Cartographic ideals and geopolitical realities: international maps of the world from the 1890s to the present

This paper charts the attempts to construct an international map of the world using a standard projection and common conventions and symbols. The first part of the paper discusses the original incarnation of this idea, the International (1:1 Million) Map of the World (IMW), initially proposed by the German geographer Albrecht Penck in the early 1890s. The IMW was designed to challenge the idea that cartography was an inherently national science undertaken by, and for, specific nation states. Despite endless negotiations, delays and compromises, two world wars and the withdrawal of American support, the IMW project continued through the early and middle decades of the twentieth century, initially at the British Ordnance Survey and subsequently at the United Nations, only to fizzle out in the 1970s. The second part of the paper examines the Global Mapping Project (GMP), the latest manifestation of the same idea. Global Map, the first version of which was released in 2000, is an attempt to construct a single world map for the digital age. Like the IMW before it, Global Map is designed to facilitate a common, trans-national understanding of global problems. However, the technical, institutional and application challenges facing the GMP are different from those that confronted the IMW. Whereas the primary purpose of the IMW was never consistently defined, Global Map has a clearer environmental and educational objective. But if Global Map is to become an effective tool for sustainable environmental management and development, its advocates will need to learn the lessons of the IMW's failure and secure renewed international commitment to the value of international mapping.     

Claims to Place: The public art of Sue Jane Taylor

This paper explores the ways through which the public art of Scots artist Sue Jane Taylor and the practices associated with it both unsettle narratives of globalisation and conjure in their stead new narratives of place. With reference to the stories of five works/workings of art—Glencalvie and Borgie in the Highlands, Aberdeen (the onshore site for the North Sea oil industry) and Clydebank, and Lower Pultneytown, Wick—I show how the art, as evidence of a deeply politicised aesthetics, makes visible not only the specificities of historical and contemporary struggle, but is also bound up with creating and imagining new political possibilities. Art and artistic practices are understood not simply in terms of shaping meanings but as constitutive of processes of subject formation and of the ‘becoming’ of place.     

Possible sources of archaeological maize found in Chaco Canyon and Aztec Ruin,New Mexico

Maize played a major role in Chaco's interaction with outlying communities in the southern Colorado Plateau. This paper seeks to determine where archaeological corn cobs brought to Chaco Canyon were grown. Strontium-isotope and trace-metal ratios of 180 soil-water and 18 surface-water sites in the Southern Colorado Plateau have revealed possible source areas for some of 37 archaeological corn cobs from Chaco Canyon and 10 archaeological corn cobs from Aztec Ruin, New Mexico. The most probable source areas for cobs that predate the middle-12th-century drought include several Upper Rio Chaco sites (not including Chaco Canyon). There are many potential source areas for cobs that date to the late A.D. 1100s and early 1200s, all of which lie in the eastern part of the study area. Some Athapascan-age cobs have potential source areas in the Totah, Lobo Mesa, and Dinetah regions. One Gallo Cliff Dwelling cob has a strontium-isotope ratio that exceeds all measured soil-water values. Field sites for this cob may exist in association with Paleozoic and Precambrian rocks found 80–90 km from Chaco Canyon. Potential source areas for most Aztec Ruin cobs (many of which were found in rooms dating to the first half of the 13th-century) appear to be associated with a loess deposit that blankets the Mesa Verde and McElmo Dome regions.     

Drought is normal: the socio-technical evolution of drought and water demand in England and Wales, 1893–2006

Water stress is becoming a permanent feature of life in Britain and other developed societies, and attempts to change ‘consumer behaviour’ are at the forefront of strategies for sustainability. This paper combines historical, geographical and sociological perspectives on the evolution of drought and water demand in modern England and Wales. Droughts have natural properties but their course, size and distribution is also the result of an interplay between governance, social norms and everyday practices. Focusing on seven significant droughts between 1893 and 2006, this article traces changing understandings of ‘normal’ water consumption and ‘rational’ demand and relates them to the evolving socio-technical management of water and identities of ‘the consumer’. We challenge the idea of a watershed between private supply (associated with passive ‘customers’) and public ownership (associated with active ‘citizens’). While private systems facilitated self-organised civic action more easily than public supply, the ideal of a citizen-contract blinded systems of public provision to the problem of expanding water use. An interdisciplinary analysis of droughts in the past offers lessons for the debate about sustainable consumption today.     

Mythology Wars: The Indian Diaspora, “Wendy's Children” and the Struggle for the Hindu Past

A schism has appeared between sections of the Indian diasporic community and members of the Western academy over the authority to present and interpret Hindu mythology. This paper tells the story of these “Mythology Wars”. It focuses on critiques of Western scholarship by self-identified Hindu critics, primarily Rajiv Malhotra in his articles ‘RISA Lila–1: Wendy's Child Syndrome’ and ‘RISA Lila–2: Limp Scholarship and Demonology’ (Malhotra, 2002 and 2003). The primary foci of diasporic criticism are Wendy Doniger's writings, including The Hindus (2009), and three works by other scholars, Jeffrey Kripal (Kālī's Child,1995), Sarah Caldwell (‘The Blood-thirsty Tongue and the Self-feeding Breast’, 1999) and Paul Courtright (Ga[ndot]e?a, 1985). There is no end in sight to the Mythology Wars. It is unlikely that critics in the diaspora will become less vigilant or less vocal. While members of the Western academy may become more circumspect and more sensitive to the potential strife they face, they are unlikely to impose any form of self-censorship. The defence of “academic freedom” has a long and deep history.