Policy Styles and Degenerative Politics: Poverty Policy Designs in Newfoundland and Quebec

This article examines the proposal suggesting that policy designs are consistent with the social construction of target groups. Associated with policy design theory, the proposal pessimistically suggests that underprivileged citizens will be targeted with policies that do little to help them, creating a vicious circle of degenerative politics. This article argues that the prevalence of degenerative politics depends on policy styles. Significant where the adversarial style prevails, degenerative politics is less common in consensual systems. This proposal is examined through a systematic content analysis of action plans to reduce poverty in Newfoundland and Quebec.     

Undercover Acolytes: Honganji,the Japanese Army,and Intelligence‐Gathering Operations

In the late nineteenth and early twentieth century, as the Japanese Army sought intelligence on the countries neighbouring Japan, the military made use of the Buddhist priesthood as a cover for intelligence gathering. In addition, elements of the Buddhist priesthood, in particular the Kyoto‐based Honganji sect, were happy to cooperate with the military in its intelligence gathering operations, either by allowing military officers to disguise themselves as monks or by having Buddhist monks gather military intelligence for the Japanese Army. This article examines the relationship between the Japanese Army and the Honganji sect following the 1868 Meiji Restoration, the activities of military officers who disguised themselves as Buddhist monks and the intelligence gathering activities of Buddhist monks, hoping to shed more light on the part that Japanese Buddhism played in Japan's imperial adventures.     

Gast! A Breton moment in Cré na Cille,and why it matters

Máirtín Ó Cadhain’s famously difficult Irish language novel Cré na Cille contains a cluster of Breton words that have not all been recognised as such. These words are a clue that the French-speaking airman, arguably the only character in the novel with a significant “arc”, is in fact supposed to be a Breton. His immersion in Gaelic Ireland, his frustrated hope of fulfilment in philological studies and pan-Celticism and his ultimate lapse into patriotic Frenchness mirror the experiences of Breton nationalists of the 1940s – some of whom were helped by Ó Cadhain himself to take refuge in Ireland after the Second World War – and represent a subtle critique of Brittany’s pan-Celticist hopes within the novel’s larger multifaceted critique of Irish rural life.