An Analysis of Makovsky's Border Proposal in Light of Palestinian Needs

The border proposal of David Makovsky, who, served as an advisor to Martin Indyk during the recent Israeli‐Palestinian peace talks, is analyzed from the standpoint of viable contiguity — the degree to which the border, particularly where there is Israeli annexation of settlement blocs, offers provision for access, living space, and transportation infrastructure for the Palestinian population in adjacent areas. While at some locales his proposed border improves contiguity for Palestinians compared with the current situation unilaterally imposed by Israel, more attention needs to be given to the ways it would adversely affect the quality of life of the Palestinian population in the cities and villages adjacent to those settlement blocs. This leads to the suggestion that a more comprehensive solution to border issues will feature the establishment of joint economic zones and binational administrative authorities, which can manage the entanglement of roads and populations in ways that will maximize the potential for economic development.     

The Muslim Male Character Typology in American Cinema Post‐9/11

This article tries to discover whether filmic stereotypes of Muslims in general and Arabs in particular have undergone any changes since 9/11, and if they have, what new character types have been developed to reflect these images. In the course of this study, results from other researchers who have examined the presentation of Muslims on the screen both before and after 9/11 are referred to, with a view of highlighting the sustained, unchanging character features, as well as detecting new formations. A variety of films, which have been released since 2011, incorporating Muslim and Arab characters, are used in this research and the physical appearance attributes and behavioral attributes as described by Mastro and Greenberg have been utilized to help with the analysis. The most important finding is that in the 10‐year period following 9/11, although some familiar characterizations still hit the screen occasionally, there has been a tendency to reconstruct more convincing Muslim and Arab cinematic characters. Also noticeable is the fact that the narrative at times focuses on their ethnicity or economic status more than their religious beliefs. Continued research will show if this is a passing phase or the beginning of an end to Muslim and Arab stereotyping in American cinema.     

Identification of organic materials in icons of the Cretan School of iconography

The Cretan School of iconography is the last great flowering of the traditional Byzantine painting manner, which is however influenced by different schools and western art. Despite their historical significance, icons of the Cretan School have been rarely studied through modern chemical techniques and therefore very few information is available on the materials used by the Cretan painters. In the present investigation, the organic materials contained in several icons of the Cretan School of Iconography from the collection of the Benaki Museum, Athens, Greece, are analyzed and identified by High Performance Liquid Chromatography coupled to a Diode Array Detector (HPLC–DAD) and Gas Chromatography with Mass Spectrometry (GC–MS).The HPLC–DAD results provide support to a recently published report which showed that kermes used in “Cretan” icons of 15th century and early 16th century was replaced by cochineal which was used in icons dated after early 16th century. This trend is known for western art and it is now proved for Cretan icons, showing thus the influence of the Cretan painters by other European painting schools. Other dyes detected in the historical samples, extracted from Cretan icons are madder (possibly Rubia tinctorum L., according to HPLC profiles) and indigoid dyes. Oils, such as linseed and walnut oil, are identified in samples extracted from the seven icons tested by GC–MS. Egg yolk is identified in the extract of only one icon and animal glue, originated most likely from the gesso ground, is found in six samples. Other organic materials detected by GC–MS were wax, as well as synthetic resins, applied during conservation treatments.