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I.V. Oktyabrskaya I.V. Popova 《Archaeology, Ethnology and Anthropology of Eurasia》2010,38(4):110-121
The present study focuses on the biography and artistic heritage of S.I. Borisov, one of Barnaul's most successful photographers of the early 20th century. Borisov's archive is kept at the Altai State Museum of Local Studies and includes materials from his photographical expeditions to the Altai in 1907–1914. The analysis of the photographs given here creates an image of this multiethnic region as it was at that time in all its diversity of culture and tradition. 相似文献
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The pigments, binders and execution techniques used by the Nasrids (1238–1492) to polychrome carpentry in the Hall of the Mexuar Palace at the Alhambra (Granada, Spain) were studied using optical microscopy, scanning electron microscopy with EDX analysis, selective staining techniques and gas chromatography – mass spectrometry. This pioneering investigation presents the first results of a research project devoted to filling gaps in the knowledge of Nasrid art, traditionally approached by stylistic studies. Moreover, it is essential for the polychromy conservation of the studied artworks, and will help to clarify historical and painting uncertainties in the Alhambra monument. The palette consists of a limited range of colours: white (lead‐base pigment), red (cinnabar and red lead), blue (lapis lazuli), black (carbon‐based) and false gold (golden tin). Tempera grassa was the painting technique identified. Two types of grounds were used: (i) gypsum in calligraphy decoration for the false gold technique, and (ii) synthetic minium in geometric drawings in carpentry. Organic insulating layers of linseed oil were used between paint strata. Artists applied synthetic minium to protect the wood (Juglans regia and conifer) against attack by xylophages. To lighten the surface darkened by this ground layer, powdered tin was added to achieve a metallic lustre. 相似文献
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A wooden Roman anchor was discovered at the retreating shore of the Dead Sea, north of Ein Gedi. The anchor's wood material was coated by a thick veneer of aragonite and gypsum crusts. The wood was dated by radiocarbon to the early Roman time in the Levant. Lead isotope analyses carried out on the Pb–Fe–Cu anchor material (remains of the anchor's metal parts) yielded ratios that indicate origin of the metal in Italian ores (maybe Tuscan). For the wooden part of the anchor a local tree was used. 相似文献
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Ruth M.K. Plets Justin K. Dix Jon R. Adams Jonathan M. Bull Timothy J. Henstock Martin Gutowski Angus I. Best 《Journal of archaeological science》2009
The remains of Henry V's flagship, the Grace Dieu, currently lie buried within the inter-tidal sediments of the River Hamble (S. England). Previous archaeological investigations have been hindered by difficult excavation conditions resulting in a poor understanding of the dimensions, shape and degradation state of the hull's deeper structure. This study therefore aimed to image, characterize and reconstruct the buried remains of this vessel using a high-resolution 3D acoustic sub-bottom Chirp system with RTK-GPS positioning capability. The accurate navigation and high-resolution data that were acquired enabled the construction of a full 3D image of the site that not only identified the remains of the wooden hull, but also features buried within it. In addition, the degradation state of these buried wooden remains were investigated by calculating reflection coefficients while a hypothetical larger reconstruction of the Grace Dieu's hull was achieved, through the use of the ShipShape ship design software package. 相似文献