this probably explains the seductive fascination that his work continues to exert.