His Two Mates Around Him Were Crying: Masculine Sentimentality in Late-Victorian Culture

Abstract

Commentators on late-Victorian culture often tell us that two interrelated developments took place. First, there was a shift away from Victorian sentimentality; second, there was a growing insistence on toughness and emotional reserve as desirable for white men. Commentators on late-Victorian Australia often suggest that these developments were unusually conspicuous there. This is what the historian of mourning Patricia Jalland tells us in a discussion of the paradigmatic representation of death in Victorian Australian culture. In the Australian colonies, she writes, the paradigmatic death was the tough white man’s in the solitary bush. Representations of such deaths were legion, most often infused with ‘ironic realism’ rather than sentiment. In this article I challenge this view. Focusing on the work of popular Australian writer, Henry Lawson, I show that depictions of white men dying in the bush were profoundly sentimental in that they promoted pathos for white men’s suffering and grief in conventional ways. Representations of dying bushmen were indeed part of a specifically white, masculine sentimentality emerging throughout Anglophone culture in the late-Victorian years, part of a process through which white men insisted on the primacy of their emotional experiences and needs. In Australia and other settler colonies, this new masculine sentimentality also supported settler colonialism because promoting tenderness for hardy white frontiersmen diverted sympathy from the Aboriginal peoples they dispossessed. This article accordingly rethinks the dynamic between masculinity and sentiment in late-Victorian culture, paying particular attention to its relationship to power.     

Jane Eyre's ‘Arabian Tales’: Reading and Remembering the Arabian Nights

This article considers the significance of the Arabian Nights in nineteenth-century memoirs and accounts of childhood. Taking Jane Eyre (1847) as my chief example, I investigate the nature of the childhood encounter with the stories and the intensity of the child's emotional and sensory engagement with the work. I then consider how these stories and books function not only as childhood souvenirs, but also as stand-ins for childhood itself in the construction of an autobiographical subject. Finally, I offer a reading of the presence of the Arabian Nights within the narrative of Jane Eyre and its role in structuring the memories of its eponymous heroine.     

Urban foraging and the relational ecologies of belonging

Through a discussion of urban foraging in Seattle, Washington, USA, we examine how people's plant and mushroom harvesting practices in cities are linked to relationships with species, spaces, and ecologies. Bringing a relational approach to political ecology, we discuss the ways that these particular nature–society relationships are formed, legitimated, and mobilized in discursive and material ways in urban ecosystems. Engaging closely with and as foragers, we develop an ethnographically grounded ‘relational ecologies of belonging’ framework to conceptualize and examine three constituent themes: cultural belonging and identity, belonging and place, and belonging and more-than-human agency. Through this case study, we show the complex ways that urban foraging is underpinned by interconnected and multiple notions of identity, place, mobility, and agency for both humans and more-than-human interlocutors. The focus on relational ecologies of belonging illuminates important challenges for environmental management and public space planning in socioecologically diverse areas. Ultimately, these challenges reflect negotiated visions about how we organize ourselves and live together in cosmopolitan spaces such as cities.     

The survey project: researching women’s everyday experience and envisioning modernity in rural Bohemia at the end of the Second World War

This article examines a survey of rural Czech women conducted in 1944–1945. It argues that the survey tells two very different stories. First, the survey provides an unvarnished look into the everyday material circumstances of a few rural Czech women. But for all they tell us about the material conditions of these rural women’s lives, the surveys tell us very little about their ideals, hopes, and dreams. The surveys do, however, reveal quite a bit about the inner motivations of the very different group of women who commissioned this research, a group known as the Women’s Center. Reading in between the lines of these texts shows how the activists of the Women’s Center imagined modernity in the countryside. Theirs was a vision of rational households, technological advances, and good taste, even in rural villages.     

Biofilm growth in human skeletal material from ancient Mesopotamia

Investigators have long recognised the effects of microbial activity on archaeological bone. These investigators, however, have focused on single or groups of microbes rather than on complex microbial aggregates such as biofilms, a focus that has affected our understanding of archaeological bone biodeterioration. In this paper, we report on the investigation of a biofilm in archaeological human bone from the site of Tell Leilan, Syria (2900–1900 BCE). Scanning electron microscopy indicated that the biofilm is characterised by single cells and microcolonies of bacteria and fungi, as well as calcite crystals that were all embedded within extracellular polymeric substances. Using culture techniques and DNA sequencing, we isolated and identified several microbes from the biofilm including Amycolatopsis sp., Penicillium chrysogenum, Aspergillus sp., Chaetomium sp., and Cladosporium sp. Having characterised the Leilan biofilm, we are now closer to understanding the complex process of bone biodeterioration in archaeological bone collections.     

New perspectives on instrumentalism: an empirical study of cultural diplomacy

Museums are increasingly recognised as having a role to play within international relations, to facilitate cultural exchange, assert national identity and foster mutual understanding. Whilst international work is perceived to be politically motivated and diplomatically advantageous, it can be highly beneficial to cultural institutions. In this paper, ‘cultural diplomacy' is shown to be a strategy used by museums to enable organisational development and economic growth. This paper demonstrates how national museums adopted a political rhetoric and used strategic lobbying to formulate a new cultural policy, which expanded the scale and scope of their international work. By defining the parameters and principles of this policy, the institutions wield power, thus challenging the conventional perceptions of policy-making and contradicting commentators who accuse museums of political subservience. Throwing the notion of instrumentalism into disarray, this paper calls for a theoretical and conceptual rethinking, to revamp understanding and bring it in line with practice.     

Matter,Places, and Persons in Cahokian Depositional Acts

Artifact caching, soil layering, and other intentional depositional practices—archaeologically defined “ritual deposits” of the past—are especially prevalent during the Mississippian period. Employing a perspective of relational ontology, however, we interrogate the validity of a past partitioned into religious, political, and daily spheres. Rather, this perspective emphasizes the multi-experiential and multi-dimensional aspects of social life. Meaning, intentional depositional acts can no longer be usefully described as simply “sacred” or “ritual” practices. Rather, these deposits should be explored as experiences tied to multiple layers of social life, investigating the relationships constructed through such deposits between humans, nonhuman agents, and the landscape.     

Tracing firing technology through clay properties in Cuzco,Peru

The purpose of this study was to identify changes in firing practices that occurred during a timeframe that saw the introduction of European kiln technology to the Andes (AD 900–1800). Pottery from an excavated context at the archaeological site of Aqnapampa in the southern highlands of Peru was examined for changes in paste recipes that adapted local materials to increased firing temperatures indicative of evolving firing technologies. Sherds (60) and fragments refired to 890 °C from 12 stratigraphic levels were compared by style, surface treatment, paste color, and vitrification structures (ESEM). Four technological phases of the Cuzco pottery sequence emerged and were used to evaluate the trajectory of a single decorative style (Killke). Previously thought to have been produced in pre-Inca times and curated into later periods, the Killke sherds presented evidence that the style was produced using technologies introduced in the Inca and Spanish Colonial Period.