Negotiating Human Rights in Icíar Bollaín’s También la lluvia

This essay examines the interpretations of 16th-century and present-day human rights found within Icíar Bollaín’s 2010 film También la lluvia. I argue, firstly, that central to the film is the question as to whether human rights can foster justice and contest the cruelty of (neo)colonialism or if, conversely, they are designed and/or doomed to reinforce colonizing relationships and, secondly, that an interpretation of the film’s ambiguous response might contribute to recent criticism regarding the imperializing tendencies and emancipatory potential of human rights culture. By exploring the film’s self-reflexive and critical considerations of the violence human rights have caused as well as its treatment of spaces in which these rights bring about adaptations, inversions, and transformations of colonizing relationships, I propose that the film can be understood to reimagine human rights culture. In order to interpret the film’s representation of human rights, my article identifies and analyzes the processes of negotiation by which the relationship between rights and colonialism is revealed to be an unstable and malleable one, continually subject to change and in need of criticism that takes its adaptive character into account.     

Tourism global production networks and uneven social upgrading in Kenya and Uganda

This paper addresses how the growth of tourism global production networks (GPNs) based in Kenya and Uganda created uneven social upgrading outcomes for workers and communities. A tourism GPN and social upgrading framework follows a global political economy approach to analyzing tourism development and labor in diverse tourism geographies. Two tourism GPNs are investigated: Mombasa, Kenya, and Murchison Falls National Park, Uganda. Four main findings emerge: (1) governance relationships between tour operator and accommodation firms directly impacted social upgrading outcomes for hotel workers and indirectly for excursion workers; (2) excursion workers and community members had precarious connections to tourism GPNs; (3) public governance and collective power were key components to social upgrading while supporting its unevenness; and (4) societal embeddedness constructions around gender and regional space influenced worker and community social upgrading potential. Social upgrading is shaped by a confluence of firm, institution, geography, and labor conditions that differentially materializes in specific tourism GPN arrangements.     

Killer Khilats,Part 2: Imperial Collecting of Poison Dress Legends in India

This article presents the English language collecting histories of seven legends of death by Poison Dress that were recorded in early modern India (set out in ''Killer Khilats, Part 1''). The tales express fears of contamination, either symbolic or real, aroused by the ancient Persian-influenced customs of presenting robes of honour ( khilats ). Rajputs, Mughals, British, and other groups in India participated in the development of tales of deadly clothing from 1600 to the early twentieth century. The tales and their variants share motifs and themes with Poison Dress legends in the Bible, Greek myth, Arthurian legends, and modern American versions, but all seven tales display distinctively Indian characteristics. The historical settings and the contexts of collection demonstrate the cultural assumptions of the various groups who performed poison khilat legends in India.     

Their Views Matter: Frontline Regulators' Perceptions of the Regulated Community in Ohio

Frontline regulators are largely responsible for the implementation and ongoing compliance with environmental laws. Yet, as with other frontline worker populations, environmental regulators are routinely overlooked. Existing acknowledgment of these regulators typically only extends to the regulatory enforcement strategy their agency employs. Missing in these conversations is a focused study on regulators themselves and their perceptions of the regulated community that they interact with daily. Understanding these perceptions will provide insights into how regulators approach their interactions and how they ensure regulatory compliance. This research reports on one‐on‐one interviews and a statewide survey of Ohio Environmental Protection Agency frontline regulators and their perceptions of the regulated community. Findings from this survey reveal generally positive perceptions of the regulated community in Ohio and experiences with them. These findings call attention to a neglected population and emphasize the importance of regulators' perceptions in their regulatory approach.     

Madonna and Child of Soweto: Black Life Beyond Apartheid and Democracy

ABSTRACT

South African artist Laurence Vincent Scully’s 1973 painting, Madonna and Child of Soweto, offers an analytical tool for understanding the capacity of public religion to advance black life. The author argues that this image censures apartheid violence against black persons and reimagines a just sociality by displaying sacred, black motherhood and infancy in the figures Mary and Jesus. Their temporality and corporeality, when analyzed with a queer womanist method, gestate sacred public religion that exceeds both the apartheid governance of the past and also the secular, post-apartheid democracy of today.     

Performing identity within a multicultural framework

The role of music in community festivals is often to assist in constructing a particular identity of place, and music functions in such instances as a means to provide a sense of belonging for participants. However, multicultural festivals complicate any simple relationship between place and identity, because such festivals demonstrate the heterogeneous state of both identity and place. Anxieties that arise around issues of cultural authenticity within such festivals point to concerns of hybrid identities that may challenge and threaten the maintenance of clearly demarcated identities in the face of transnational relations. Drawing on ethnographic material and theoretical conceptualizations of the self, this paper explores the dynamic and fluid constructions of identity at two Australian community music festivals, and raises questions on the sorts of practices that seek to regulate the ways in which these identities are constituted and performed.