Of Sodomy and Cannibalism: Dehumanisation,Embodiment and the Rhetorics of Same‐Sex and Cross‐Species Contagion

This article explores ideas of the ‘human’ in discourses surrounding the AIDS epidemic, from the 1980s to the present. It compares two sequential lines of thought: first, the notion of AIDS as the result of ‘unnatural’ gender behaviours and queer sexualities; and second, the notion of AIDS and other zoonotics (cross‐species diseases) as the result of non‐western dietary practices and social mores. In the first case, the early years of the AIDS crisis are traced through the languages of sexual perversity utilised by the popular press and the Christian right. In the second case, the later years of the epidemic are traced, once the ‘roots’ of the virus became tied to Africa, and carriers became bestialised in narratives that located HIV as a consequence of unnatural, or inhuman, interactions with the animal world. The article argues that we have witnessed a paradigm shift in the didactics of the epidemic, from a narrative of sexual impropriety to one that also includes a narrative of dietary impropriety, each of which consistently relies upon a clear dichotomy between the human and the inhuman.     

The impact of western science and technology on 'ukiyo-e' prints and book illustrations in late eighteenth and nineteenth century Japan

In the Edo period (c. 1600-1868), exposure to Western art, science and technology encouraged Japanese 'ukiyo-e' (pictures of the floating world) artists to experiment with Western perspective in woodblock prints and book illustrations. We can see its early influence in the work of Utagawa Hiroshige (1787-1858), as well as Utagawa Kuniyoshi (1797-1861). Unlike Hiroshige, Kuniyoshi lived to see the opening of the port of Yokohama to trade with the West in 1859. A whole genre of Yokohama prints emerged and one of the key artists was Utagawa Sadahide (1807-1873). In his illustrated books entitled 'Yokohama kaikō kenbunshi' (A Record of Things Seen and Heard in the Open Port of Yokohama) (1862), Sadahide plays with perspective in an effort to represent the dynamic changes that Japan was undergoing in its encounter with the West at the time. In the work of later artists such as Hiroshige III (1843-1894), Kobayashi Kiyochika (1847-1915) and Inoue Yasuji (1864-1889), we can see growing efforts to depict light, shadow and depth, and a continuing fascination with the steam locomotive and the changes occurring in the Tokyo-Yokohama region as Japan entered the Meiji period (1868-1912).     

In defence of oblivion: the case of Dunwich,Suffolk

This article examines the way in which the town of Dunwich, Suffolk, once the capital of a Saxon kingdom and the sixth largest town in England, has constructed its identity from its long history of experiencing coastal erosion. Now as a small village, Dunwich has built a cultural heritage industry devoted to presenting absence to its visitors and residents, through many diverse forms: historiography, archaeology and the material culture displayed and commodified in the Dunwich Museum. Local pride in this history of disappearance runs strong, as was demonstrated when a proposed monument to the lost town was rejected by village residents. Connecting this sense of identity both to critical investigations into the nature of loss, transience and disappearance, as well as to the future of local and global environmental processes, this article considers whether a site whose construction of loss-as-identity should be allowed to survive past its natural lifespan – especially one that, given the process of erosion involved, can be measured. If the dominant cultural logic at a site tends towards absence rather than presence, I here ask what justifications exist for forestalling that identity in the name of conservation and preservation.     

Fallow deer (Dama dama dama) management in Roman South-East Britain

This paper presents new carbon, nitrogen and sulphur isotope data for European fallow deer (Dama dama dama) in Roman Britain and discusses results in light of evidence from classical texts, landscape archaeology, zooarchaeology and the limited available samples of metric data. The new isotope data presented here are from Fishbourne Roman Palace (Sussex), two sites on the Isle of Thanet (Kent) and a further two sites in London. In spite of small sample sizes the data make an important contribution to the very limited corpus of scientific research on the species and provide new resolution to the nature of fallow deer movement and management in Roman Britain.     

The black family needs no defense

Jerold Heiss. The Case of the Black Family: A Sociological Inquiry. New York & London: Columbia University Press, 1975. 246 pp. $13.50.     

Body Snatching & Grave Robbing: Bodies for Science

This paper parallels the history of body snatching for dissection in the United States with the robbing of Native American graves by nineteenth‐century anthropologists for osteological collections. The implications of the similarities revealed are discussed; specifically whether ethical responsibilities to the deceased were being upheld by researchers and how these practices were maintained through the exploitation of marginalized members of society. In both cases, bodies were commodified in the grave (interred as people and later extracted as resources) and clandestinely acquired, studied and then disposed of or stored away. For doctors, the traffic in cadavers ended when voluntary donation of bodies to science increased in the twentieth century. For anthropologists the situation has been reversed, as they now face the potential destruction of their skeletal collections as a result of legal reforms such as NAGRPA.