The World Upside Down: Boas,History, Evolutionism,and Science

A new wave of neo‐Boasian anthropologists advocate retrieving Boas’s sense of historicity. In his theoretical writings, and especially his early exchange with Mason and Powell in 1887, Boas linked history to Alexander von Humboldt’s “cosmographical” method and to inductive science, accusing evolutionists of reasoning deductively on the basis of artibrary classifications. Boas, on the contrary, would not classify but would consider the “individual phenomenon”. Strangely enough, Boas’s presentation of his scientific procedure has more or less been taken at face value, and I question this Boas‐centric view of Boas. Examining Boas’s theoretical statements, his onslaught against evolutionism and his ethnographic practice, I find the accusation of deductive reasoning against evolutionists totally polemical. Furthermore, I discover neither induction nor history or cosmography in his practice, but a Linnaean‐type natural history. In brief, I uncover an inverse image of what Boas presented of himself, and no basis whatsoever for retrieving a historicity for contemporary anthropology.     

Evidence of sun‐dried fish at Mleiha (S.‐E. Arabia) in antiquity

A concentration of fish remains found in a single room of a fortified building at Mleiha (United Arab Emirates) is presented here. Part of it was probably the filling of a bag or an organic container that fell from a bench onto the floor of the room. The various species recovered from these contexts, dating to the second to mid‐third centuries AD, are briefly described. Particular attention is paid to the skeletal elements by which the fish are represented and to the corresponding lengths of the animals, as these allow the proposition that the fish had been dried on the seashore before being carried to the site inland. The data from building H will be compared to those from previously studied contexts at Mleiha (Gautier & Van Neer 1999 ; Mashkour & Van Neer 1999 ). In addition the ichthyofauna from ed‐Dur (Van Neer & Gautier 1993 ), a coastal site that is partially contemporaneous with the contexts from building H, will be considered.     

Keystone of the patriarchal family? Indissoluble marriage,masculinity and divorce in Liberal Italy

While divorce laws were introduced in most of western Europe in the second half of the nineteenth century, the majority of Italian statesmen exhibited strong reluctance to take such a measure on the occasions it was proposed by a number of progressive parliamentarians between unification and 1920. This essay examines the debates over whether or not to introduce a divorce law during Italy's Liberal period, arguing that many Italians saw indissoluble marriage as a way of protecting the ‘natural’ gender order against the corruptive tendencies of modernity seen elsewhere, particularly in France. Much rhetoric was expended on the notion that marriage protected Italian women in particular, but a divorce law would also have righted the radical asymmetries of power that lay at the heart of the Italian marriage contract. These were asymmetries that gave the husband distinct privileges and helped to construct masculine identity. For that reason, the maintenance of marriage as a contract only dissoluble by death can be read as a determination to protect traditional notions of masculinity.     

Low regional diversity of late cave bears mitochondrial DNA at the time of Chauvet Aurignacian paintings

The Chauvet-Pont d'Arc and Deux-Ouvertures caves, located along the Ardèche River (France), contain abundant remains of the extinct cave bear (Ursus spelaeus). Because they also display a variety of Palaeolithic anthropogenic evidences, such as the earliest charcoal drawings recorded to date (Chauvet-Pont d'Arc), and delicate engravings (Deux-Ouvertures), they offer the opportunity of studying the interaction between animals and human beings during a key period for Pleistocene species extinctions. We characterized cave bear specimens from these two sites by radiocarbon dating, stable isotopes, and mitochondrial DNA analysis. In Chauvet-Pont d'Arc, we obtained radiocarbon ages that ranged between 29,000 and 37,300 years before present (BP). The Deux-Ouvertures cave bear specimens clustered to the bottom of this time frame, returning radiocarbon ages of 27,440–30,220 years BP. Cave bear nitrogen isotope values were all compatible with a vegetarian diet. Mitochondrial DNA analysis, carried out on a highly variable domain of the control region, evidenced only two cave bear haplotypes, including a new haplotype, and a common one which largely predominated. We detected both haplotypes in Chauvet-Pont d'Arc, but only recorded the predominant one in the Deux-Ouvertures Cave. Our data put forward the surprising observation that cave bears inhabited Ardèche over a short period of time, from about 37,000 to 27,400 years BP. They were notably present during the first (Aurignacian) phase of human intrusions in Chauvet-Pont d'Arc, 30,000–32,000 years BP. This points to the possible competition for cave sites, presumably on a seasonal scale considering the cave bear habit for hibernation. During this time period, the small number of haplotypes is at variance with the extensive genetic diversity reported elsewhere for much more ancient specimens.     

The cultural practices of Europeans

Abstract: In recent years, there has been a rapid rise in “atypical”, precarious forms of employment in all European Union states, and the political significance of the issue of “employment in the cultural sector” has increased noticeably. There are several reasons for this. One is the change from a post-industrial economy to a cultural economy and a forced process of economisation of societal welfare-state fields such as health, education and culture. The “marketisation” of culture and the “culturalisation” of the market means that on the one hand “high” culture is becoming increasingly commercial and, on the other, cultural content is increasingly shaping commodity production. These processes run concurrently and are part of a general trend in post-modern society.

The article follows the thesis of a recently published EU study on job potential in the cultural sector [MKW Wirtschaftsforschung GmbH / Österreichische Kulturdokumentation. Internationales Archiv für Kulturanalysen et al., (2001). Exploitation and development of the job potential in the cultural sector in the age of digitalisation (Brussels: European Commission DG Employment and Social Affairs) (summary: http://www.kulturdokumentation.org/eversion/rec_proj/potential.html)] which identifies a new type of employer and/or employee—the “entrepreneurial individual” or “entrepreneurial cultural worker”—who no longer fits into previously typical patterns of full-time professions of the European welfare state system.

The former “cultural worker” has been transitioning into a “cultural entrepreneur” or—as others put it—into a “sole service supplier in the professional cultural field”. According to the historian Heinz Bude's argument, western European societies find themselves in a process of “transformation into flexible, digital capitalism, away from the Keynesian welfare state to a Schumpeterian performance state and a ‘variable geometry of individual incentives’”. What is developing here is the guiding concept of the “entrepreneurial individual”, i.e. individuals who do not follow prescribed standards but who (have to) try out their own combinations and assert themselves on the market and in society. In this context, the creative cultural sector is of broader interest for new labour market concepts and strategies. In addition to the general change, new technology is leading to the emergence of new job profiles in the creative cultural sector so that the image of artists and creators is changing fundamentally. The new creative workforce is meant to be young, multiskilled, flexible, psychologically resilient, independent, single and unattached to a particular location. The article stresses the argument that these new realities of work and labour have to be recognised more extensively in up-to-date labour market strategies and cultural policy concepts. Western societies have to learn to cope better with these new general working and living conditions which affect a continuously increasing number of cultural workers/entrepreneurs—people who have to make their living from micro-entrepreneurialism. The article argues that cultural and employment policies should find innovative ways to accommodate the ambivalent efforts and needs of cultural workers/entrepreneurs (without capital). In conclusion, it will point out that the knowledge-based society has also given birth to historically new forms of employment not yet represented in the traditional canon of the political representation system (political parties, interest groups, etc.). Cultural policy-makers should take this into account in thinking about adequate social security schemes for their clientele, and labour policy-makers should be more aware of the major employment potential of the cultural sector on the one hand and, on the other, of the often precarious working and living conditions currently prevailing in it.     

Sheepology: The Postcolonial Politics of Raceless Racism in Switzerland

Discussing racism and its colonial genealogy remains difficult in contemporary Switzerland. This article addresses the politics of racism's name-ability at the crossroads of studies of ‘postcolonial Switzerland’ and ‘raceless racism’ in continental Europe. The former highlight Switzerland's self-conception as outside colonialism. The latter emphasize the complexities of Euro-racism, in particular its production through the absence of explicit racial references. Drawing on postcolonial discourse-analytic methodology, I explore the famous case of the ‘sheep poster’ that supported the far right-wing Swiss People's Party campaign in 2007 and triggered an important controversy around legitimate public images of ‘Swissness’ and ‘difference’. The first section analyses the (untold) history of colonial racialised discourses that are conveyed by the poster. The second and third sections comprise a discourse analysis of the public claims that were expressed by various actors against or in defence of the poster. I show that the controversy consisted of a struggle between three antagonistic articulations of ‘Swissness’ and ‘difference’, namely between an antiracist discourse, and anti-exclusionary discourse, and defensive interventions. As the two latter discourses became hegemonic at the expense of the anti-racist critique, this struggle reasserted and renewed a regime of raceless racism, revealing both specificities and commonalities between the Swiss case and the broader context of postcolonial Europe.     

Context, curation, and bias: an evaluation of the Middle Paleolithic collections of Combe-Grenal (France)

The site of Combe-Grenal is arguably the reference site for the Mousterian of southwest France. Bordes excavated the site over a period of 13 years and generated a large collection of lithics and fauna from a deep series of 64 Lower and Middle Paleolithic levels. Though Bordes only partially published his work at the site, its long stratigraphic sequence and particularly its collections have been subjected to numerous studies over the years and have figured prominently in several long-running debates concerning the Mousterian. Recently, the authors undertook a project to inventory and analyzed these collections along with the documentation of their archaeological context. In so doing, however, a number of serious problems became apparent with the collection in its current state, problems that cannot easily be resolved given the state of the available documentation. These problems have important implications not only for results of studies based on these collections, but more generally, they also point to problems in terms of how archaeological collections are curated.