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Rebecca Repper Melissa Kennedy Jane McMahon David Boyer Matthew Dalton Hugh Thomas David Kennedy 《Arabian Archaeology and Epigraphy》2022,33(1):3-22
A comprehensive remote sensing survey of AlUla County in north-west Saudi Arabia has revealed 32 examples of the ancient, stone-built animal traps known as ‘kites’. Noting that most (27) are located on the Ḥarrat ʿ Uwayriḍ, a satellite survey of parts of that lavafield outside of AlUla County was undertaken, identifying a further 175 kites. These show commonalities with ‘V-shaped’ kites previously identified in mountainous areas along the western extents of the Arabian Shield in the Sinai Peninsula, Negev Desert and south-west Saudi Arabia. A study of the form and placement of these kites in their ecological and geological contexts suggests that they are representative of a distinct complex, exhibiting sophisticated morphological adaptations to target specific games over similar terrain. 相似文献
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Anne Kershaw Kerrie Bridson Melissa A. Parris 《International Journal of Cultural Policy》2020,26(3):344-364
ABSTRACTAcross management, marketing, public administration and museology literature, coproduction has been presented as an innovative approach to service improvement. This case study of the Australian museum sector contributes to the instrumentalisation debate, by revealing the potential inhibitors to such improvements when coproduction distracts rather than enhances the work of cultural institutions. While public value requires the strategic cultural manager to negotiate between ‘upstream audiences’ (government and funding bodies) and ‘downstream audiences’ (users and the body politic), these two groups appear to exert different levels of influence. This research suggests that upstream audiences currently absorb the attention of museums. As a result, the manner in which museums coproduce, and the motivations for this work, appear to be geared towards advocating the public value of museums to government and funding bodies. This case study suggests that museums sacrifice the service innovations and exhibition enhancements offered by coproduction (intrinsic outcomes) to pursue government funding and support (instrumental outcomes). 相似文献
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