Optical Coherence Tomography for the non-invasive investigation of the microstructure of ancient Egyptian faience

Optical Coherence Tomography (OCT) is a non-invasive subsurface 3D imaging technique based on the Michelson interferometer. The non-invasive nature of OCT and its speed of acquisition makes it possible to image large volumes of intact objects to yield a complete overview of the microstructure. The production methods for ancient Egyptian faience were first investigated using scanning electron microscopy (SEM) imaging of the microstructure in polished sections and microprobe analysis of the composition of the glass phases. These studies were based on original Egyptian faience objects and laboratory reproductions of faience beads made using three different production methods. The microstructure of the same laboratory samples and the Egyptian faience objects from the British Museum Research Laboratory Collection are re-examined using OCT. It is found that OCT virtual cross-section images can be used to group ancient faience objects into three categories on the basis of the morphology of the surface glaze layer and the glaze/core interaction layer. The OCT images correspond well with SEM images of polished sections of ancient faience objects and laboratory reproductions. The virtual cross-sections produced by OCT are somewhat limited by the penetration depth, which is affected by the high absorption coefficient of the material and, therefore, cannot always provide information on the presence or absence of interparticle glass that binds together the quartz particles in the core. Nevertheless, the top two layers are well imaged and since OCT images can be obtained rapidly and without the necessity of removing a sample, the method can be applied to a very much wider range of ancient faience objects than is possible by SEM examination of polished cross-sections. In summary, this paper examines to what extent OCT can assist the investigation of the production techniques of ancient Egyptian faience.     

Approximating the Face of ‘Aunty’: A Question of Likeness

This paper describes two approaches to the facial approximation of three individuals from the Wairau Bar burial site (New Zealand). Two individuals were approximated working in direct reference to the remains and incorporated manual drafting. The third individual, ‘Aunty’ (the respectful title given by the iwi Rangitane elders) was approximated from CT scans and using computer graphics. The computer graphic approach enabled a greater level of precision in the application of the research and recommendations that inform a facial approximation, and facilitated collaboration with appropriate expertise. The computer-graphic approach, however, also resulted in a more photographic facial appearance, which can imply a greater level of knowledge about hard/soft tissue relationships than is currently available.     

The Myth of Reserpine-Induced Depression: Role in the Historical Development of the Monoamine Hypothesis

For five decades it has been generally accepted that reserpine, an antihypertensive and antipsychotic drug, causes depression. The discovery that reserpine depletes brain monoamines was an important factor in the development of the monoamine hypothesis of depression, and it continues to be widely cited in support of this hypothesis. The present paper argues that, contrary to prevailing belief, reserpine is not depressogenic. The reason for perpetuation of this myth is reluctance to discard the monoamine hypothesis. This hypothesis ushered the modern biochemical paradigm into psychiatry and is still of great importance. It serves as a heuristic to guide research, it enhances psychiatry’s prestige, and it helps to validate and promote drug therapy for depression and other mental disorders.     

Faces of Homo floresiensis (LB1)

Since being excavated in 2003, the skull of LB1 (the holotype of Homo floresiensis) has been given many faces, though the details regarding how each was accomplished are typically few. Here we detail our application of known, and verified, relationships between the skull and soft tissues of anatomically modern humans to produce an evidence-based facial approximation of LB1. We then compare our results to nine pre-existing LB1 faces using geometric morphometrics. These analyses suggest our facial approximation differs in proportional facial width, upper lip height and nasal morphology. Some of these differences are likely due to a different interpretation of taphonomic and excavation damage, application of different 'forensic' methods and/or an idiosyncratic incorporation of aspects of non-human primate morphology. Other differences, and in particular upper lip height, are less justifiable in relation to the skeletal evidence.     

Birdmen, cemís and duhos: material studies and AMS C dating of Pre-Hispanic Caribbean wood sculptures in the British Museum

This paper presents 19 AMS radiocarbon dates from nine pre-Hispanic Caribbean (Taíno/Lucayan) wooden sculptures in the British Museum collections, provenanced to Jamaica, Hispaniola and the Bahamas. Together with strontium isotope results and wood and resin identifications, these data build a material and chronological context for some of the most recognised examples of Taíno art – from duhos (ceremonial seats) and cemís (free standing depictions of deities, ancestors and spirits) to canopied stands used to hold hallucinogenic drugs during the cohoba ceremony. Each sculpture widens our understanding of Caribbean carving traditions, stylistic variation, chronologies and material resource utilisation. A group of three sculptures recovered from Carpenters Mountains, Jamaica, carved by AD 1300 and brought together as a ceremonial ‘set’, each appear to have had their inlays renewed over a century later, suggesting long-term use. Three key examples of the main Caribbean duho categories (high-back, low-back and extended), provide insights into the diversity of styles present in the region post-AD 1100. The British Museum's corpus enables an exploration of regional styles, and potentially the work of individual artists.     

Minority Languages,Nationalism and Broadcasting: The British and Irish Examples

Abstract. This paper examines the relationship between nationalist movements and minority languages, with particular emphasis on examples from Britain and Ireland. This relationship is less straightforward than often assumed, and the media's role in it is particularly complex. The varying political uses of minority language broadcasting are discussed, along with the implications of the separation between cultural and political nationalism. The notion of the routine banality of daily broadcasting is used to indicate how such broadcasting can work against nationalist mobilisation. Finally, Ireland is examined in the light of the previous discussion in order to offer an explanation of why it was so far behind many other areas in the provision of minority language broadcasting.